Category Archives: CONVERSATION

LITLIT BOOK FAIR

This weekend, join Dagny Corcoran of Art Catalogues, Michaela Unterdörfer of Hauser & Wirth Publishers, artists Alexandra Grant and Paul McCarthy, writers Melissa Broder and Alissa Nutting, and poets Yesika Salgado and Vickie Vértiz—among many others—at LITLIT, the Little Literary Fair, at Hauser & Wirth in downtown Los Angeles.

The fair is presented by the Los Angeles Review of Books and Hauser & Wirth Publishers. See link below for special talks and events, and participating publishers, booksellers, and vendors.

LIT LIT BOOK FAIR

Saturday and Sunday, July 20 and 21.

11 am through 6 pm.

Hauser & Wirth

901 East 3rd Street, downtown Los Angeles.

Top two images courtesy Hauser & Wirth; third from top courtesy Kaya Press, remaining images courtesy Art Catalogues (open book and “Grass Piece” page images from Lee Lozano, Not Working). Images © the artists and publishers.

SAN FRANCISCO ART BOOK FAIR

If you’re going to San Francisco, be sure to stop by the art book fair this weekend.

SAN FRANCISCO ART BOOK FAIR

Friday through Sunday, July 19 through 21.

1275 Minnesota Avenue, San Francisco.

From top: Shannon Ebner, A Side, 2018, original floor design by Elizabeth LeCompte from the Wooster Group’s production Early Shaker Rituals: A Record Album Interpretation, photographed at the Performing Garage, New York City, July 5th, 2018, courtesy Altman Siegel, San Francisco; Luca Antonucci, IO print, two-color silkscreen on fluorescent paper, edition of 24, courtesy Colpa Press, San Francisco; Lee Friedlander, Arkansas, 1961, in Signs, Fraenkel Gallery; Carolee Schneemann, Uncollected Texts, 2018, courtesy Public Information and Artbook/D.A.P.; Stéphanie Gygax, People in a Faraday Cage, courtesy Side Issues, Zürich; William S. Burroughs, Roosevelt After Inauguration, and Other Atrocities, City Lights, San Francisco, 1979, courtesy G.F. Wilkinson Books, Grass Valley, California; Joshua Leon, Howie Street Quadruplet, courtesy The Everyday Press; Linda Zeb Hang/WAY WZA, Pattern Erosion, 2018, carvings on raised mesh canvas, courtesy Fist, California; Colorists 1950–1965, San Francisco Museum of Art, 1965, courtesy Modlitbooks, California; Lucy Lippard, 4,492,040, 2012, courtesy New Documents, California. Images courtesy and © the artists, writers, and publishers.

WILL RAWLS AT THE HAMMER

Will Rawls—in conjunction with his Hammer residency—presents a dance/stop-motion animation work-in-progress this week at the museum.

WILL RAWLS

Tuesday, July 16, at 7:30 pm.

Hammer Museum

10899 Wilshire Boulevard, Los Angeles.

From top: Will Rawls, photograph by Luis Rodriguez; Rawls performing in his The Planet Eaters at the 2016 River to River Festival, New York, photographs by Darial Sneed (2); Rawls by Luis Rodriguez, 2015. Images courtesy and © the artists, photographers, and the Hammer Museum.

THE ROYAL BALLET — MAYERLING

Forty years after its American premiere at the Shrine Auditorium, Kenneth MacMillan’s MAYERLING—a tour de force of choreographic virtuosity and innovation, and the first full-length ballet constructed around a male lead—returns to Los Angeles for a three-performance engagement by the Royal Ballet at the Dorothy Chandler Pavilion.

MAYERLING tells the story of Crown Prince Rudolf (1858–1859)—heir apparent to the throne of Austria-Hungary—his mistress Mary Vetsera, and the events leading up to their murder-suicide at Mayerling, the prince’s hunting lodge outside Vienna.

“Most of MacMillan’s ballets, descriptive or abstract, tackle themes of crisis and violence… The dramatic momentum of MAYERLING springs from a chilly dissection of both… The fast-moving scenario is exactly matched by the ferocious pace and energy of MacMillan’s choreography. The action revolves around the startling progression of duets for the two principal dancers: abrasive, threatening, erotic and geared almost without respite to destruction.

“MacMillan projects the dark underside of romanticism: the ballet has domestic interludes of great charm but they’re brief, the dominant mood is acrid, sour, and glitteringly dark.” — Bryan Robertson, The Spectator, February 25, 1978

As Robertson points out, MAYERLING is famous for its numerous pas de deux and requirements of great stamina and artistry by its male leads. On opening night, Royal Ballet principal Ryoichi Hirano will dance the role of Rudolf. On Saturday night principal Matthew Ball takes over, and for the Sunday matinee, principal Thiago Soares is the Crown Prince. Principal Sarah Lamb dances the role of Marie Larisch on opening night and Mary Vetsera on Saturday night.

MacMillan—a former dancer who was the Royal Ballet’s artistic director throughout most of the 1970s and its principal choreographer from 1977 onward—died in 1992 at age 62, backstage at the Royal Opera House, Covent Garden, during a performance of a revival of MAYERLING.

THE ROYAL BALLET—MAYERLING

Friday and Saturday, July 5 and 6, at 7:30 pm.

Sunday, July 7, at 2 pm.

Dorothy Chandler Pavilion

135 North Grand Avenue, downtown Los Angeles.

MAYERLING program

From top: Ryoichi Hirano as Crown Prince Rudolf and Sarah Lamb as Marie Larisch in Mayerling, photograph by Helen Maybanks; Francesca Hayward as Princess Stephanie and Hirano, photograph by Maybanks; Lamb as Mary Vetsera, photograph by Alice Pennefather; Alexander Campbell as Bratfisch, the prince’s confident, photograph by Maybanks; Lauren Cuthbertson as Mary and Thiago Soares as Rudolf (3), photographs by Maybanks. Images courtesy and © the photographers, the performers, and the Royal Ballet.

ISAAC JULIEN — LINA BO BARDI

ISAAC JULIEN: LINA BO BARDI—A MARVELLOUS ENGAGEMENT is the British artist and filmmaker’s nine-screen installation in tribute to the great Brazilian architect.

“Linear time is a western invention; time is not linear, it is a marvellous entanglement, where at any moment points can be chosen and solutions invented without beginning or end.” — Lina Bo Bardi*

ISAAC JULIEN: LINA BO BARDI—A MARVELLOUS ENGAGEMENT*

Through July 27.

Victoria Miro

16 Wharf Road, Hoxton, London

ISAAC JULIEN in conversation with MARIA BALSHAW

Friday, July 5, at 6:30 pm.

Tate Britain

Millbank, London.

Isaac Julien—Lina Bo Bardi: A Marvellous Engagement, Victoria Miro, 2019, installation views. Images courtesy and © the artist and Victoria Miro. Isaac Julien limited edition cover courtesy and © the artist and Wallpaper.