As part of its PST: LA/LA initiative, the Getty Museum takes a deep look at Neo-Concretism in Brazil and Argentina. MAKING ART CONCRETE examines “the formal strategies and material choices of avant-garde painters and sculptors” in works of geometric abstraction created between 1946 and 1962.*
MAKING ART CONCRETE, through February 11, 2018.
GETTY CENTER, 1200 Getty Center Drive, Brentwood, Los Angeles.
From top: Hermelindo Fiaminghi, Seccionado no. 1/ Sectioned No.1, 1958, and Alternado 2, 1957. Both alkyd on hardboard, and Colección Patricia Phelps de Cisneros.
© Estate of Hermelindo Fiaminghi