Tag Archives: Terrorists in Love (Kraus)

THE FILMS OF CHRIS KRAUS

The films of Chris Kraus—the feature Gravity and Grace (1995), and the shorts In Order to Pass (1982), Terrorists in Love (1983), Foolproof Illusion (1986), Voyage to Rodez (1986), How to Shoot a Crime (1987, co-directed with Sylvère Lotringer), The Golden Bowl or Repression (1984-88), Traveling at Night (1990), and Sadness at Leaving (1992)—are now playing at Château Shatto.

 

CHRIS KRAUS—

IN ORDER TO PASS—FILMSFROM 1982–1995

Through June 23.

Château Shatto, Bendix Building

1206 Maple Avenue, downtown Los Angeles.

Above: Chris Kraus, still from The Golden Bowl or Repression (1984-1988).

Below: Chris Kraus, still from Gravity and Grace (1995).

 

AT THIS STAGE AT CHÂTEAU SHATTO

This is the closing weekend for AT THIS STAGE at Chateau Shatto, an exhibition that considers the violent and contaminating “intrusion of images and the assault of narrative structures on consciousness.”*

The show includes paintings and sculptures by Body by Body, Aria Dean, Gardar Eide Einarsson, Hamishi Farah, Parker Ito, and Martine Syms, as well as videos by Chris Kraus (Terrorists in Love, and How to Shoot a Crime, with Sylvère Lotringer), Bunny Rogers (Mandy Piano Solo in Columbine Cafeteria), Sturtevant (Warhol Empire State), and Jordan Wolfson (Con leche).

AT THIS STAGE, through August 12.

CHÂTEAU SHATTO, 406 West Pico (at Grand), downtown Los Angeles.

*  chateaushatto.com/exhibition/at-this-stage/

Top: Body by BodyCafe U.S.A., 2015. High density polyethylene, powder-coated steel, aluminum frame. 48 x 36 x 4.75 in / 121.95 x 91.45 x 12.1 cm. Image courtesy Body by Body and Chateau Shatto.

Bottom: Gardar Eide Einarsson, Flagwaste (Stars and Stripes), 2016. Refuse collected from American flag manufacturers. Dimensions variable. Image courtesy Gardar Eide Einarsson and Team Gallery.

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