Tag Archives: Wangechi Mutu

PLAN YOUR VOTE

PLAN YOUR VOTE is a 2020 visual arts initiative that harnesses the power of art to promote and encourage citizens to exercise their right to vote.

Help connect and mobilize our communities by sharing widely with friends and family so everyone has a voting strategy and is vote ready.

Now more than ever, it’s urgent to plan your vote.*

See links below for details.

PLAN YOUR VOTE*

Register to vote.

Contact.

Participating artists include Aaron Rose, Alina Perkins, Amaryllis DeJesus Moleski, American Artist, Amy Khoshbin, Amy Yao, Anna Sew Hoy, Barbara Kasten, Caitlin Keogh, Calida Rawles, Candida Alvarez, Christine Sun Kim, Davide Balula, Derrick Adams, Dyani White Hawk, Eileen Cowan, Elka Krajewska, Em Rooney, Guerrilla Girls, Isabel Yellin, Jaamil Olawale Kosoko, Jake Margolin, Jenny Holzer, Jesse Duquette, Jessica Rankin, Jim Hodges, Joseph Grigely, Julie Mehretu, Kambui Olujimi, Kamrooz Aram, Karen Finley, Kate Costello, Katherine Bernhardt, Keltie Ferris, Kennedy Yanko, Ken Okiishi, Laurie Simmons, Leidy Churchman, Luis Camnitzer, Macon Reed, Marc Hundley, Marcel Dzama, Mark Alice Durant, Mark Handforth, Marilyn Minter, Matthew Brannon, Megan Sant, Michael Stipe, Monument Lab (Paul Farber and Ken Lum), Morleigh Steinberg, Muna Malik, Nick Mauss, Nick Vaughan, Pam Lins, Paola Kudacki, Patti Smith, Paul Ramirez Jonas, RJ Messineo, Robert Davis, Robert Longo, Robert Wilson, Régime des Fleurs, Sally Mann, Sam Falls, Sam Taylor-Johnson, Sanford Biggers, Sebastian Kim, Stewart Uoo, Tanya Aguiñiga, Thomas Dozol, Todd Selby, Tom Burr, Vicki DaSilva, Vincent Valdez, Wangechi Mutu, and Xylor Jane.

Plan Your Vote artwork by, from top: Calida Rawles, Anna Sew Hoy, Caitlin Keogh, Wangechi Mutu, Alina Perkins, Guerrilla Girls, Sally Mann, Paola Kudacki, Isabel Yellin, Barbara Kasten, Karen Finley and Amy Khoshbin. Images courtesy and © the artists and Plan Your Vote.

ARTISTS FOR BIDEN FUNDRAISER

Over 100 artists and estates have donated works for a fundraiser supporting Democratic presidential nominee Joe Biden.* Presented on Platform.art—an initiative developed by David Zwirner—participating galleries include Regen Projects, Jack Shainman, Gladstone, Lehmann Maupin, Petzel, and Marian Goodman, as well as Gemini G.E.L.

Following a virtual kickoff earlier this week with vice-presidential nominee Kamala Harris, Carrie Mae Weems, and Catherine Opie, the sale is now live. See link below for details.

ARTISTS FOR BIDEN

October 2–October 8, 2020.

Platform.art

*Participating artists and estates include Marina Adams, Doug Aitken, Richard Aldrich, John Baldessari (donated by Gemini G.E.L.), Alvin Baltrop, Walead Beshty, McArthur Binion, Dike Blair, Sebastian Blanck, Carol Bove, Cecily Brown, George Condo, Patricia Cronin, Sarah Crowner, N. Dash, Tara Donovan, Carroll Dunham, Marcel Dzama, William Eggleston, Rafa Esparza, Shepard Fairey, Rochelle Feinstein, Radamés “Juni” Figueroa​, Spencer Finch, Suzan Frecon, Charles Gaines, Jerrell Gibbs, Sam Gilliam, Joanne Greenbaum, Isca Greenfield-Sanders, Thomas Hager, Trenton Doyle Hancock, Tyler Haughey, Michael Heizer, Carmen Herrera, Lynn Hershman Leeson, Jenny Holzer, Ridley Howard, Alex Hubbard, John Huggins, Ayana V. Jackson, Rashid Johnson, Deborah Kass, KAWS, Ellsworth Kelly, Jon Kessler, Toba Khedoori, Christine Sun Kim, Jeff Koons, Doron Langberg, Liz Larner, Bonnie Lautenberg, An-My Lê, Roy Lichtenstein, Maya Lin, Robert Longo, Emmanuel Lubezki, Brice Marden, Julie Mehretu, Marilyn Minter, Ivan Morley, Rebecca Morris, Vik Muniz, Wangechi Mutu, Jordan Nassar, Alice Neel, Shirin Neshat, Catherine Opie, Angel Otero, Jack Pierson, Lari Pittman, Martin Puryear, Christina Quarles, Robert Rauschenberg (donated by Gemini G.E.L.), Alexis Rockman, Ugo Rondinone, Victoria Roth, Ed Ruscha, Alison Saar, Betye Saar, Fred Sandback, Fanny Sanín, Kenny Scharf, Richard Serra, Cindy Sherman, Amy Sillman, Gary Simmons, Laurie Simmons, Xaviera Simmons, Vaughn Spann, Tavares Strachan, Sarah Sze, Mika Tajima, Kyle Thurman, Fred Tomaselli, Leo Villareal, Charline von Heyl, Carrie Mae Weems, Lawrence Weiner, James Welling, Stanley Whitney, Kehinde Wiley, Chloe Wise, Christopher Wool, Rob Wynne, Lisa Yuskavage, and Andrea Zittel.

From top: Carrie Mae WeemsRemember to Dream, 2020, screenprint on rag paper, printed by Kaleb Hunkele of Standard Art Supply, image courtesy and © the artist and Jack Shainman Gallery, New York; Michael Heizer, Blue Diorite, 1981, 89-lb. blue diorite in aluminum frame, image © Michael Heizer, courtesy Agnes Gund, the artist, and Gagosian, photograph by Rob McKeever, donated by a private collector; Carol BoveCoy Satanism, 2020, stainless steel and urethane paint, image courtesy and © the artist and David Zwirner; Liz Larner, Fictile, 2010–2011, ceramic and epoxy, image courtesy and © the artist and Regen Projects; Kyle Thurman, Suggested Occupation 56 (Spring Image, travel nightly), 2020, gouache, graphite, and watercolor on paper in artist’s frame, image courtesy and © the artist and David Lewis; Charline von Heyl, The Sticky Hour, 2018, acrylic and crayon on linen, image courtesy and © the artist and Petzel Gallery; Tavares StrachanWe Are in This Together (Multi),, 2019, neon and transformers, image courtesy and © the artist and Marian Goodman Gallery; Jenny Holzer, selection from Truisms: Abuse of power comes as no surprise, 2015, dark labradorite footstool, image courtesy and © the artist and Artists Rights Society (ARS), New York; Sam Gilliam, Untitled, 2020, watercolor on washi paper, image courtesy and © the artist and David Kordansky Gallery; KAWS, Together, 2017, painted bronze, image courtesy and © the artist; Alvin Baltrop, The Piers (profile portrait), n.d., gelatin silver print, image courtesy and © the Alvin Baltrop Trust, Third Streaming, and Galerie Buchholz; Lari Pittman, Portrait of a Human (Pathos, Ethos, Logos, Kairos #17), 2018, cel vinyl and spray paint on linen on wood panel, image courtesy and © the artist and Regen Projects; Ed RuschaWe (#1), dry pigment and acrylic on paper, 2020, image courtesy and © the artist.

VIELMETTER LOS ANGELES — TWENTY YEARS

In January 2000, when I opened the doors of the gallery for the first time, the work that was being highlighted by the most prominent galleries in Los Angeles reflected the discourse of an astoundingly narrow cultural group. I felt this was starkly at odds with the incredibly rich and culturally layered reality that I experienced here. It seemed to be a strangely inaccurate representation of the city’s vibrant art community and a missed opportunity to bring attention to the wide range of powerful voices from the different cultural contexts Los Angeles had to offer. As a result, the gallery’s main goal at that time was not to find the best or most successful artists, because I didn’t trust the parameters according to which those categories were defined. Rather, the goal was to invite artists from diverse and underrepresented backgrounds to bring their practices and viewpoints to the gallery. The hope was that this would lead not only to a much richer and more complex cultural experience, but that this approach would disturb the ingrained hierarchies prevalent in the Los Angeles art world and beyond. What has remained at the heart of the gallery until today is this need to question the metrics by which artists are valuated and to challenge the hierarchies we bring to art and to most other areas of cultural life.

We acknowledge that we have a lot of work still to do, that in fact this work will never be finished. This year, we invite you to celebrate what the gallery has accomplished so far. — Susanne Vielmetter

Vielmetter Los Angeles celebrates twenty years with the first iteration of a remarkable group show, up through the end of the month.

The exhibition includes works by Laura Aguilar, Nick Aguayo, Edgar Arceneaux, Math Bass, Whitney Bedford, Andrea Bowers, Sarah Cain, Patty Chang, Kim Dingle, Sean Duffy, Genevieve Gaignard, Liz Glynn, Karl Haendel, Stanya Kahn, Hayv Kahraman, Raffi Kalenderian, Mary Kelly, Dave McKenzie, Rodney McMillian, Shana Lutker, Wangechi Mutu, Ruben Ochoa, Pope.L, Deborah Roberts, Steve Roden, Arlene Shechet, John Sonsini, Amy Sillman, Stephanie Schneider, Monique Van Genderen, Tam Van Tran, Esther Pearl Watson, and Patrick Wilson.

VIELMETTER LOS ANGELES—20 YEAR ANNIVERSARY EXHIBITION

Through August 29, by appointment only.

Vielmetter Los Angeles

1700 S Santa Fe Ave #101, Los Angeles.

Vielmetter Los Angeles, 20 Year Anniversary Exhibition, July 18, 2020–August 29, 2020, from top: Kim Dingle, for the occasion should the current president drop dead, 2019, oil on canvas; Monique Van Genderen, Untitled, 2020, oil on linen; Deborah Roberts, Stinney (Nessun Dorma Series), 2019, mixed media collage on paper; Pope.L, Trophy (Hedgehog), 2007, wood, stuffed animal, oil paint, acrylic paint, acrylic medium, peanut butter, screws; Arlene Shechet, Cure, 2020, glazed ceramic, steel, photograph by Eva Deitch; Wangechi Mutu, I am Speaking, Can you hear me?, 2020, paper pulp, wood glue, soil, charcoal, bone, feathers, shells, wood, metal stands; Edgar Arceneaux, In Between The Steps, #1, 2020, shoes, grass, weeds, sticks, acrylic paint, oil paint and resin on canvas; Esther Pearl Watson, The Strangeness Zone, 2020, acrylic, glitter and foil paper on panel; Stanya Kahn, Dusk Falls Fast on the Eve of the End, 2018, Ink and gesso on canvas; Andrea Bowers, The Tyranny Over Women Is Interlinked to the Oppression of Nature (Ecofeminist Sycamore Branch Series), 2020, archival marker on cardboard; Nicole Eisenman, Tea Party, 2012, 2-color lithograph on Saunders-Waterford HP watercolor paper, published by Jungle Press Editions, New York; Karl Haendel, How long will it be until I’m forgotten?, 2020, pencil on paper; Tam Van Tran, Divinations Jar ll, 2019, high fire ceramic; Shana Lutker, Hands(G), 2017, stainless steel; Rodney McMillian, two Suns, 2016, latex on bedsheet, photograph by Jeff McLane. Photographs, unless otherwise credited, by Robert Wedemeyer. Images courtesy and © the artists and Vielmetter Los Angeles.

WANGECHI MUTU — MET FAÇADE

Wangechi Mutu’s project for the façade niches at the Metropolitan Museum of Art—a series of four bronze sculptures titled The NewOnes, will free Us—is nearing the end of its run. Originally extended through June 8, a new closing date will be announced soon.

WANGECHI MUTU—THE NEWONES, WILL FREE US

Metropolitan Museum of Art

1000 Fifth Avenue (at 82nd Street), New York City.

Wangechi Mutu, The NewOnes, will free Us, Metropolitan Museum of Art, September 2019–June 2020. Fourth from top: Mutu in 2019 at the Walla Walla Foundry, applying patina to The Seated III. Images courtesy and © the artist, the Walla Walla Foundry, and Gladstone Gallery.

ABORTION IS NORMAL — PART 2

Recognizing the ongoing threat to reproductive rights in the United States, ABORTION IS NORMAL—sponsored by the Downtown for Democracy Independent Expenditure Committee—is an “emergency art exhibition curated by Jasmine Wahi and Rebecca Pauline Jampol and organized by Marilyn Minter, Gina Nanni, Laurie Simmons, and Sandy Tait.”*

Part 2 of the show opens this week at Arsenal Contemporary in Manhattan.

Contributing artists include Allison Janae Hamilton, Ameya Marie Okamoto, Amy Khoshbin, Andrea Chung, Arlene Shechet, Barbara Kruger, Betty TompkinsCajsa von ZeipelCarrie Mae Weems, Carroll Dunham, Catherine Opie, Cecily Brown, Chloe Wise, Christopher Myers, Christen Clifford, Cindy Sherman, Delano DunnDerrick Adams, Dominique Duroseau, Elektra KB, Fin Simonetti, Grace Graupe Pillard, Hank Willis Thomas, Hayv Kahraman, Jaishri Abichandani, Jack Pierson, Jane Kaplowitz, Jon Kessler, Jonathan HorowitzJonathan Lyndon Chase, Judith Bernstein, Judith Hudson, Katrina Majkut, Louise Lawler, Lyle Ashton HarrisMarisa Morán Jahn, Michele PredMiguel Luciano, Mika Rottenberg, Nadine Faraj, Nan GoldinNarcissister, Natalie Frank, Rob Pruitt, Ryan McGinley, Sahana Ramakrishnan, Sarah Sze, Shirin Neshat, Shoshanna Weinberger, Shout Your Abortion, Sojourner Truth Parsons, Suzy Lake, Tatyana Fazlalizadeh, Viva Ruiz, Walter Robinson, Wangechi Mutu, Xaviera Simmons, Yvette Molina, and Zoe Buckman.

New editions by Paul Chan, Rashid Johnson, and Richard Prince are also available.

ABORTION IS NORMAL*

Opening Night

Tuesday, January 21, 6 pm to 8 pm.

Exhibition runs through February 1.

Arsenal Contemporary

214 Bowery, New York City.

Abortion is Normal, Galerie Eva Presenhuber, New York, January 9–18, 2020, Arsenal Contemporary, New York, January 21–February 1, 2020, from top: Nadine FarajYo Aborte, 2016; Judith Bernstein, Abortion is Normal, 2019; Lyle Ashton HarrisBillie #21, 2002; Cindy Sherman, Untitled, 2019; Marilyn MinterCuntrol, 2020; Shoshanna WeinbergerHair Between the Legs, 2015; Arlene ShechetTo Be Continued, 2018; Nan GoldinGeno by the lake, Bavaria, Germany 1994, 1994; Christen CliffordI Want Your Blood, 2013–2020 (detail); Rob Pruitt, American Quilts 2018: Neighbors, 2018; Catherine Opie, Nicola, 1993; Natalie Frank, Portrait 1, 2019; Laurie SimmonsMother Nursery, 1976; Ameya Marie OkamotoThe Notorious RBG, 2018; Barbara KrugerWho will write the history of tears?, 2011. Images courtesy and © the artists, the photographers, Downtown for Democracy, and Abortion is Normal.