Tag Archives: Wim Wenders

WINGS OF DESIRE

“I always felt throughout the making of WINGS OF DESIRE that the city of Berlin was carrying the film, the city had sort of co-invented the story…

“Then, of course, two years later it became a whole different city… I realized I had just caught it in the nick of time, that strange, legendary island of a city that had made Berlin unique for thirty years.” — Wim Wenders

A new 4K restoration of WINGS OF DESIRE—the 1987 masterpiece written by Wenders and Peter Handke, directed by Wenders, and starring Bruno Ganz—will play this week at the Aero, presented by the American Cinematheque, with an encore at the Egyptian in March.

The film was a late-80s phenomenon, attended multiple times by artists, writers, students, and film buffs during its extended runs in large cities and university towns across the country.

WINGS OF DESIRE

Friday, January 25, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

Sunday, March 24, at 7:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

From top: Bruno Ganz in Wings of DesireSolveig Dommartin; Ganz; Crime & the City Solution perform “Six Bells Chime”; Peter Falk. Images courtesy Wim Wenders Stiftung.

HELEN MOLESWORTH READS ONE DAY AT A TIME

“When I sat in Manny’s lecture hall [in the fall/winter quarter of 1988], I had no inkling of what a curator even did…
“And my current understanding of its operations, demanding a constant oscillation between the big picture and the details—the big picture being the institution of the museum and its central role in the creation of value, the formation of canons, and the presentation of private artistic acts for public experience; the details involving the development of intimacies with both objects and their makers, the why and how of choosing specific objects, the why and how of installing them, and what each act of adjacency in an installation might connote—was still a decade away.” — Helen Molesworth*
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This weekend, ONE DAY AT A TIME—MANNY FARBER AND TERMITE ART curator Helen Molesworth reads her titular catalogue essay in the exhibition’s gallery. Centered on Farber, the essay moves through the elusive definitions of termite art, still life, and the everyday.

HELEN MOLESWORTH READS ONE DAY AT A TIME

Sunday, January 13, at 3 pm.

MOCA Grand Avenue

250 South Grand Avenue, downtown Los Angeles.

 

See “Under the Volcano: Helen Molesworth in conversation with Dorothée Perret,” PARIS LA 14 (Winter 2016): 29–37.

*Helen Molesworth, “One Day at a Time,” in One Day at a Time: Manny Farber and Termite Art (Los Angeles: Museum of Contemporary Art/Munich: DelMonico Books-Prestel, 2018

WIM WENDERS’ EARLY WORK

Image result for wim wenders time capsules by the side of the road

The Polaroids and black and white photographs Wim Wenders took on his cinematic road trips while making The American Friend, Paris Texas, Alice in den Städten, etc., are now on view – many for the first time – in London.

 

WIM WENDERS – EARLY WORKS, 1964-1984, through May 5.

BLAIN SOUTHERN, 4 Hanover Square, London.

blainsouthern.com/wim-wenders

Above: Wim Wenders, Time Capsules: By the Side of the Road. C print (from a Polaroid).

Below: Wim Wenders, Dennis Hopper, Hamburg, 1976. C print (from a Polaroid). Image credit: Wim Wenders and Blain/Southern.

Image result for wim wenders dennis hopper C print

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