Tag Archives: The Village Voice

J. HOBERMAN — NO MISTAKES

The radical filmmaking practice of Andy Warhol within the context of the work of Oscar Micheaux and Orson Welles is the subject of a lecture by J. Hoberman this weekend.

Hoberman—a contributor to Artforum and The Nation—was a film critic for The Village Voice for over thirty years.

J. HOBERMAN—NO MISTAKES

ANDY WARHOL’S NEW HISTORY OF CINEMA

Sunday, February 3, at 4 pm.

Whitney Museum of American Art

Hess Gallery and Theater

99 Gansevoort Street, New York City.

From top: Andy Warhol, Sleep (1963), film still (John Giorno); Oscar Micheaux, Within Our Gates (1920), film still; Orson Welles, The Lady from Shanghai (1947), film still (Welles and Rita Hayworth).

GARY INDIANA IN LOS ANGELES

“In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows.” — Gary IndianaVile Days

Indiana’s art reviews for the Voice—collected and republished as Vile Days: The Village Voice Art Columns, 1985–1988—combine “his novelistic and theatrical gifts with a startling political acumen to assess art and the unruly environments that give it context.”

Indiana will give this week’s graduate art lecture at ArtCenter’s Hillside Campus.

In mid-January he will read from Vile Days and present the Michael Haneke film Happy End (2017) at a Hard to Read event in West Hollywood.

 

GARY INDIANA ON VILE DAYS

Tuesday, December 4, at 7:30 pm.

ArtCenter College of Design

Hillside Campus

1700 Lida Street, Pasadena.

 

GARY INDIANA AT HARD TO READ

Tuesday, January 15, at 7 pm.

Standard Hotel

8300 Sunset Boulevard, West Hollywood.

 

See ArtCenter Talks: Graduate Seminar, The First Decade 1986–1995, Stan Douglas, ed. (New York: David Zwirner Books/Pasadena, CA: ArtCenter Graduate Press, 2016).

Image credit above: Semiotext(e).

Below: Gary Indiana. Photograph by Hedi El Kholti, courtesy El Kholti and Indiana.

JILL JOHNSTON DANCING

In 1963 and 1964, Andy Warhol captured dancer-choreographers Lucinda Childs, Yvonne Rainer, and Freddy Herko, and Village Voice dance critic Jill Johnston with his Bolex—performing in lofts, on rooftops, and at Judson.

These cinematic time capsules will be screened this weekend and next at the Whitney, and in early December at MOMA.

The films include Jill Johnston Dancing, Freddy Herko, Jill and Freddy Dancing, Lucinda Childs, and Shoulder.

 

DO IT YOURSELF—WARHOL AS BALLETOMANE

Saturday, November 17, at 7 pm.

Friday, November 23, at 2 pm.

ANDY WARHOL—FROM A TO B AND BACK AGAIN

Through March 31.

Whitney Museum of American Art

99 Gansevoort Street, New York City.

 

ANDY WARHOL AT JUDSON

Tuesday, December 4, at 7:30.

Saturday, December 8, at 4:30 pm.

JUDSON DANCE THEATER—THE WORK IS NEVER DONE

Through February 3.

Museum of Modern Art

11 West 53rd Street, New York City.

Above: Andy WarholJill Johnston Dancing, 1964.

Below: Andy Warhol, Jill and Freddy Dancing, 1963.

Image credit: © 2018 The Andy Warhol Museum, Pittsburgh, a museum of Carnegie Institute. All rights reserved.