Category Archives: DESIGN

DAVID REINFURT AT YALE

David Reinfurt—co-founder of Dexter Sinister and The Serving Library and co-author of the monograph Muriel Cooper—will present a slideshow lecture on A *NEW* PROGRAM FOR GRAPHIC DESIGN (2019), his “do-it-yourself textbook that synthesizes the pragmatic with the experimental and builds on mid- to late-20th-century pedagogical models to convey advanced principles of contemporary design.”

Reinfurt’s new book provides… in-depth access to a historical analysis, exquisite close-focus portraits of multi-talented creative makers past and present, alongside his own research and examples of his class assignments. This intelligent book contains new insights regarding graphic design history, thought, and practice… [and] is a reminder of Walt Whitman’s call for “a force infusion of intellect” to confront the future.Sheila Levrant de Bretteville, director, Yale University Graduate Program in Graphic Design

DAVID REINFURT—A *NEW* PROGRAM FOR GRAPHIC DESIGN

Thursday, October 10, at 7 pm.

Yale School of Art, Graphic Design Atrium

1156 Chapel Street, New Haven.

David Reinfurt, A *New* Program for Graphic Design. Images courtesy and © the author and Inventory Press.

BAUHAUS — BUILDING THE NEW ARTIST

In conjunction with BAUHAUS BEGINNINGS, open for one more week at Getty Center, BAUHAUS—BUILDING THE NEW ARTIST is an online exhibition that “offers an in-depth look into the school’s novel pedagogy.”*

Following the end of World War I, the provisional government of the short-lived Free State of Saxe-Weimar-Eisenach in Germany initiated an effort to reestablish two schools, the Weimar School of Applied Arts (Weimar Kunstgewerbeschule) and the neighboring Academy of Fine Arts (Hochschule für bildende Kunst), as a single, unified institution…

Upon the recommendation of Belgian architect Henry van de Velde, who had previously directed the Weimar School of Applied Arts, the Berlin architect Walter Gropius was invited to head the new school. Gropius’ request to rechristen the institution under a new name, BAUHAUS STATE SCHOOL (Staatliches Bauhaus), was approved in March 1919.*

BAUHAUS—BUILDING THE NEW ARTIST*

Online exhibition in conjunction with

BAUHAUS BEGINNINGS

Through October 13.

Getty Center

1200 Getty Center Drive, Brentwood, Los Angeles.

From top: Postcard sent to Jan Tschichold with aerial photograph of Bauhaus Dessau, Walter Gropius, architect, 1926, photograph by Junkers Luftbild, 1926, gelatin silver print on postcard, Jan and Edith Tschichold Papers, 1899–1979; Vassily Kandinsky, Color Triangle, circa 1925–1933, graphite and gouache on paper, Vassily Kandinsky Papers, 1911–1940; students in a workshop at the Bauhaus Dessau (2), photographer(s) unknown, undated, gelatin silver prints; Erich Mzozek, Still-life drawing with analytical overlay, circa 1930, graphite on paper and vellum, © Estate Erich Mrozek; Geometric study of spiral form, artist unknown, undated, graphite and colored graphite on paper; Friedl Dicker, Light-dark contrast study for Johannes Itten’s Preliminary Course, 1919, charcoal and pastel collage on black paper. ; Pamphlet for Farben Licht-Spiele (Color-light plays), Ludwig Hirschfeld-Mack, 1925, letterpress, Bauhaus Typography Collection, 1919–1937, © Kaj Delugan; Erich Mzozek, Study for Vassily Kandinsky’s Farbenlehre (Course on color), circa 1929–1930, collage with gouache on paper, © Estate Erich Mrozek. All images courtesy and © the Bauhaus-Archiv and the Getty Research Institute.

THE SUN STILL BURNS HERE

The world premiere engagement of THE SUN STILL BURNS HERE—a collaboration between choreographer Kate Wallich and her troupe The YC, performer Mike Hadreas / Perfume Genius, musician Alan Wyffels, and art director Andrew J.S.— starts this weekend in Seattle, followed by a New York presentation at the Joyce, and dates in Minneapolis and Boston.

THE SUN STILL BURNS HERE

Friday and Saturday, October 4 and 5, at 8 pm.

Moore Theatre

1932 2nd Avenue, Seattle.

Wednesday, November 13, at 7:30.

Thursday through Saturday, November 14, 15, and 16, at 8 pm.

Sunday, November 17, at 2 pm.

Joyce Theater

175 Eighth Avenue (at 19th Street), New York City.

From top: Kate Wallich and Mike Hadreas / Perfume Genius, photograph by Agustin Hernandez; The Sun Still Burns Here MASS MoCA work-in-progress rehearsal and performance, June 2019, photographs by Andrew J.S. (2); posters for the Moore and the Joyce engagements, photographs by Agustin Hernandez (2); Hadreas MASS MoCA photograph by Andrew J.S., The Sun Still Burns Here photograph by Agustin Hernandez. Images courtesy and © the artists, performers, designers, and photographers.

OSCAR TUAZON — MICHIGAN WATER SCHOOL

This is the closing weekend for OSCAR TUAZON—WATER SCHOOL at the Eli and Edythe Broad Art Museum at Michigan State University.

“In 1968, engineer and inventor Steve Baer self-published the Dome Cookbook, a treatise on mathematics, do-it-yourself architecture, and off-the-grid living. Three years later he created his Zome Home in the foothills overlooking Albuquerque. The house remains one of the earliest modern examples of passive solar architecture; the sun’s energy is collected during the day and stored in drums of water installed in large, bay windows, which then provide heat during the night.

“This unique structural system, and the larger countercultural DIY building and environmental movements of the 1960s and 1970s, form the basis for Tuazon ’s latest conceptual and material research. For his exhibition at MSU Broad—curated by Steven L. Bridges—Tuazon continues his investigations of the relationship between art, architecture, and environmental sustainability, with specific consideration of the exhibition’s immediate context: Michigan and the Great Lakes region.”*

The Water School has grown out of thinking about what role art making can play in building community and culture. Oscar Tuazon

“As the title suggests, Tuazon will initiate the latest version of his Water School, while also bridging the conversation in Michigan with the artist’s schools in California and Minnesota. These schools are spaces for formal and informal learning, opportunities to specifically address water, land rights, and other socio-environmental issues, connecting local concerns with national and global conversations.”*

OSCAR TUAZON—WATER SCHOOL*

Through August 18.

Eli and Edythe Broad Art Museum at Michigan State University

547 East Circle Drive, East Lansing.

Above images: Oscar Tuazon, Water School, Eli and Edythe Broad Art Museum at Michigan State University, 2019, photography by Eat Pomegranate Photography. Below: Oscar TuazonZome Alloy, 2016, plywood, aluminum sheeting, and hardware, courtesy and © the artist and Galerie Eva Presenhuber, Zurich.


THE LEHMAN TRILOGY

THE LEHMAN TRILOGYStefano Massini’s acclaimed epic of immigrant commerce, high finance, and spectacular ruin—stars Simon Russell Beale, Adam Godley, and Ben Miles as a cast of dozens across a century and a half of ascendancy while remaining the three Lehman brothers—Henry, Meyer, and Emanuel—who stepped off the boat in 1844, landing in the “magical music box” of America.

The original five-hour version premiered in Paris in 2013, and went on to Milan, where it was first seen by director Sam Mendes. Shortened to a little over three hours, adapted into English by Ben Power, and designed by by Es Devlin, THE LEHMAN TRILOGY is on the West End boards for one more month. Fortunately for local audiences, over the next several months L.A. Theatre Works will present six encores of the National Theatre Live presentation.

THE LEHMAN TRILOGY—NT Live

Saturday, July 27.

Sunday, July 28, August 4, August 25, and September 8.

Saturday, November 23.

All presentations at 3 pm.

James Bridges Theater

Melnitz Hall, UCLA

235 Charles E. Young Drive, Los Angeles.

THE LEHMAN TRILOGY

Through August 31.

Piccadilly Theatre

16 Denman Street, Soho, London.

The Lehman Trilogy, from top: Simon Russell Beale (2); Beale (left), Ben Miles, and Adam Godley; Miles, Beale, and Godley; Godley; Miles, Godley, and Beale; Miles; Beale, Miles, and Godley; Godley, Beale, and Miles. Photographs by Mark Douet. Images courtesy and © the photographer, the performers, the designer, and the National Theatre.