Athey’s work resists formal introduction: he is an artist’s artist, a visionary, a dreamer, a transformer. Ron has blazed a path from the margins into clubs, galleries, and museums around the world; from the Pentecostal churches of his youth to the legendary goth punk and queer venues of the underground; from downtown SRO hotels to Hollywood. He’s even made it into the filthy mouths of evangelical lawmakers looking for ways to defund the NEA. — ZackaryDrucker
QUEER COMMUNION—RON ATHEY, the first retrospective exhibition of the artist’s work, is on view in lower Manhattan. Curated by Amelia Jones, the show explores the “generous extension of self into the world through a mode of open embodiment that enacts creativity in the social sphere through collective engagement as art.”*
“Virginia Woolf wrote Orlandoin an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlandofar less as being about gender than about the flexibility of the fully awake and sensate spirit…
“Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.” — Tilda Swinton*
ORLANDO—the Aperture exhibition inspired by Woolf and curated by Swinton—features the work of Zackary Drucker, Lynn Hershman Leeson, Paul Mpagi Sepuya, JamalNxedlana, EllePérez, Walter Pfeiffer, Sally Potter, Viviane Sassen, Collier Schorr, Mickalene Thomas, and Carmen Winant.
An exhibition at Human Resources curated by artist and filmmaker Telémachos Alexiou will raise funds for his newest film projects: the feature THE VOICE OF AN ANGEL, and the documentary EMI’S MOVIE, about the life and work of gallerist, curator, yogini, and writer Emi Fontana.
“THE VOICE OF AN ANGEL proposes as its core-dogma the idea that a delusion is an essential life force and therefore reminds us that art is a lie that tells the truth. It tells the story of a young self-exiled Greek actor in Berlin, and his awakening of conscience while back in Athens…
“The spell began during my secret explorations of my mother’s bedroom as a little child… I started making up myths and stories about my mother in order to create the illusion I could exert even the slightest of influence on her life before me—as if by doing so I could gain full control over my own fate.” — Telémachos Alexiou
The work in this show “manifests Alexiou’s personal relationships with the artists, shedding light upon the intimate moments, struggles, pleasures and agonies of being queer in 2019. The exhibition’s curation is a love letter to the artists, intended to bridge the geographical distance and emotional longing between continents.”* Exhibiting artists include Ron Athey, Lucas Bihler, Cassils, Alex Chaves, ZackaryDrucker, Spilios Gianakopoulos, Monilola Ilupeju, Young Joon Kwak, Eva Mitala, TylerMatthew Oyer, Zander Porter, Elliot Reed, Spyros Rennt, Jason Al-Taan and Alexiou.
This event is co-hosted by Zak Stone, with performances by Christopher Argodale and TylerMatthew Oyer, and an afterparty with surprise DJ sets.
“Growing up, I always assumed every store had an over-18 section. It was only when I got older that I realized my parents were in the business of hardcore gay porn. This was a completely strange thing for me, because this was not the world I knew to be of my parents: straight-laced, boring, and in my mom’s case, religious. The world of sexual deviants, gender nonconforming transgressives and weirdos, that was my world, not theirs…
“And yet, it took me leaving Los Angeles for over a decade to fully comprehend what a massive role their two Circus of Books stores served for the community. It took making a documentary film to realize that they had nurtured a second family to the family they had at home. They had carved out their own special place as trusted shop owners who never judged anyone who showed up in their surreptitious aisles, even as the rest of the world cast down condemnation, to say nothing of other parents at our school. As the store was closing last week, a Vietnam veteran walked through the doors and stood, unmoving in front of the register. My mom had protested against Vietnam, and she proceeded to tell him how terrible the Vietnam War was, and he looked at her and said, ‘Thank you. This store is part of my history, and some of the best years of my life happened here.’ ” — Rachel Mason, producer and director,Circus of Books*
The original Circus of Books—called “Book Circus”—opened in West Hollywood in 1967, followed by the Silver Lake location at Sunset Junction. An exhibition celebrating the communal culture and backrooms of Karen and Barry Mason‘s adults-only emporiums—fifty years of getting off—is now on view in Manhattan.
The show—curated by David Fierman with Rachel Mason—features artwork by Wilder Alison, Ron Athey, Adam Baran, Bengala, Erik Bergrin, Michael Bilsborough, RaynesBirkbeck, Seth Bogart, Chris Bogia, Kathe Burkhart, Deric Carner, Chivas Clem, Scott Covert, Vaginal Davis, Anne Doran, Thomas Dozol, Zackary Drucker, Ruben Esparza, Tom of Finland, Karen Finley, Benjamin Fredrickson, ektor garcia, Mariah Garnett, Mark Golamco, Jeff Grant, Michelle Handelman, Charles Hovland, Scott Hug, David Hurles, Stephen Irwin, William E. Jones, Wayne Koestenbaum, Mike Kuchar, Bruce LaBruce, Dawn Mellor, Lucas Michael, Billy Miller, Bob Mizer, David Mramor, Narcissister, Dominic Nurre, Mel Ottenberg, Jack Pierson, Breyer P-Orridge, Pre-Echo Press, Fay Ray, Mariah Robertson, Dean Sameshima, Stuart Sandford, Paul Mpagi Sepuya, Margie Schnibbe, Michael Stipe, Chris E. Vargas, Mark Verabioff, Jan Wandrag, Karlheinz Weinberger, Jimmy Wright, and Dorian Wood.
From top: Vaginal Davis, Ascyltos of the Satyricon, 2016, ink on paper; Dominic Nurre, ValeofCashmereHead, 2017–19, coconut shell, coconut oil, salt lick, and acrylic; David Mramor, PinkStar, 2019, oil, acrylic, and inkjet on canvas; Wayne Koestenbaum, David at Leisure, 2019, oil and graphite on canvas paper; Lucas Michael, G5CR, 2017, neon; Dawn Mellor, Southend Beach, 2013, oil, Tipp-ex, and marker pen on linen; Jimmy Wright, Griffith Park, LA, 1973, graphite and charcoal on graph paper; Seth Bogart, Faggots, 2019, ceramic; Mike Kuchar, Liquid Dreams, circa 1980s–1990s, pencil, pens, felt pens, and ink on paper; Scott Hug, Untitled (STH_PW_003), 2018, collage; Jeff Grant, Snow and Holes, 2018, archival inkjet print, staples, and clearlay; Karen Finley, dickless, 2018, ink on paper. Images courtesy the artists and Fierman gallery. Special thanks to David Fierman and Rachel Mason.
This weekend at REDCAT, Dirty Looks on Location and curator Darin Klein present a survey of “short films and performance documentation by Zackary Drucker and her collaborators, exploring twelve years in the career of a groundbreaking American transgender multimedia artist,” actor, producer, and film director.*
A conversation with Drucker and USC professor Amelia Jones will follow the screenings.
HARD TO LOOK AT—FAVORITES AND RARITIES BY ZACKARY DRUCKER, Sunday, July 8, at 3 pm.
REDCAT, 631 West 2nd Street, Disney Hall, Music Center, downtown Los Angeles.
Drucker also directed two shorts at this year’s Outfest as part of the series Queeroes (a Jill Soloway initiative), and Desires and Resistance—Unearthing TransLegacies.
MOTHER COMES TO VENUS, followed by a panel discussion.
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