Tag Archives: Truman Capote

WRITERS UNDER SURVEILLANCE

Hannah Arendt, James Baldwin, Ray Bradbury, Truman Capote, W.E.B. Du Bois, Allen Ginsberg, Ernest Hemingway, Aldous Huxley, Ken Kesey, Norman Mailer, Susan Sontag, Terry Southern, Hunter Thompson, and Gore Vidal were all investigated by the FBI, and edited versions of these files have been collected in a new volume from MIT Press.

 

Writers Under Surveillance: The FBI Files, edited by JPat Brown, B.C.D. Lipton, Michael Morisy (Cambridge, MA: MIT Press, 2018).

Image credit above: MIT Press.

Below: Hannah Arendt in New York City, 1944. Photograph by Fred Stein.

BEAT THE DEVIL

BEAT THE DEVIL—a delicious concoction from writer Truman Capote, director John Huston, and stars Humphrey BogartJennifer Jones, and Peter Lorre—will screen this weekend at the Aero, the closing night film of the American Cinematheque series on Bogie.

 

BEAT THE DEVIL (preceded by THE AFRICAN QUEEN), Sunday, July 29, at 7:30 pm.

AERO THEATRE, 1328 Montana Avenue, Santa Monica.

americancinemathequecalendar.com/african-queen-beat-the-devil

Humphrey Bogart and Jennifer Jones in Beat the Devil (1953).

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VREELAND’S BEATON

Lisa Immordino Vreeland—director of documentaries about her grandmother-in-law Diana Vreeland, and Peggy Guggenheim—turns her eye to photographer, diarist, and set and costume designer Cecil Beaton in her new film LOVE, CECIL.

Vreeland will be at the Nuart this week for a post-screening Q & A.

LOVE, CECIL

LISA IMMORDINO VREELAND Q & A

Friday, July 20, at 7:15 pm.

Film plays through July 26.

Nuart Theatre

11272 Santa Monica Boulevard, West Los Angeles.

From top:

Poster image credit Zeitgeist Films.

Truman Capote in Morocco, photographed by Cecil Beaton.

Greta Garbo in New York City, photographed by Cecil Beaton.

Beaton at Truman Capote’s Black and White Ball, New York City, 1965.

CARTIER-BRESSON AUCTION

Henri Cartier-Bresson was the greatest photographer of the twentieth century. His images are timeless. Putting this collection together has given so much joy and meaning to my life. I think and hope that through this auction a new generation of global collectors will experience the same joy and inspiration in their lives that I have. During my thirty-plus years of collecting and running a gallery, it has been my belief that there are ‘good’ photographers, and even some ‘great’ photographers, but Cartier-Bresson was and still is in a class of his own.” — Peter Fetterman, November 27, 2017

Over 120 works from Fetterman’s personal collection of photographs by Henri Cartier-Bresson are on view and will be up for auction at Phillips in New York.

“We are delighted to offer these spectacular images in our final auction of 2017. Peter Fetterman played a vital role in expanding Cartier-Bresson’s audience in the United States. A great deal of Cartier-Bresson’s works have become instantly recognizable, and in addition to those images, there are many photographs in Mr. Fetterman’s collection that have rarely been seen. These stunning images span over three decades of the artist’s career and were taken throughout his travels across the globe. They beautifully capture the aesthetic of the ‘decisive moment’ that defines his oeuvre.” — Vanessa Hallett, deputy chairman and worldwide head of photograph’s at Phillips

 

HENRI-CARTIER-BRESSON: THE EYE OF THE CENTURY—PERSONAL PHOTOGRAPHS FROM THE COLLECTION OF PETER FETTERMAN

PUBLIC VIEWING, through December 11.

AUCTION, Tuesday, December 12, at 2 pm.

PHILLIPS, 450 Park Avenue, New York City.

phillips.com/auctions/auction/NY

Peter Fetterman is a collector and owner of the Peter Fetterman Gallery in Santa Monica. See his personal tribute to Henri Cartier-Bresson, published in B & W magazine following the photographer’s death:

Fetterman on Henri Cartier Bresson

peterfetterman.com

culturedmag.com/the-eye-of-the-century

From top:

Malcolm X, 1961. © Henri Cartier-Bresson.

Truman Capote, 1947. © Henri Cartier-Bresson.

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Truman Capote, 1947 © Henri Cartier-Bresson

 

 

 

 

 

 

 

 

 

 

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WARHOL CAPOTE AT AMERICAN REP

“In the late 1970s, Truman Capote and Andy Warhol decided that they were destined to create a Broadway play together. Over the course of the next several months, they would sit down to record a series of intimate, wide-ranging conversations. The play never came to be, and the hours and hours of tape were lost to the ages. Until now.

“With the support of the Andy Warhol Foundation for the Visual Arts and the Truman Capote Literary Trust, director Rob Roth adapted WARHOL CAPOTE from never-before-heard conversations between these two icons of American art and literature. This world premiere production is staged by director Michael Mayer (Spring Awakening and Hedwig and the Angry Inch).”*

Stephen Spinella will play Warhol, and Capote will be played by Leslie Jordan.

WARHOL CAPOTE, through October 13.

AMERICAN REPERTORY THEATER, LOEB DRAMA CENTER, 64 Brattle Street, Cambridge, Massachusetts.

* americanrepertorytheater.org/events/show/warholcapote

See:  nytimes.com/2017/08/30/theater/eavesdropping-on-warhol-and-capote.html

From top:

Rolling Stone, April 12, 1973.

Editor Jann Wenner hired Capote to cover the Rolling Stones‘ 1972 tour for the magazine. Capote followed the tour—often joined by Warhol, Lee Radziwill, Slim Keith, Ahmet Ertegun, etc.—but found the shows too formalized and repetitive to inspire journalistic interest. In lieu of a report, Wenner asked Warhol to interview Capote for a cover story.

Andy Warhol, Truman Capote, 1984. Image credit: The Andy Warhol Foundation for the Visual Arts, Inc.

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