Tag Archives: Sam Taylor

IRIS BARRY’S HISTORY OF FILM

Iris Barry was the first curator of MOMA’s Film Library, founded in 1935. The museum’s matinee series IRIS BARRY’S HISTORY OF FILM brings together selections from her early programs.

BATTLESHIP POTEMKIN

Friday, December 20, at 1:30 pm.

DREAM OF A RAREBIT FIEND and THE NAVIGATOR

Monday, December 23, at 1:30 pm.

THE FRESHMAN

Tuesday, December 24, at 1:30 pm.

DRESSED TO KILL

Thursday, December 26, at 1:30 pm.

SHE DONE HIM WRONG

Friday, December 27, at 1:30 pm.

THE LOVE PARADE

Monday, December 30, at 1:30 pm.

TRANSATLANTIC

Tuesday, December 31, at 1:30 pm.

Museum of Modern Art

11 West 53rd Street, New York City.

From top: Donald Crisp and Buster Keaton, The Navigator (1924), with Keaton; Ernst Lubitsch, The Love Parade (1929); Irving Cummings, Dressed to Kill (1928); Fred Newmeyer and Sam Taylor, The Freshman (1925), with Harold Lloyd; William K. Howard, Transatlantic (1931); Lowell Sherman, She Done Him Wrong (1933), with Mae West (right); Sergei Eisenstein, Battleship Potemkin (1925), (2). Images courtesy of Photofest and MOMA.

WHO MURDERED ROLAND BARTHES ?

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For his second book THE SEVENTH FUNCTION OF LANGUAGE—a highly comedic murder mystery about French Theory in the 1980s in which the death of Roland Barthes was not an unfortunate accident but a deliberate hit carried out in pursuit of that seventh function—Laurent Binet turns everything he loves and loathes about European intellectual life into irreverent satire.

Starring Michel Foucault, Julia Kristeva, Umberto Eco, Judith Butler (as a university student), Louis Althusser (and his uxoricide), François Mitterrand (Barthes’ lunch date just before his death), Valéry GiscardMichelangelo Antonioni and Monica Vitti at a fateful Logos Club meeting in Bologna, and Jacques Derrida, Roman Jakobson, Sylvère Lotringer, Camille PagliaFélix Guattari (but not Gilles Deleuze) at a linguistic symposium-turned-orgy at Cornell, the novel’s episodes are punctuated with a series of hilarious examples of the extreme logorrhea and irrepressible vanity of Philippe Sollers.

 

LAURENT BINET

THE SEVENTH FUNCTION OF LANGUAGE

Translated by Sam Taylor

(New York: Farrar, Straus and Giroux, 2017).

us.macmillan.com/book

See: partisanmagazine.com/interview-with-laurent-binet

Roland Barthes. Image credit above: Éditions Grasset et Fasquelle.

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