Tag Archives: Yerba Buena Center for the Arts

MAKINO TAKASHI — MEMENTO STELLA

“Memento stella” is a original phrase I coined to remind me to “remember the stars” and “never forget that we too reside among the stars.”

For several years I’ve travelled the world, screening my work. And throughout this dark, sad world, amid war and terrorism—countless lives lost to natural cataclysms and caused by humans—and there hasn’t been a single day that death hasn’t been in my thoughts.

At the same time, I do realize that it is not only death that binds us. We are also born and raised and living on this little planet, among the stars. I pursue my work with the idea that if each day, we might be conscious of this truth for even a moment, then maybe perhaps somewhere deep in our hearts, we might find shared artistic expressions, keys to a place beyond the religions, politics, borders, languages, and personal desires which tear us apart.
Makino Takashi

Join Makino for the Los Angeles and San Francisco premieres of his new 60-minute feature MEMENTO STELLA.

MEMENTO STELLA

Thursday, September 19, at 7 pm.

MOCA Grand Avenue

250 South Grand Avenue, downtown Los Angeles.

Like news reports of wartime Japan, films with stories or a precise structure throw images at an audience with their meanings already intact. Rather than making films with my own imposed structure, my method is to abandon structure altogether or, in other words, layer images that once embodied meaning on top of one another until they become unintelligible. I aim for the resulting composite “image” to be like a nameless animate being with a limitless capacity for meanings so that my films become triggers for an audience to venture into their own imagination. — Makino Takashi*

Thursday, September 26, at 7:30 pm.

Yerba Buena Center for the Arts*

701 Mission Street, San Francisco.

Makino Takashi, Memento Stella (2018), DCP (4K video), color, 5.1 sound, 60 minutes, stills. Images courtesy and © the artist. Photograph of Makino Takashi courtesy and © Nippon Connection.

SUZANNE LACY — WE ARE HERE

Art as activist public practice—and vice versa—has defined the work of Suzanne Lacy from the start.

The exhibitions and programs that make up WE ARE HERE—the Lacy retrospective co-organized by YBCA and SFMOMA—bring her collaborative, choreographed projects to a new generation.

The Yerba Buena section will “celebrate the rich legacy of youth work in the Bay Area through an in-depth focus on The Oakland Projects (1991–2001)—a series on youth empowerment, media education, and policy—presented alongside works by contemporary artists, and youth arts and activist organizations.”*

At SFMOMA, “visitors can explore Lacy’s entire career, from her earliest feminist work to her latest immersive video installations. Several projects on view honor the voices and contributions of women to public life.”*

SUZANNE LACY—WE ARE HERE*

Through August 4.

Yerba Buena Center for the Arts

701 Mission Street, San Francisco.

San Francisco Museum of Modern Art

151 Third Street, San Francisco.

From top: Suzanne Lacy, Anatomy Lesson #4: Swimming, 1977 (detail), photograph by Rob Blalack; Suzanne Lacy, Annice Jacoby, and Chris JohnsonThe Roof Is on Fire (1993–94), from The Oakland Projects (1991–2001), performance, June 4, 1994, City Center West Garage, Oakland, photograph by Nathan Bennett; Suzanne Lacy, Three Weeks in May, 1977, partial re-enactment at Museo Pecci Milan, 2014; Suzanne Lacy and Leslie Labowitz, In Mourning and in Rage, 1977, performance, December 13, 1977, Los Angeles City Hall, photograph by Maria Karras; Suzanne Lacy with Raul Vega, Anyang Women’s Agenda, 2010, photograph by Vega; Suzanne Lacy with Cecilia Barriga, Tattooed Skeleton, 2010, produced by Berta Sichel for the Museo Reina Sofia. Images © Suzanne Lacy, courtesy of Lacy, her collaborators, and the photographers.