“Virginia Woolf wrote Orlando in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit…

“Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.” — Tilda Swinton*

ORLANDO—the Aperture exhibition inspired by Woolf and curated by Swinton—features the work of Zackary Drucker, Lynn Hershman Leeson, Paul Mpagi Sepuya, Jamal Nxedlana, Elle Pérez, Walter Pfeiffer, Sally Potter, Viviane Sassen, Collier Schorr, Mickalene Thomas, and Carmen Winant.

ORLANDO

Through July 11.

Aperture Gallery

547 West 27th Street, 4th floor, New York City.

From top: Photographer unknown, Virginia Stephen in 1912, photograph sent to Leonard Woolf; Lynn Hershman Leeson (2), Rowlands/Bogart (Female Dominant), 1982, from the series Hero Sandwich, hand-painted collage, and Roberta Getting Ready to Go to Work ,1976, photograph of Roberta Breitmore, Leeson’s alter ego in a multiyear performance piece that lasted throughout the 1970s, both courtesy and © the artist and Bridget Donahue, New York; Mickalene Thomas (2), Untitled #3 (Orlando Series) and Untitled #4 (Orlando Series), both 2019 for Aperture, courtesy and © the artist and Yancey Richardson Gallery, New York, (Untitled #4 is a portrait of Thomas’ partner, Racquel Chevremont); Jamal Nxedlana, FAKA Portraits, Johannesburg, 2019, for Aperture, courtesy and © the artist; Walter Pfeiffer, untitled, 2009, courtesy and © the artist and Art + Commerce, Artists Rights Society, New York, and ProLitteris, Zürich; Collier Schorr, untitled (Casil), 2015–18 (2), courtesy and © the artist and 303 Gallery, New York; Carmen Winant, A melon, a pineapple, an olive tree, an emerald, a fox in the snow, 2019, for Aperture, courtesy and © the artist, (artwork incorporates a photograph of Woolf’s lover Vita Sackville-West); Zackary Drucker, Rosalyne, 2019, for Aperture, courtesy and © the artist and Luis De Jesus, Los Angeles.