Tag Archives: Sterling Ruby

FOR SHANNON MICHAEL CANE

Printed Matter presents a survey of artist editions and publications produced by Shannon Michael Cane (1974-2017), the late Fairs and Editions Curator.

25% of Edition sales through September 2nd will be contributed to the Shannon Michael Cane Fund, supporting future projects carried out in Shannon’s name.

 

SHANZINI—SHANNON MICHAEL CANE AND PRINTED MATTER

Through October 14.

Printed Matter, 231 Eleventh Avenue (at 26th Street), New York City.

printedmatter.org/event

Above: L.A. and N.Y. Art Book Fair organizers Jordan Nassar (left) and Shannon Michael Cane.

ABSTRACT FIGURATION

Earlier this year, former Interview editor and Vanity Fair special correspondent Bob Colacello made his curatorial debut with THE AGE OF AMBIGUITY: ABSTRACT FIGURATION/FIGURATIVE ABSTRACTION at the Vito Schnabel Gallery in St. Moritz.

The catalogue—published by Schnabel, with text by Colacello—is an 82-page hardcover featuring work by Jean-Michel Basquiat, The Bruce High Quality Foundation, Jeff Elrod, Jacqueline Humphries, Rashid Johnson, Adam McEwen, Sterling Ruby, Borna Sammak, Jonas Wood, Vito’s father Julian Schnabel, and Bob’s former employer Andy Warhol.

“As the 21st century grapples its way through its second decade, America seems to have entered what may be called The Age of Ambiguity, a time when everything is fluid and nothing concrete, and confusion overwhelms certainty… It is said that the best artists are the antennae of their society, the prophets of their era. Is it any wonder, then, that many younger American painters and sculptors have long abandoned the bygone absolutisms of Minimalism on one hand and Hyper-Realism on the other and are making works today that hover in a hard to define space that might be called Abstract Figuration or Figurative Abstraction?” — Bob Colacello*

BOB COLACELLO, THE AGE OF AMBIGUITY (Vito Schnabel, 2017). Edition: 1000.

SKYLIGHT BOOKS, 1818 North Vermont Avenue, Los Feliz, Los Angeles.

BOOK SOUP, 8818 Sunset Boulevard, West Hollywood.

ART CATALOGUES, LACMA, 5905 Wilshire Boulevard, Los Angeles.

vitoschnabel.com/fr/publications/the-age-of-ambiguity

vitoschnabel.com/fr/projets/group-show7/artworks?view=slider

* artnet.com/galleries/vito-schnabel/the-age-of-ambiguity-curated-by/

Top: Exhibition catalogue. Bottom: The Bruce High Quality Foundation, Landscape with Travelers Resting, 2015. Both images courtesy of the Vito Schnabel Gallery.

bb6dc6a05927051a68ea88c9ac8868bf

2a968ba107c023b626b93b356b38475c

 

 

CONCRETE ISLAND AT VENUS

Matt Johnson, Drywall #5 (Baby Aqua M440–3), 2017. Painted wood, 72 x 101 x 72 inches (182.9 x 256.5 x 182.9 cm) Image credit: Venus Over Manhattan

Matt Johnson, Drywall #5 (Baby Aqua M440–3), 2017.
Painted wood, 72 x 101 x 72 inches (182.9 x 256.5 x 182.9 cm)
Image credit: Venus Over Manhattan

“Welcome to Concrete Island: an overlooked city within a city, an entropical paradise where leisure is lean….Listen to our walls: they speak in a rare blend of hobo shamanism and contemporary primitivism that captures the texture of the urban psyche.”*

This group show at Venus’ Boyle Heights outpost features work by Kelly Akashi, William Anastasi, Vern Blosum, Will Boone, Jedediah Caesar, Center for Land Use Interpretation, the Crenshaw Cowboy, Catharine Czudej, Jaime Davidovich, Harry Dodge, Sam Falls, Francesca Gabbiani, Kim Gordon, Matt Johnson, Lazaros, Jason Matthew Lee, Jason Bailer Losh, Tony Matelli, Pentti Monkkonen, Ruben Ochoa, Jon Pylypchuk, Ry Rocklen, Nancy Rubins, Sterling Ruby, Analia Saban, Blair Saxon-Hill, Max Hooper Schneider, Daniel R. Small, Piotr Uklanski, Kaari Upson, and Chris Wiley.

 

CONCRETE ISLAND, through May 20.

VENUS LOS ANGELES, 601 South Anderson Street, Los Angeles.

*venusovermanhattan.com/exhibition/concrete-island/

 

STERLING RUBY ON DUBUFFET

Sterling Ruby will walk and talk visitors through a selection of drawings by Jean Dubuffet at the Hammer Museum.

“The career of Dubuffet had some disappointing phases, but when he was on, he was a genius, and he was almost always on in his drawings.” — Roberta Smith*

 

ARTIST WALK-THROUGH—STERLING RUBY ON JEAN DUBUFFET

Tuesday, April 4 at 6 pm.

 

DUBUFFET DRAWINGS, 1935–1962

Through April 30.

Hammer Museum, 10899 Wilshire Boulevard,Westwood, Los Angeles.

DUBUFFET DRAWINGS, 1935-1962 was organized by Isabelle Dervaux. The Hammer’s presentation is curated by Connie Butler, chief curator, with Emily Gonzalez-Jarrett, curatorial associate.

*Roberta Smith, New York Times, November 25, 2016.

Below: Jean Dubuffet, Quatre personnages (Four Figures), 1946. Gouache, with incising, on coarse sandpaper.
Richard and Mary L. Gray and the Gray Collection Trust. Photograph by Tom Van Eynde.
© 2016 Artists Rights Society (ARS), New York /ADAGP, Paris.

WEEKLY WRAP UP | SEPT. 1-5, 2014

Downtown Los Angeles

Downtown Los Angeles

This week we visited the Night Gallery exhibition TRAINS curated by Sterling Ruby and the bizarre home of The Bunny Museum. We announced Jana Euler‘s exhibition of paintings at Kunsthalle Zurich, Jonathan Binet at Gaudel de Stampa and Clement Rodzielski at Chantal Crousel, and K8 Hardy at Kunstlerhaus, Graz. We took a tour of architecture at the Bradbury Building in Downtown Los Angeles and announced the upcoming 2014 New York Art Book Fair. Make sure to also check out Miranda July‘s new app “Somebody” sponsored by Miu Miu.