Category Archives: MUSIC

TRAJAL HARRELL — TRANSCORPOREALITIES

The Museum Ludwig ex­hi­bi­tion TRANSCORPOREALITIES “re­flects on the mu­se­um as a perme­able body in which vari­ous bi­o­log­i­cal, so­cial, tech­no­log­i­cal, po­lit­i­cal, and eco­nom­ic sys­tems flow in­to each other. Like all hu­man and non­hu­man en­ti­ties, it en­gages in per­pe­t­u­al metabolic pro­cess­es with its en­vi­ron­ment.”

On opening night—as well as Saturday and Sunday, November 30 and December 1—Trajal Harrell will perform a new work Dancer of the Year.

TRANSCORPOREALITIES participating artists also include Jesse Dar­ling, Fla­ka Hal­i­ti, Paul Ma­heke, Nick Mauss, Park McArthur, Os­car Muril­lo, and Son­dra Per­ry.

TRANSCORPOREALITIES*

Opening night:

TRAJAL HARRELL—DANCER OF THE YEAR

Friday, September 20, at 8:30 pm.

Exhibition open through January 19.

Museum Ludwig

Hein­rich-Böll-Platz, Cologne.

From top: Trajal Harrell, Dancer of the Year, 2019, Kunstenfestivaldesarts, Centre Pompidou, Brussels, © Trajal Harrell, photograph by Orpheas Emirzas; Oscar Murillo, Human Resources, 2016 (detail), installation view, Carlos/Ishikawa, London, courtesy and © Oscar Murillo and Carlos/Ishikawa; Jesse Darling, Virgin Variations (working title, detail), 2019, courtesy and © Jesse Darling; Paul Maheke, Seeking after the fully grown dancer *deep within*, 2016–19, courtesy and © Paul Maheke and VG Bild-Kunst, Bonn 2019, photograph by Henry Chan; Sondra Perry, Ecologue for [in]HABITABILITY, 2017–2019, installation view, Future Generation Art Prize, Venice, courtesy and © Sondra Perry, the Victor Pinchuk Foundation, and Bridget Donahue, New York; Flaka Haliti, What are they thinking that we thinking that they thinking we going to do next? #1, 2019 (draft), courtesy and © Flaka Haliti; Park McArthur, Polyurethane Foam, 2016, courtesy and © Park McArthur and Essex Street, New York and Lars Friedrich, Berlin. Below: Trajal Harrell. Images courtesy and © the artists, photographers, and institutions.

ADAM LINDER AT REDCAT

Playwright Bernard-Marie Koltès (1948–1989)—a key figure in French postwar drama—believed that dramatic action is always transactional because, writes stage director and Koltès scholar Fabrice Conte, “characters can only interact within the context of a form of negotiation.”

The relationship between the Client and Dealer in Koltès’ play Dans la solitude des champs de coton was the impetus for Adam Linder‘s contemporary opera THE WANT—at Redcat this week in its premiere Los Angeles engagement.

THE WANT will be performed by Jess Gadani, Justin F. Kennedy, Jasmine Orpilla, and Roger Sala Reyner.

Ethan Braun wrote the music and the lighting design is by Shahryar Nashat. The Los Angeles production is co-presented by CAP UCLA.

Working on projects in which our roles interweave, we don’t start with Shahryar as the maker of sculptures or of moving images. Because he’s worked in those mediums, his way of thinking has a particular texture. And because I’ve worked in performing arts and with liveness and theater, my way of thinking has a specific texture.

What interests us is how these textures either complement or productively resist each other. It’s not about the formal outcome of these mediums being combined. And that’s where I would ontologically separate our way of working together from the notion of the “interdisciplinary.” We don’t care about disciplines meeting, but about our sensibilities crisscrossing.Adam Linder

The reason why Adam and I say we never collaborate and are not interested in doing so is that we don’t really make work together. When he comes to me asking if I would do the stage design for a piece he’s making, I’m happy to work within his concept and apply my skills to his vision. For an artist, it can be playful to have these limitations—in an applied arts versus visual arts kind of way. Adam becomes a bit like my client. — Shahryar Nashat

ADAM LINDER—THE WANT

Thursday through Saturday, September 19, 20, and 21, at 8:30 pm.

Sunday, September 22, at 7 pm.

Redcat

631 West 2nd Street, downtown Los Angeles.

Linder and Nashat quotes are from their 2018 Bomb interview by Aram Moshayedi.

Adam Linder, The Want, 2019. Images courtesy and © the artists, performers, and videographer.

NY ART BOOK FAIR 2019

Printed Matter’s NY ART BOOK FAIR returns to MOMA PS1 this week.

Among the over 350 international exhibitors are Sébastien Girard, Ooga Booga, Sternberg Press, Chose Commune, Dale Zine, Mörel, Candor Arts, The Free Black Women’s Library, Noah Lyon, Phile Magazine, Hauser & Wirth Publishers, and Dancing Foxes Press.

NY ART BOOK FAIR 2019

Opening night: Thursday, September 19, from 6 pm to 9 pm.

Preview: Friday, September 20, from 11 am to 1 pm.

Public hours:

Friday, September 20, from 1 pm to 7 pm.

Saturday, September 21, from 11 am to 8 pm.

Sunday, September 22, from 11 am to 7 pm.

MOMA PS1

22-25 Jackson Avenue, Long Island City, Queens.

Printed Matter is indebted to Shannon Michael Cane (1974-2017), Curator of Fairs and Editions, for his significant contributions to the NY and LA Art Book Fairs. His impact on the artists’ book community was immense. He is remembered with admiration and affection.

From top: Moyra Davey, Burn the Diaries, Dancing Foxes Press, co-published with MuMOK, Vienna, and ICA, Philadelphia; Queer Archive Work 2, 2019; Vasantha Yogananthan, Exile, Chose Commune; Nevena Aleksovski, Linger On, Zavod P.A.R.A.S.I.T.E.; Some Writers Can Give You Two Heartbeats, 2019, Black Chalk & Co.; Flint Magazine, issue 1; Variations on Cerulean Phthaloand Ice Blue, 2018, Emma Kohlmann; artwork by Rubanee, The Bettys; Barbara Jones-Hogu, Resist, Relate, Unite, 2018 monograph, Candor Arts; Phile magazine; Sébastien Girard, My Tv Girls, 2017; Sory Sanlé, Studio Volta Photo, 2018, editorial concept, design, and printing by Sébastien Girard, published by Yossi Milo Gallery and Tezeta; Sarah Mattes, Eye, Dale Zine; David Armstrong, Night and Day, Mörel Books; Alix Marie, Bleu, Mörel Books; Many of Them, vol. V, The Future of Fiction, Ooga Booga; Philip Guston, Nixon Drawings, 1971 & 1975, Hauser & Wirth Publishers; artwork by Noah Lyon. Images courtesy and © the artists, authors, photographers, and publishers.

PEACHES — WHOSE JIZZ IS THIS?

WHOSE JIZZ IS THIS? is a “deconstructed musical” by Peaches, who “takes a trans-disciplinary and transgressive approach to expanding the format of the exhibition by creating a living organism. Working at the intersection of performance and visual art, she develops new and surprising artistic forms. The exhibition presents an amplified way of looking at and understanding Peaches’ universe and the critical thought that informs her work.”*

The exhibition, at Kunstverein in Hamburg, demonstrates how, “in a theatrical and humorous way, Peaches gives shape to an intersectional feminist perspective. Ever adept at boundary blurring, she has produced a site specific work with unexpected approaches and historical reflections on sex, queerness, and new millennial politics.”

WHOSE JIZZ IS THIS? incorporates “music production, live performance, performance art, video, theatrical direction, set and light design… combining them with sculpture, textiles manipulation, and animatronics.”*

PEACHES—WHOSE JIZZ IS THIS?*

Through October 20.

Kunstverein in Hamburg

Klosterwall 23, Hamburg.

Peaches, Whose Jizz Is This?, Kunstverein in Hamburg, 2019, installation views, photographs by Fred Dott. Images courtesy and © the artist, the photographer, and Kunstverein in Hamburg.


MACHINE DAZZLE’S TREASURE

Coincident with New York Fashion Week, Machine Dazzle—artist, maximalist, and Taylor Mac’s costumier—presents TREASURE.

“Undressing layers of his past to make sense of the present, Machine will introduce twelve new looks alongside stories stitched together through song.”*

This musical performance piece will be accompanied by musical director Viva DeConcini and her band.

MACHINE DAZZLE—TREASURE*

Thursday through Saturday, September 5, 6, and 7.

All shows at 7:30 pm.

Solomon R. Guggenheim Museum

1071 Fifth Avenue (at 88th Street), New York City.

From top: Machine Dazzle; Machine Dazzle, Treasure (3); young Machine Dazzle of the Dazzle Dancers, photograph by Mr. Means. Images courtesy and © the artist.