CAROLINE SHAW — ANDREW NORMAN — NADIA SIROTA

“When I wrote Partita for 8 Voices, it was like if you had the little box of eight crayons for a long time, and then you suddenly have the box with 64, with the little pencil sharpener in the back, you kind of go all out.

“I like writing for string quartet because it’s not a wildly new palette, but there’s something constantly exciting about it. I don’t know why we make music, make art, or write… but [there’s] something about it—it’s like you just have to keep carving.” — Caroline ShawPARIS LA, 2017*

Join composer-musicians Caroline Shaw and Andrew Norman, the music ensemble Wild Up, and host (and viola player) Nadia Sirota for an “enhanced concert” featuring live performances of Shaw’s and Norman’s work, and free-wheeling conversations about their process.

This celebration of music creation is presented by CAP UCLA in downtown Los Angeles.

NADIA SIROTA—LIVING MUSIC LIVE!

with WILD UP

featuring CAROLINE SHAW

and ANDREW NORMAN

Saturday, January 12, at 8 pm.

Theatre at Ace Hotel

929 South Broadway, Los Angeles.

*“The Lilt and the Friction: Caroline Shaw in conversation with Anh Do and Eli Diner,” PARIS LA 15 (Spring 2017): 61–69.

From top:

Nadia Sirota, a Live Podcast Event with Wild Up featuring Andrew Norman and Caroline Shaw. Photograph by Shervin Lainez.

Andrew Norman. Photograph by Craig T. Matthew.

Caroline Shaw (left), Norman, and Sirota at the Theatre at Ace Hotel, January 12, 2019. Image courtesy CAP UCLA.

Shaw. Photograph by Kait Moreno.

DIMITRIS PAPAIOANNOU — THE GREAT TAMER

Dimitris Papaioannou started out as a painter and comics artist, but now he does it all—director, choreographer, performer, costumer, and set and lighting designer.

Last year he premiered Since She at Tanztheater Wuppertal Pina Bausch, the first choreographer invited to do so since Bausch’s death.

THE GREAT TAMER—his mysterious evening-length performance work in its U.S. premiere this week at Royce Hall—is a dreamlike journey through time and the underworld, with references to Rembrandt’s Anatomy Lesson of Dr. Nicolaes Tulp, Botticelli’s The Birth of Venus, Michelangelo’s David, the myths of Orpheus and Eurydice, and Kubrick’s use of “The Blue Danube.”

Performers for the Los Angeles and Ann Arbor dates include Pavlina Andriopoulou, Costas Chrysafidis, Dimitris Kitsos, Ioannis Michos, Evangelia Randou, Kalliopi Simou, Drossos Skotis, Christos Strinopoulos, Yorgos Tsiantoulas, and Alex Vangelis.

DIMITRIS PAPAIOANNOU—THE GREAT TAMER

Friday, January 11, at 8 pm.

Royce Hall, UCLA

10745 Dickson Court, Los Angeles.

Friday and Saturday, January 18 and 19, at 8 pm.

Power Center, University of Michigan

121 Fletcher Street, Ann Arbor.

The Great Tamer. All photographs by Julian Mommert.

HUBBARD STREET DANCE CHICAGO AND THIRD COAST PERCUSSION

The Windy City is in the house this week at The Wallis with the collaborative performance of Hubbard Street Dance Chicago and the music ensemble Third Coast Percussion, here for a three-night engagement in Beverly Hills.

The West Coast premiere of Emma Portner’s FOR ALL ITS FURY will open the show, prefaced by the composition “Perfectly Voiceless.” The solo work by Rena Butler is outstanding in this piece, and the energetic male pairings between Craig D. Black, Jr., Elliot Hammans, Florian Lochner, and Andrew Murdock are distinctive.

A second local premiere—Teddy Forance’s EVERYTHING MUST GO—will close out the first half of the evening. The works in Act One run in continuum, and the music for all three was written by Devonté Hynes.

After the break, the groups will perform Ohad Naharin’s IGNOREAlejandro Cerrudo’s PACOPEPEPLUTO, and Crystal Pite’s SOLO ECHO.

HUBBARD STREET DANCE CHICAGO

and THIRD COAST PERCUSSION

Thursday through Saturday, January 10, 11, and 12.

All shows at 7:30 pm.

Wallis Annenberg Center for the Performing Arts

Bram Goldsmith Theater

9390 Santa Monica Boulevard, Beverly Hills.

From top:

Hubbard Street Dance Chicago performs choreographer Teddy Forance’s Everything Must Go with David Skidmore of Third Coast Percussion.

Hubbard Street dancers (from left) Kellie Epperheimer, Jacqueline Burnett, Adrienne Lipson, Alicia Delgadillo, and Rena Butler in Ignore from Decadance/Chicago by Ohad Naharin.

Hubbard Street dancer Craig D. Black Jr. in PACOPEPEPLUTO by Alejandro Cerrudo.

Hubbard Street Dance Chicago in Solo Echo by Crystal Pite.

Hubbard Street dancer Rena Butler in For All Its Fury by Emma Portner.

All photographs by Kevin Parry, January 10, 2019, at the Wallis Annenberg Center for the Performing Arts.

BOOKED — HONG KONG ART BOOK FAIR

New Documents (Los Angeles), onestar / Three Star (Paris), Printed Matter (New York), David Zwirner Books (New York), Art Metropole (Toronto), Sternberg Press (Berlin), and Roma Publications (Amsterdam) will join dozens of Asian publishers and artists at the inaugural BOOKED—TAI KWUN CONTEMPORARY’S ART BOOK FAIR in Hong Kong.

Talks, workshops, launches, and performances will take place throughout the event’s duration, and the fair will close with a set by DJ Freckles.

BOOKED—TAI KWUN CONTEMPORARY’S ART BOOK FAIR

Friday through Sunday, January 11, 12, and 13.

JC Contemporary, Tai Kwun

10 Hollywood Road, Central, Hong Kong.

From top:

Kara Walker, MCMXCIX [sketches from 1999] (Amsterdam: Roma Publications, 2017).

Jumana Manna, A Small Big Thing (Berlin: Sternberg Press, 2018)

Maria Fusco, Give Up Art (Los Angeles: New Documents, 2017).

Phile: The International Journal of Desire and Curiosity 2 (2018), Art Metropole.

Wolfgang Tillmans, DZHK Book 2018 (New York: David Zwirner Books, 2018).

Stefan Brüggemann, Timeless (Paris: Onestar, 2015).

PHILIP GLASS — LODGER PREMIERE

The world premiere of Philip Glass’ 12th symphony—an interpretation of David Bowie and Brian Eno’s music for LODGER—will be conducted this week in Los Angeles by John Adams in a program that includes Gabriella Smith’s Tumblebird Contrails and Adams’ Grand Pianola Music.

Angelique Kidjo will sing during the LODGER section, and program performers include sopranos Zanaida Robles and Holly Sedillos, mezzo-soprano Kristen Toedtman, pianists Marc-André Hamelin and Orli Shaham, and organist James McVinnie.

 

LODGER—

ADAMS & GLASS

Thursday and Friday, January 10 and 11, at 8 pm.

Sunday, January 13, at 2 pm.

Walt Disney Concert Hall

111 South Grand Avenue, downtown Los Angeles.

Above: Original Lodger album cover, 1979. Image credit: RCA.

Below: Philip Glass (left) and David Bowie.