Tag Archives: W.E.B. Du Bois

MOVED BY THE MOTION — SUDDEN RISE

SUDDEN RISE—co-written by Wu Tsang, boychild, and Fred Moten—is the New York City performance debut of the ensemble Moved by the Motion.

This “collage” of text, film, movement, and sound is complemented by the words of Langston Hughes, James Baldwin, Hannah Arendt, W.E.B. Du Bois and Jimi Hendrix.

MOVED BY THE MOTION—SUDDEN RISE

Friday, April 26, at 8 pm.

Saturday April 27, at 4 pm and 8 pm.

Whitney Museum of American Art

99 Gansevoort Street, New York City.

Moved by the MotionSudden Rise, photographs by Paula Court/EMPAC. Images courtesy of Moved by the Motion and the photographer.

THEASTER GATES AT RICHARD GRAY

“The work is not about a social mission. It is about sculpture and how things I believe in manifest through the material world.” — Theaster Gates

Gates new gallery exhibition EVERY SQUARE NEEDS A CIRCLE explores the artist’s interest in “poetics and the history of objects”—including “architectural excerpts from Chicago”—and continues his engagement with the inspirational works and teachings of W.E.B. Du Bois.

THEASTER GATES—EVERY SQUARE NEEDS A CIRCLE

Through June 29.

Richard Gray Gallery, Gray Warehouse

2044 West Carroll Avenue, Chicago.

Theaster Gates, Every Square Needs a Circle, Richard Gray Gallery, 2019, from top: Installation view; Black Rainbow, 2019; installation view; Alls my life I have to fight, 2019; Progress Mill, 2018. Images courtesy of the artist and the Richard Gray Gallery.

JULIANA SPAHR AND CLAUDIA RANKINE

DU BOIS’S TELEGRAM is a brilliant inquiry into the institutions—from the CIA to the foundations and literary magazines it funded—that inform and shape literary production. The promoted, the funded and heralded—from Richard Wright to Gertrude Stein to James Baldwin—do the work of the nation state under the umbrella of culture. Our complicit freedoms are brought out in the open in this thought-provoking and erudite book. This is not a book to agree or disagree with, but rather a compelling argument that brings relevant facts forward for clear-eyed consideration. One would be remiss to pass on such essential research and analysis.” — Claudia Rankine

Juliana Spahr—author of DU BOIS’S TELEGRAM —will be joined by Rankine for a discussion about the book, which takes as its impetus the telegram W.E.B. Du Bois sent when he was denied a passport to attend the 1956 Présence Africaine Congress of Black Writers and Artists in Paris:

“Any Negro-American who travels abroad today must either not discuss race conditions in the United States or say the sort of thing which our State Department wishes the world to believe.” — W.E.B. Du Bois

 

CLAUDINE RANKINE AND JULIANA SPAHR

Thursday, December 13, at 7:30 pm.

92nd Street Y, 1395 Lexington Avenue, New York City.

 

DUBOIS’S TELEGRAM—LITERARY RESISTANCE AND STATE CONTAINMENT, (Cambridge, MA: Harvard University Press, 2018).

Above: Claudia Rankine.

Below: Juliana Spahr.

WRITERS UNDER SURVEILLANCE

Hannah Arendt, James Baldwin, Ray Bradbury, Truman Capote, W.E.B. Du Bois, Allen Ginsberg, Ernest Hemingway, Aldous Huxley, Ken Kesey, Norman Mailer, Susan Sontag, Terry Southern, Hunter Thompson, and Gore Vidal were all investigated by the FBI, and edited versions of these files have been collected in a new volume from MIT Press.

 

Writers Under Surveillance: The FBI Files, edited by JPat Brown, B.C.D. Lipton, Michael Morisy (Cambridge, MA: MIT Press, 2018).

Image credit above: MIT Press.

Below: Hannah Arendt in New York City, 1944. Photograph by Fred Stein.

DU BOIS’ DATA PORTRAITS

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W.E.B. Du Bois—author, sociologist, civil rights advocate, co-founder of the NAACP—was also a pioneer of data visualization.

“Working with ink, gouache, graphite, and photographic prints, Du Bois and his student and alumni collaborators at Atlanta University generated crisp, dynamic, and modern graphics as a form of infographic activism. Sixty-three brightly colored broadsheets were exhibited in Paris and made twenty years before the founding of the Bauhaus.

“These visualizations offer a prototype of design practices now vital in our contemporary world—of design for social innovation, data visualization in service to social justice, and the decolonization of pedagogy.”*

Join Poly-Mode partner Silas Munro for a conversation about this work.

 

SILAS MUNRO—W.E.B. DU BOIS’ DATA PORTRAITS: VISUALIZING BLACK AMERICA, Friday, June 8, at 8 pm.

LOS ANGELES CONTEMPORARY ARCHIVE, 709 North Hill Street, Suite 104-108 (upstairs), downtown Los Angeles.

curate.la/event

*LACA.

W.E.B. Du Bois, City and Rural Population.

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