Tag Archives: Thomas Struth

PARKETT — PHOTO

Parkett presents PHOTO, “the first survey exhibition of all photographic works made by artists for the journal over the last three decades. On view at Parkett’s Zurich space, the show includes some ninety works spanning a rarely seen, vast, and diverse range of photographic positions and ideas.”*

“The exhibition follows the evolution of photographic methods in the past three decades, with many of the earlier photographs making use of analog techniques, while digital editing informs the more recent works. Common threads including people and portraiture, landscapes both urban and natural, everyday objects, and abstraction, connect an otherwise expansive range of visual topics.”*

“Many of the works on view combine photographic elements with other media, such as gouache, collage, textiles, installation, or printmaking. Also on view are works, which while similar in terms of media and format, are unique and contain distinct differences within each project. Further exhibition displays include five video works, as well as a selection of artists’ inserts—the specially commissioned 10–12 book page projects published in each issue of Parkett.”*

“You can grab an issue from thirty years ago and see the context. You can grab that context and time. The internet has no historical orientation. You click on an article and you don’t know what context [it was published in]. I think this loss of memory is deplorable.” — Jacqueline Burckhardt, Parkett co-founding editor**

PHOTO

THE FIRST SURVEY OF ALL PHOTOGRAPHIC WORKS MADE BY ARTISTS FOR PARKETT SINCE 1984*

Through September 28.

Parkett Space Zürich

Limmatstrasse 268, Zürich.

**See “Time, Context, Object—The Parkett Story,” PARIS LA 16 (2018).

PHOTO artists include: Tomma Abts, Franz Ackermann, Doug Aitken, Allora/Calzadilla, Francis Alys, Ed Atkins, John Baldessari, Yto Barrada, Vanessa Beecroft, Alighiero e Boetti, Christian Boltanski, Glenn Brown, Angela Bulloch, Maurizio Cattelan, Chuck Close, Tacita Dean, Jeremy Deller, Thomas Demand, Trisha Donnelly, Tracey Emin, Omer Fast, Robert Frank, Katharina Fritsch, Cyprien Gaillard, Ellen Gallagher, Adrian Ghenie, Gilbert & George, Robert Gober, Nan Goldin, Dominique Gonzalez-Foerster, Felix Gonzalez-Torres, Dan Graham, Andreas Gursky, David Hammons, Rachel Harrison, Christian Jankowski, Annette Kelm, Martin Kippenberger, Jeff Koons, Jannis Kounellis, Lee Kit, Zoe Leonard, Liu Xiaodong, Paul McCarthy, Marilyn Minter, Tracey Moffatt, Jean-Luc Mylayne, Bruce Nauman, Gabriel Orozco, Richard Phillips, Sigmar Polke, Richard Prince, RH Quaytman, Charles Ray, Jason Rhoades, Pipilotti Rist, Ugo Rondinone, Mika Rottenberg, Thomas Ruff, Anri Sala, Wilhelm Sasnal, Gregor Schneider, Shirana Shahbazi, Cindy Sherman, Roman Signer, Dayanita Singh, Hito Steyerl, Beat Streuli, Thomas Struth, Sturtevant, Hiroshi Sugimoto, Sam Taylor-Wood, Diana Thater, Rosemarie Trockel, Wolfgang Tillmans, Danh Vo, Charline von Heyl, Jeff Wall, Andy Warhol, Lawrence Weiner, Christopher Wool, and Yang Fudong.

Parkett editions, from top: Doug Aitken, Decrease the Mass and Run like Hell, 1999, for Parkett 57; Vanessa Beecroft, untitled, 1999, for Parkett 56; Andy Warhol, untitled, 1987, for Parkett 12, 1987; David Hammons, Money Tree, 1992, for Parkett 31; Wolfgang Tillmans, Parkett edition 1992–1998, for Parkett 53; Trisha Donnelly, The Dashiell Delay, 2006 (2), for Parkett 77; Shirana Shahbazi, Composition with Mountain, 2014, for Parkett 94; Sigmar Polke, Desastres und andere bare Wunder, 1982–1984, for Parkett 2; Cindy Sherman, untitled, 1991, for Parkett 29; Jannis Kounellis, untitled, 1985, for Parkett 6; Tracey Emin, Self-Portrait, 12.11.01, for Parkett 63; Franz Ackermann, Peak Season, 2003, for Parkett 68. Images courtesy and © the artists and Parkett.


ART IN THE AGE OF THE ANTHROPOCENE

“While geological epochs are known as products of slow change, the Anthropocene has been characterized by speed. Runaway climate change, rising water, surging population, non-stop extinction, and expanding technologies compress our breathless sense of space and time.”*

Organized around seven themes—Deluge, Raw Material, Consumption, Extinction, Symbiosis and Multispecies, Justice, and Imaginary Futures—the traveling exhibition THE WORLD TO COME—ART IN THE AGE OF THE ANTHROPOCENE explores the ongoing crisis through the work of over forty artists.

THE WORLD TO COME—ART IN THE AGE OF THE ANTHROPOCENE*

Through March 3.

Harn Museum of Art

University of Florida

3259 Hull Road, Gainesville.

From April 27 through July 28:

A. Alfred Taubman Gallery

University of Michigan Museum of Art

525 South State Street, Ann Arbor.

See: Antek Walczak, “Welcome to the Anthropocene: Tornadoes of Cash and Hurricanes of Capital,” in Oscar Tuazon Live (Los Angeles: DoPe Press/Cologne: Verlag der Buchhandlung Walther König, 2014), 55–62.

THE WORLD TO COME includes work by Jennifer Allora and Guillermo Calzadilla, Claudia Andujar, Sammy Baloji, Subhankar Banerjee, Huma Bhabha, Liu Bolin, Edward Burtynsky, Sandra Cinto, Elena Damiani, Dornith Doherty, Charles Gaines, Mishka Henner, Felipe Jácome, Chris Jordan, William Kentridge, Wifredo Lam, Maroesjka Lavigne, Eva Leitolf, Dana Levy, Yao Lu, Pedro Neves Marques, Noelle Mason, Mary Mattingly, Gideon Mendel, Ana Mendieta, Kimiyo Mishima, Richard Misrach, Beth Moon, Richard Mosse, Jackie Nickerson, Gabriel Orozco, Trevor Paglen, Abel Rodríguez, Allan Sekula, Taryn Simon, Nicole Six and Paul Petritsch, Laurencia Strauss, Thomas Struth, Bethany Taylor, Frank Thiel, Sergio Vega, Andrew Yang, and Haegue Yang.

From top: Nicole Six and Paul Petritsch, Spatial Intervention 1, video still, 2002. Courtesy the artists. © Bildrecht, Vienna, 2017; Taryn SimonWhite Tiger (Kenny), Selective Inbreeding, Turpentine Creek Wildlife Refuge and Foundation, Eureka Springs, Arkansas (detail), 2006–07, from the series An American Index of the Hidden and Unfamiliar, 2007, © Taryn SimonLiu Bolin, Hiding in the City, No. 95, Coal Pile, 2010, image courtesy the artist, © Liu BolinRichard Mosse, Stalemate, 2011, courtesy the artist and Jack Shainman Gallery, New York; Maroesjka LavigneWhite Rhino, Namibia, from the series Land of Nothingness (2015), courtesy of the artist.

FOR MARIAN GOODMAN

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ARTTABLE‘s 25th annual benefit and awards ceremony this week will honor gallerist Marian Goodman.

 

ARTTABLE BENEFIT AND AWARDS CEREMONY, Thursday, April 26, from 11 am to 2 pm.

583 PARK AVENUE EVENT SPACE (between 63rd and 64th Street), New York City.

arttable.org/event

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Marian Goodman. Photograph by Thomas Struth.

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