FINAESTAMPA—ILLUSTRATION AND FASHION features the work of nearly two dozen artists, including François Berhoud, Blair Breitenstein, Jason Brooks, Helen Bullock, Gill Button, Cecilia Carlstedt, Jean-Philippe Delhomme, David Downton, Ricardo Fumanal, LauraGulshani, Mats Gustafson, Richard Haines, Amelie Hegardt, Richard Kilroy, Jordi Labanda, Tanya Ling, Jowy Maasdamme, InésMaestre, RosieMcGuinness, Aurore de la Morinerie, Hiroshi Tanabe, and Unskilled Worker.
The exhibition is complemented by a fully illustrated catalogue.
From top, left to right, artwork by Gill Button, Rosie McGuiness, Aurore de la Morinerie, Amelie Hegardt, Richard Kilroy, Laura Gulshani, Mats Gustafson, Richard Haines, FrançoisBerthoud, and Blair Breitenstein. Images courtesy the artists and Museo ABC.
“We knew it was coming but the finality of his passing makes it even more devastating. Okwui was this enormously prophetic figure, wise beyond his years, whose insights—vision, if you will—literally shaped the universe many of us now inhabit. He was like an enormous tree in the glare, whose shadow provided refuge, hospitality, generosity, and love for so many.” — JohnAkomfrah
Okwui Enwezor—the great historian, curator, writer, editor, and former artistic director of Haus der Kunst—has died in Munich following four years of cancer treatment.
A writer and editor in demand, Enwezor’s contributions will live on in the work of the artists he championed.
From top: Contemporary African Art Since 1980 (2009), by Okwui Enwezor and Chika Okeke-Agulu, image courtesy Damiani; John Akomfrah: Signs of Empire (2018), contributing text by Enwezor, image courtesy the New Museum; Candice Breitz: The Scripted Life (2010), contributing text by Enwezor, image courtesy Kunsthaus Bregenz; Recent Histories: Contemporary AfricanPhotography and Video Art from the Walther Collection (2017), contributing text by Enwezor, image courtesy Steidl and the Walther Collection; Gary Simmons: Paradise (2012), conversation with Enwezor, image courtesy Damiani; Kerry James Marshall: Painting and Other Stuff (2014), contributing text by Enwezor, image courtesy Ludion; Lyle Ashton Harris: Excessive Exposure (2010), text by Enwezor, image courtesy Gregory R. Miller & Co.; Home Lands–Land Marks: ContemporaryArt from South Africa (2009), contributing text by Enwezor, image courtesy Haunch of Venison.
In VENEZUELA—Ohad Naharin’s long-gestating double take on perception and the “dialog between movement and the content it represents”—BatshevaDance Company mixes the intensely physical articulation of its familiar Gaga technique with a détournement of ballroom and tango forms, set to music by—among others—The Notorious B.I.G., Rage Against the Machine, and a selection of Gregorian Chants.*
This weekend, CAP UCLA will present two performances of VENEZUELA at Royce.