Tag Archives: Wayne Koestenbaum

CIRCUS OF BOOKS AT FIERMAN

“Growing up, I always assumed every store had an over-18 section. It was only when I got older that I realized my parents were in the business of hardcore gay porn. This was a completely strange thing for me, because this was not the world I knew to be of my parents: straight-laced, boring, and in my mom’s case, religious. The world of sexual deviants, gender nonconforming transgressives and weirdos, that was my world, not theirs…

“And yet, it took me leaving Los Angeles for over a decade to fully comprehend what a massive role their two Circus of Books stores served for the community. It took making a documentary film to realize that they had nurtured a second family to the family they had at home. They had carved out their own special place as trusted shop owners who never judged anyone who showed up in their surreptitious aisles, even as the rest of the world cast down condemnation, to say nothing of other parents at our school. As the store was closing last week, a Vietnam veteran walked through the doors and stood, unmoving in front of the register. My mom had protested against Vietnam, and she proceeded to tell him how terrible the Vietnam War was, and he looked at her and said, ‘Thank you. This store is part of my history, and some of the best years of my life happened here.’ ” — Rachel Mason, producer and director, Circus of Books*

The original Circus of Books—called “Book Circus”—opened in West Hollywood in 1967, followed by the Silver Lake location at Sunset Junction. An exhibition celebrating the communal culture and backrooms of Karen and Barry Mason‘s adults-only emporiums—fifty years of getting off—is now on view in Manhattan.

The show—curated by David Fierman with Rachel Mason—features artwork by Wilder Alison, Ron Athey, Adam Baran, Bengala, Erik Bergrin, Michael Bilsborough, Raynes Birkbeck, Seth Bogart, Chris Bogia, Kathe Burkhart, Deric Carner, Chivas Clem, Scott Covert, Vaginal Davis, Anne Doran, Thomas Dozol, Zackary Drucker, Ruben Esparza, Tom of Finland, Karen Finley, Benjamin Fredrickson, ektor garcia, Mariah Garnett, Mark Golamco, Jeff Grant, Michelle Handelman, Charles Hovland, Scott Hug, David Hurles, Stephen Irwin, William E. Jones, Wayne Koestenbaum, Mike Kuchar, Bruce LaBruce, Dawn Mellor, Lucas Michael, Billy Miller, Bob Mizer, David Mramor, Narcissister, Dominic Nurre, Mel Ottenberg, Jack Pierson, Breyer P-Orridge, Pre-Echo Press, Fay Ray, Mariah Robertson, Dean Sameshima, Stuart Sandford, Paul Mpagi Sepuya, Margie Schnibbe, Michael Stipe, Chris E. Vargas, Mark Verabioff, Jan Wandrag, Karlheinz Weinberger, Jimmy Wright, and Dorian Wood.

CIRCUS OF BOOKS*

Through May 6.

Fierman

127 Henry Street, New York City.

From top: Vaginal Davis, Ascyltos of the Satyricon, 2016, ink on paper; Dominic Nurre, Vale of Cashmere Head, 2017–19, coconut shell, coconut oil, salt lick, and acrylic; David Mramor, Pink Star, 2019, oil, acrylic, and inkjet on canvas; Wayne Koestenbaum, David at Leisure, 2019, oil and graphite on canvas paper; Lucas Michael, G5CR, 2017, neon; Dawn Mellor, Southend Beach, 2013, oil, Tipp-ex, and marker pen on linen; Jimmy Wright, Griffith Park, LA, 1973, graphite and charcoal on graph paper; Seth Bogart, Faggots, 2019, ceramic; Mike Kuchar, Liquid Dreams, circa 1980s–1990s, pencil, pens, felt pens, and ink on paper; Scott Hug, Untitled (STH_PW_003), 2018, collage; Jeff Grant, Snow and Holes, 2018, archival inkjet print, staples, and clearlay; Karen Finley, dickless, 2018, ink on paper. Images courtesy the artists and Fierman gallery. Special thanks to David Fierman and Rachel Mason.

BOOK OF JOY

Pilot Press founding editor Richard Dodwell, DJ Honey Dijon, and Charlie Porter will launch OVER THERE: A QUEER ANTHOLOGY OF JOY this week at Printed Matter.

Eileen Myles, Hilton Als, Wayne Koestenbaum, AA Bronson, Olivia Laing, Mary Manning, and Alex Foxton are among the volume’s forty-eight contributing writers, artists, and performers.

 

OVER THERE launch, Thursday, May 3, from 6 pm to 8 pm.

PRINTED MATTER, 231 Eleventh Avenue, at 26th Street, New York City.

printedmatter.org/events

Image credit: Pilot Press.

Over there - cover

ADAM McEWEN AND WAYNE KOESTENBAUM IN CONVERSATION

Printed Matter and Petzel Gallery present “a discussion between artist Adam McEwen and poet and cultural critic Wayne Koestenbaum. Following McEwen’s recent solo exhibition (I Think I’m in Love, Aspen Art Museum, 2017), the conversation will use Koestenbaum’s catalog contribution—a strange poetic/essayistic text in its own right—as a grounds for a conversation about art-making and objecthood.”*

ADAM McEWEN AND WAYNE KOESTENBAUM IN CONVERSATION, Thursday, September 7, at 6 pm.

PRINTED MATTER, 231 11th Avenue, at 26th Street, New York City.

printedmatter.org/

printedmatter.org/events/626

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TERENCE KOH

“[I] value passive-aggressive art, which is sometimes a fag limbo strategy: pretending passivity, pretending not to fight for ones place at the table, this art may meanwhile house rebarbative aggressions.” — Wayne Koestenbaum, 2004 Whitney Biennial catalogue*

Things in the new Terence Koh exhibit SLEEPING IN A BEAM OF SUNLIGHT (Moran Moran) are different now than they were when the show opened, and may change again during its final week. Cushions have been scattered, plants have grown, books have been read, the resident cat made quick work of a stuffed canary, and the news on the radio dangling from the ceiling has gone from bad to worse. Terence himself may have lost or gained weight, depending on the food that visitors to the gallery have brought for him—his only sustenance. Terence has gone back to the land in the form of a lived-in gallery installation, and all the inhabitants—Terence, his cat, the bees in the hive in the garden on the roof—are, for the duration, doing their thing. It’s immersive, it’s compost, it’s regenerative, and it’s home. Check it out.

 

TERENCE KOH: SLEEPING IN A BEAM OF SUNLIGHT, through March 11, 2017.

MORAN MORAN, 937 N. LaCienega Blvd., Los Angeles.

moranmorangallery.com/exhibits

Two weeks later, Terence returns to Moran Moran for a group show, an “exhibition associating artworks that are evocative of a desire to create parity and connectedness with the natural world….These artists do not endeavor to generate homages to ecology, or directly reference an environmentalist agenda; rather, the work contends with our origins—a human’s nature.”**

 

WHERE THE SIDEWALK ENDS (TERENCE KOH, DENNIS OPPENHEIM, VIRGINIA OVERTON, and NICK VAN WOERT), March 25 through May 13, 2017.

MORAN MORAN, 937 N. LaCienega Blvd., Los Angeles.

** moranmorangallery.com/where-the-sidewalk-ends

* Wayne Koestenbaum, “Fag Limbo,” in My 1980s & Other Essays (New York: Farrar, Strauss & Giroux, 2013). According to Koestenbaum, this essay was “partly inspired” by the work of Terence Koh and other artists who participated in the 2004 Whitney Biennial, and was originally published in its exhibition catalogue.

Terence Koh, from the documentary The Future of Art (directed by Erik Niedling and Ingo Niermann). Photograph by Christian Görmer Image credit: Wikimedia Commons

Terence Koh, from the documentary The Future of Art (2010), directed by Erik Niedling and Ingo Niermann.
Photograph by Christian Görmer
Wikimedia Commons