Tag Archives: Vincente Minnelli

MARTIN SCORSESE AND ROBERT DE NIRO AT THE EGYPTIAN

THE IRISHMAN actually started about thirty-five years ago with the idea of the remake of The Bad and the Beautiful and the sequel Two Weeks in Another Town. Somehow we exhausted that. And so when [Robert De Niro] came across this story and gave it to me, he said: “You know, this is an amazing part for Joe, if he wants to do it.” And also for Al Pacino—and I never worked with Al all these years, you know? We just knew that they were right for it. And then we looked at each other and realized we were meant for this somehow. It’s not necessarily a culmination, but a sense of contemplation of where we are, near the end of our lives. — Martin Scorsese

To open the American Cinematheque series The Films of Marty and Bob, Scorsese and De Niro will participate in a full discussion about forty-five years of cinematic collaboration, followed by a screening of their latest masterpiece THE IRISHMAN.

MARTIN SCORSESE and ROBERT DE NIRO IN CONVERSATION—THE IRISHMAN

Saturday, January 4, at 6 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Martin Scorsese, The Irishman (2019), from top: Joe Pesci (left) and Robert De Niro; De Niro, Al Pacino, and Ray Romano; Kathrine Narducci (left) and Stephanie Kurtzuba; U.S. film poster; De Niro and Bobby Cannavale (foreground right); De Niro, Pesci, and Lucy Gallina. Images courtesy and © the filmmaker, the actors, the photographers, and Netflix.

JACQUELINE BISSET AND TRUFFAUT

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On the list of the best movies about making movies – Minnelli’s The Bad and the Beautiful, Cukor’s A Star is Born, Fassbinder’s Beware of a Holy Whore, Fellini’s –  François Truffaut’s DAY FOR NIGHT invariably lands near the top.

(The title refers to the practice of shooting a night scene during daylight hours, using a blue filter to screen out the brightness.)

This week, at Laemmle’s 45th anniversary screening of the film, Jacqueline Bisset will talk about her work with Truffaut on the picture.

 

DAY FOR NIGHT, Thursday, May 10, at 7:30 pm.

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

laemmle.com/film

Below: Jean-Pierre Léaud and Jacqueline Bisset in Day for Night. Image credit: Warner Bros.

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GAVALDÓN — DOUBLE NOIR

“If Garbo was a woman who became a goddess, Dolores del Río was a goddess who became a woman.” — Carlos Fuentes

In LA OTRA/THE OTHER ONE (1946)—directed by Roberto Gavaldóndel Río  plays twin sisters: one bad, the other worse. Dead husbands, playboy lovers, mirrors, betrayals, and closets full of couture all play their part in this Mexican noir—the first big hit by its director.

The films of Gavaldón (1909–1986)—a peer of Douglas Sirk, Vincente Minnelli, and Max Ophüls—are largely unknown in the States. This rare double bill—part of the PST: LA/LA program Recuerdos de un cine en español: Latin American Cinema in Los Angeles, 1930-1960—includes another Gavaldón masterpiece, EN LA PALMA DE TU MANO (1951), starring Arturo de Córdoba.

LA OTRA and EN LA PALMA DE TU MANO

Monday, September 25, at 7:30 pm.

Billy Wilder Theater, Hammer Museum

10899 Wilshire Boulevard, Westwood, Los Angeles.

From top: La Otra poster; Victor Junco and Dolores del Río in La Otra; Del Río.