Category Archives: CONVERSATION


Those were halcyon times, our salad days indeed…raising our “consciousnesses” and creating a lifelong family of friends. — Fakroon (below), friend and photographic subject of Sunil Gupta

On the occasion of FROM HERE TO ETERNITYSunil Gupta’s first comprehensive retrospective exhibition in Great Britain—the artist and photographer will join curator Mason Leaver-Yap for an online conversation.

See links below for details.


Wednesday, October 28

10:30 am on the West Coast; 1:30 pm East Coast; 6:30 pm London; 7:30 pm Paris..


Through January 24.

The Photographers’ Gallery

16-18 Ramillies Street, Soho, London.

Sunil Gupta, From Here to Eternity, The Photographers’ Gallery, October 9, 2020–January 24, 2021, from top: Sunil with NY Review of Books, circa 1975; Shalini, Rudi, Sunil, Léo, 3425 Stanley, circa 1974; India Gate, 1987, from the series Exiles; Untitled #9, from the series Sun City; Fakroon, circa 1974; Untitled #50, from the series Christopher Street, 1976/2020; Shroud, 1999, from the series From Here to Eternity; Sunil Gupta, Queer (2011) exhibition catalog courtesy and © the artist, Vadehra Art Gallery, and Prestel; Sunil Gupta, Lovers: Ten Years On (2020) exhibition catalog cover image courtesy and © the artist and Stanley / Barker, design by The Entente; Sunil Gupta, From Here to Eternity (2020) exhibition catalog cover courtesy and © the artist and Autograph, graphic design Fraser Muggeridge Studio; Untitled #13, 2008, from the series The New Pre-Raphaelites; Untitled #22, from the series Christopher Street, 1976; Untitled #7, 2008, from the series The New Pre-Raphaelites; Jama Masjid, 1987, from the series Exiles. Images © Sunil Gupta, courtesy of the artist, Hales Gallery, Stephen Bulger Gallery, and Vadehra Art Gallery, © DACS 2020.


Ben (Matthew Fifer) meets Sam (Sheldon D. Brown) browsing-cruising the Strand bookstore bargain bin in CICADA, a collaboration between the film’s co-stars. The actors brought their own histories of trauma to the screenplay, which Ben powers through with a steady flow of wisecracks and Sam negotiates with caution. Shot through what seems like an endless golden hour, CICADA is also a love letter to New York, celebrating the kind of freedom and spontaneity that has largely gone missing over the last seven months.

As part of Newfest 2020, CICADA—directed by Fifer and Kieran Mulcare—screens this weekend at the Brooklyn Drive-In, preceded by a Brooklyn Boys program of short films. A post-screening Q & A with the filmmakers is also scheduled. See link below for details.


Newfest 2020

Saturday, October 24.

Brooklyn Boys shorts program at 7:30 pm.

Cicada at 8:15 pm

Q & A at 9:45 pm.

Brooklyn Drive-In

Brooklyn Army Terminal

80 58th Street, Sunset Park, Brooklyn.

Matthew Fifer and Kieran Mulcare, Cicada (2020), from top: Sheldon D. Brown (left) and Matthew Fifer; Cobie Smulders and Fifer; Brown; Brown and Fifer (2). Images courtesy and © the filmmakers and the actors.


I’m inspired by the women in my life and telling stories that prominently feature women making decisions, being active and at the forefront of the narrative… I simply knew I wanted to explore sisterhood and tap into some of my experiences as a teenager living in Trinidad. I then started interviewing dancers and the story for the film became clearer from those interviews. I was lucky enough to get women to open up to me about their personal stories. Those interviews helped affirm that there was an important story to tell. — Maya Cozier

SHE PARADISE—directed by Cozier, and co-written by the filmmaker and Melina Brown—started out as a feature-length script. Cozier then devised a short version as a festival calling card before developing her story of a work hard/play hard Trinidadian dance troupe, negotiating gigs—video shoots and party appearances—and demanding their due. Sisterhood above all is an inviolable precept, and it is a pleasure to watch Sparkle (Onessa Nestor), Diamond (Kimberly Crichton), Mica (Chelsey Rampersad), and Shan (Denisia Latchman) build a life through exhilarating movement and hustle.

This world premiere engagement is now streaming at AFI Fest 2020. See link below for details.


AFI Fest Presented by Audi.

Streaming through October 22.

Following the film, AFI FEST Senior Programmer Claudia Puig leads a conversation between Maya Cozier, Melina Brown, and Onessa Nestor.

Maya Cozier, She Paradise (2020), from top: Onessa Nestor; She Paradise; Chelsey Rampersad; She Paradise; Nestor. Images courtesy and © the filmmaker, the actors, and She Paradise Instagram.


SOUND OF METAL—the story of a heavy metal drummer whose sense of hearing suddenly disappears, and one of the highlights of this year’s AFI Fest—is distinguished by writer-director Darius Marder‘s deep affection for his characters and the sensitivity with which these characters are brought to life.

Riz Ahmed stars as Ruben, the drummer for a band fronted by his partner, singer-guitarist Lou (played by Olivia Cooke). Paul Raci co-stars as the director of a sober living house for the deaf.

The film was co-written by Abraham Marder, from a story by Derek Cianfrance. See link below for streaming details.


AFI Fest Presented by Audi.

Streaming through October 22.

Following the film, Variety’s editor Clayton Davis leads a conversation with filmmaker Darius Marder, Riz Ahmed, Paul Raci, Chelsea Lee, and Shaheem Sanchez.

Darius Marder, Sound of Metal (2019), from top: Riz Ahmed; Ahmed at post-streaming Q & A; film cast, director, and interpreters at post-streaming Q & A; Ahmed in film. Images courtesy and © the filmmaker, the actors and interpreters, AFI Fest, and Amazon.


Michel Franco has said that his current film NEW ORDER is not political per se, but rather “an exploration of the social aspects” of how his characters interact with one another as Mexico City implodes in an emergency of class warfare. The director’s claims aside, NEW ORDER is a trenchant political thriller, told in broad, crude strokes that reflect the egregious inequities that poison daily life in the capital.

In Franco’s short, sharp shock of pulp dystopia—the running time is 88 minutes—the poor and the brown raise arms against their rich, pale-skinned employers and oppressors. According to anthropologist José Ignacio Lanzagorta, “it’s impossible to talk of class and poverty without touching the topic of race. It’s very clear that the distribution of income in Mexico is very racialized.”

In this tale of citizen versus citizen, the military is the third element, playing a wild card of disparate factions and divided loyalties. The exponential growth and overcrowding of contemporary Mexico City has, in fact, been met with a highly visible military presence. It goes without saying that in the creation of any “nuevo orden,” redeemable characters are expendable and a fascist expedience prevails.

This AFI Fest presentation will stream through the end of this year’s festival. See link below for details.


AFI Fest Presented by Audi.

Streaming.through October 22.

Following the film, AFI FEST Senior Programmer Claudia Puig leads a conversation with filmmaker Michel Franco.

Michel Franco, New Order (2020), from top: Naian Gonzaléz Norvind (left) and Fernando Cuautle; New Order poster courtesy and © Teorema; Cuautle (left); Dario Yazbek Bernal (left), Patricia Bernal, and Diego Boneta. Images courtesy and © the filmmaker and Teorema.