Category Archives: PHOTOGRAPHY

ERIC FISCHL AND STEPHEN SHORE IN CONVERSATION

On the occasion of Eric Fischl’s first local gallery exhibition of new paintings in twenty-five years and Stephen Shore’s first Los Angeles show in nearly fifteen, Sprüth Magers presents the artists in conversation with LACMA curator Britt Salvesen.

Fischl’s COMPLICATIONS FROM AN ALREADY UNFULFILLED LIFE and Shore’s eponymous show are both on view at the gallery through the end of August.

ERIC FISCHL, STEPHEN SHORE, and BRITT SALVESEN in conversation

Wednesday, June 19, at 7 pm.

Sprüth Magers

5900 Wilshire Boulevard, Los Angeles.

From top: Stephen Shore (2), Los Angeles, California, February 4, 1969, silver gelatin print, and New York, New York, March 11, 2018, printed 2019, pigment print; Eric Fischl (2), Untitled, 2018, and The Artist’s Assistant, 2018; Stephen Shore (2), Los Angeles, California, February 4, 1969, silver gelatin print, and Granite, Oklahoma, July 1972, printed 2012, chromogenic color print; Eric Fischl (2), The Exchange, 2018, and Promise of More to Come, 2019. Shore images © Stephen Shore, courtesy 303 Gallery, New York, and Sprüth Magers. Fischl images © Eric Fischl, courtesy Sprüth Magers.

MURDER MAGAZINE LAUNCH

Join the founding co-editors of MURDER MAGAZINE—artist Síta Valrún and author Bergrún Anna Hallsteinsdóttir—for the launch of the third issue of their publication.

Number 3—”Blood/Home”—includes the work of Nan Goldin, Silvia Gruner, Jenny Holzer, Kara Walker, Ida Ekblad, Deana Lawson, Forough Farrokhzad, Maggie Nelson, Warsan Shire, and Eileen Myles.

MURDER MAGAZINE No. 3 launch

Tuesday, June 18, 6 pm to 9 pm.

2228 West 7th Street (enter on South Grand View Street, 2nd floor), Los Angeles.

Murder Magazine No. 3 images courtesy and © the artists, Síta Valrún, and Murder Magazine.

BAUHAUS BEGINNINGS AT THE GETTY

“The aim is an alliance of the arts under the wing of great architecture.” — Walter Gropius, founder of the Bauhaus

BAUHAUS BEGINNINGS, now at the Getty Center, celebrates the centenary of the founding of the school in Weimar.

The exhibition “reexamines the founding principles of this landmark institution,” considering the school’s “early dedication to spiritual expression and its development of a curriculum based on elements deemed fundamental to all forms of artistic practice.”*

BAUHAUS BEGINNINGS*

Through October 13.

Getty Center

1200 Getty Center Drive, Brentwood, Los Angeles.

From top: Léna Bergner, Durchdringung (Penetration) for Paul Klee‘s course, circa 1925–1932, © the heirs of Léna Bergner; Walter Gropius, undated photograph by Lucia Moholy, © 2019 Artists Rights Society (ARS), New York and VG Bild-Kunst, Bonn; Gerd Balzer, Color wheel for Vassily Kandinsky’s Preliminary Course, 1929, gouache on paper, pasted on black paper; Material exercises in paper (2), photographs by Alfred Ehrhardt, circa 1928–1929, © Alfred Ehrhardt Stiftung; Erich Mzozek, Study for Vassily Kandinsky’s Farbenlehre (Course on color), circa 1929–1930, collage with gouache on paper, © Estate Erich Mrozek; Léna Bergner, Carpet design, circa 1925–1932, © the heirs of Léna Bergner; Joost Schmidt, Form and color study, circa 1929–1930; Benita Koch-Otte, Einfamilienwohnhaus auf der Ausstellung des Staatlichen Bauhauses (Single-family house at the exhibition of the State Bauhaus), 1923, Georg Muche, architect, 1923, from Staatliches Bauhaus in Weimar 1919–1923 (Munich: Bauhausverlag, 1923), p. 165, courtesy and © Bodelschwingh Foundation Bethel; Lyonel Feininger, Villa am Strand (Villa on the shore), 1921, from Bauhaus Drucke: Neue Europaeische Graphik, Erste Mappe [first portfolio], Meister d. Staatlichen Bauhauses in Weimar (Potsdam: Müller, 1921), © 2019 Artists Rights Society (ARS), New York and VG Bild-Kunst, Bonn; Ringl + Pit (Grete Stern and Ellen Auerbach), Bald Head (Johannes Itten), 1930, printed 1985, The Jewish Museum, © Ringl + Pit, courtesy Robert Mann Gallery, New York; Hilde Reindl, Color wheel and tone study for Paul Klee’s Course, circa 1927. Images courtesy of the Getty Research Institute.

PARKETT — PHOTO

Parkett presents PHOTO, “the first survey exhibition of all photographic works made by artists for the journal over the last three decades. On view at Parkett’s Zurich space, the show includes some ninety works spanning a rarely seen, vast, and diverse range of photographic positions and ideas.”*

“The exhibition follows the evolution of photographic methods in the past three decades, with many of the earlier photographs making use of analog techniques, while digital editing informs the more recent works. Common threads including people and portraiture, landscapes both urban and natural, everyday objects, and abstraction, connect an otherwise expansive range of visual topics.”*

“Many of the works on view combine photographic elements with other media, such as gouache, collage, textiles, installation, or printmaking. Also on view are works, which while similar in terms of media and format, are unique and contain distinct differences within each project. Further exhibition displays include five video works, as well as a selection of artists’ inserts—the specially commissioned 10–12 book page projects published in each issue of Parkett.”*

“You can grab an issue from thirty years ago and see the context. You can grab that context and time. The internet has no historical orientation. You click on an article and you don’t know what context [it was published in]. I think this loss of memory is deplorable.” — Jacqueline Burckhardt, Parkett co-founding editor**

PHOTO

THE FIRST SURVEY OF ALL PHOTOGRAPHIC WORKS MADE BY ARTISTS FOR PARKETT SINCE 1984*

Through September 28.

Parkett Space Zürich

Limmatstrasse 268, Zürich.

**See “Time, Context, Object—The Parkett Story,” PARIS LA 16 (2018).

PHOTO artists include: Tomma Abts, Franz Ackermann, Doug Aitken, Allora/Calzadilla, Francis Alys, Ed Atkins, John Baldessari, Yto Barrada, Vanessa Beecroft, Alighiero e Boetti, Christian Boltanski, Glenn Brown, Angela Bulloch, Maurizio Cattelan, Chuck Close, Tacita Dean, Jeremy Deller, Thomas Demand, Trisha Donnelly, Tracey Emin, Omer Fast, Robert Frank, Katharina Fritsch, Cyprien Gaillard, Ellen Gallagher, Adrian Ghenie, Gilbert & George, Robert Gober, Nan Goldin, Dominique Gonzalez-Foerster, Felix Gonzalez-Torres, Dan Graham, Andreas Gursky, David Hammons, Rachel Harrison, Christian Jankowski, Annette Kelm, Martin Kippenberger, Jeff Koons, Jannis Kounellis, Lee Kit, Zoe Leonard, Liu Xiaodong, Paul McCarthy, Marilyn Minter, Tracey Moffatt, Jean-Luc Mylayne, Bruce Nauman, Gabriel Orozco, Richard Phillips, Sigmar Polke, Richard Prince, RH Quaytman, Charles Ray, Jason Rhoades, Pipilotti Rist, Ugo Rondinone, Mika Rottenberg, Thomas Ruff, Anri Sala, Wilhelm Sasnal, Gregor Schneider, Shirana Shahbazi, Cindy Sherman, Roman Signer, Dayanita Singh, Hito Steyerl, Beat Streuli, Thomas Struth, Sturtevant, Hiroshi Sugimoto, Sam Taylor-Wood, Diana Thater, Rosemarie Trockel, Wolfgang Tillmans, Danh Vo, Charline von Heyl, Jeff Wall, Andy Warhol, Lawrence Weiner, Christopher Wool, and Yang Fudong.

Parkett editions, from top: Doug Aitken, Decrease the Mass and Run like Hell, 1999, for Parkett 57; Vanessa Beecroft, untitled, 1999, for Parkett 56; Andy Warhol, untitled, 1987, for Parkett 12, 1987; David Hammons, Money Tree, 1992, for Parkett 31; Wolfgang Tillmans, Parkett edition 1992–1998, for Parkett 53; Trisha Donnelly, The Dashiell Delay, 2006 (2), for Parkett 77; Shirana Shahbazi, Composition with Mountain, 2014, for Parkett 94; Sigmar Polke, Desastres und andere bare Wunder, 1982–1984, for Parkett 2; Cindy Sherman, untitled, 1991, for Parkett 29; Jannis Kounellis, untitled, 1985, for Parkett 6; Tracey Emin, Self-Portrait, 12.11.01, for Parkett 63; Franz Ackermann, Peak Season, 2003, for Parkett 68. Images courtesy and © the artists and Parkett.


THEASTER GATES — THE BLACK IMAGE CORPORATION

Theaster Gates’ participatory exhibition THE BLACK IMAGE CORPORATION—a show dedicated to the legacy of the Johnson Publishing Company (Ebony and Jet)—is now up at Gropius Bau.

Michigan Avenue In Full Bloom (2018), a video shot in Chicago by Gates, “documenting the real architectural spaces where the offices were located, will be displayed in the show. The audience is invited to freely explore this visual archive and leave their own selection and compilation of photographs on the cabinets for other visitors to encounter. [In addition] Vaginal Davis, Mac Folkes, and Wu Tsang will each choose their own way of engaging with the presented works.”*

THEASTER GATES—THE BLACK IMAGE CORPORATION*

Through July 28.

Gropius Bau

Niederkirchnerstrasse 7, Berlin

From top: Isaac Sutton, no date; Moneta Sleet Jr., 1973; Isaac Sutton, 1965; Moneta Sleet Jr., 1965. Images courtesy Johnson Publishing Company, LLC, all rights reserved.