The magnificent Charles White retrospective is up for one more month at LACMA, the last stop of its national tour.

In addition to the beautifully designed exhibition in the museum’s Resnick Pavilion, this weekend LACMA is presenting a pristine 35mm screening of ANNA LUCASTA—the 1958 film starring Eartha Kitt and Sammy Davis Jr., featuring paintings by White.

And in June there will be a final Artist Walkthrough, with muralist and Charles White student Kent Twitchell.


Through June 9.


Sunday, May 19, at 1 pm.

KENT TWITCHELL artist walkthrough

Friday, June 7, from 4 pm to 5 pm.


5905 Wilshire Boulevard, Los Angeles.

Charles White—A Retrospective, 2019, LACMA, from top: Wanted Poster Series #15, 1970, lithograph on paper, LACMA; Harriet, 1972, oil wash on board, Warfield Center at the University of Texas, Austin; Banner for Willy J., 1976, oil on canvas, Wyatt Collection; Harvest Talk, 1953, charcoal, Wolff crayon, and graphite, with stumping and erasing on ivory wood-pulp laminate board, Art Institute of Chicago; J’accuse #7, 1966, charcoal on paper, private collection; Bessie Smith, 1950, tempura on panel, private collection; The Embrace, 1942, tempura on Masonite, LACMA; War Worker, 1945, tempura on board, Montclair Art Museum; Soldier,1944, tempura on Masonite, Huntington Library; Young Farmer, 1953, linoleum cut on paper, Museum of Fine Arts, Boston; Untitled (Bearded Man), circa 1949, linoleum cut on paper, Museum of Modern Art, New York. Images courtesy and © the Charles White Archives, LACMA, and the lending collectors and institutions.


In THE 10TH VICTIM, the great Italian director Elio Petri sets his characteristic socio-political critique amid sci-fi thrills and an explosion of mid-sixties glamour—courtesy of production designer Piero Poletto and iconic stars Ursula Andress and Marcello Mastroianni.

The populace of Rome, ensconced in an Op-art wonderland, compete for televised fame and fortune in a legal game of hunter and hunted—themes borrowed by The Hunger Games nearly half a century later.

Gianni Di Venanzo—who, like Poletto, worked with Antonioni—was the film’s cinematographer. Tonino Guerra, Giorgio Salvioni, and Ennio Flaiano wrote the screenplay with Petri, and Piero Piccioni composed the propulsive score.

This weekend, the American Cinematheque, the Art Directors Guild Film Society, and The Hollywood Reporter present a rare local screening of THE 10TH VICTIM, followed by a panel discussion with Frances Anderton—host of KCRW‘s DnA: Design and ArchitectureUSC professor Nicholas J. Cull, and production designers Guy Hendrix Dyas and John Muto.


Sunday, May 19, at 5:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Ursula Andress and Marcello Mastroianni in The 10th Victim (1965), directed by Elio Petri, production design by Piero Poletto. Elsa Martinelli on phone (fourth from top).


Writer, artist, and curator William E. Jones will talk about his new book—the sex Bildungsroman I’M OPEN TO ANYTHING—with Jarett Kobek.

Jones is the author of Halsted Plays Himself—the heavily illustrated biography of porn auteur Fred Halsted—and True Homosexual Experiences: Boyd McDonald and Straight to Hell.


Saturday, May 18, at 3 pm.

Artbook at Hauser & Wirth

917 East 3rd Street, downtown Los Angeles.

From top: William E. Jones; book cover image courtesy and © We Heard You Like Books; Fred Halsted, A Night at Halsted’s (1981).


At LACMA this weekend, join Charles Gaines, writers and scholars Jennifer González, Shelleen Greene, Ariel Osterweis, B. Ruby Rich, Jeffrey Stewart, and Sarah Thornton, curator Mark Nash, and LACMA‘s Naima J. Keith and Christine Y. Kim for a daylong symposium of screenings and panel discussions celebrating the work of Isaac Julien—who will be in attendance.

Among the complete works to be presented are PLAYTIME, LESSONS OF THE HOUR—FREDERICK DOUGLASS, WESTERN UNION: SMALL BOATS, and a 30th anniversary screening of LOOKING FOR LANGSTON, Julien’s film about Harlem Renaissance poet Langston Hughes.

Excerpts from KAPITAL and TEN THOUSAND WAVES will also be shown.


Saturday, May 18, from 9 am to 5 pm.


Through August 11.


5905 Wilshire Boulevard, Los Angeles.

Full schedule of screenings and speakers:

9:00 am — Coffee and pastries.

9:25 am — Welcome and introductions by Christine Y. Kim, Associate Curator of Contemporary Art, LACMA.

9:30 am — PLAYTIME (2014). Sarah Thornton.

9:50 am — KAPITAL (2013), excerpt. Charles Gaines and Mark Nash.

10:50 am — WESTERN UNION: SMALL BOATS (2007). Jennifer González and Shelleen Greene.

12:00 pm — TEN THOUSAND WAVES (2010) (excerpt). Jeffrey Stewart and Ariel Osterweis, with Christine Y. Kim.

1:10 pm to 1:55 pm — Lunch will be provided for participants.

2:00 pm — LOOKING FOR LANGSTON (1989). B. Ruby Rich and Isaac Julien

3:35 pm — LESSONS OF THE HOUR—FREDERICK DOUGLASS (2019). Isaac Julienand Jeffrey Stewart, with Naima J. Keith

Isaac Julien, from top: Emerald City / Capital (Playtime), 2013; Playtime, 2013, LACMA, installation view Roslyn Oxley9 Gallery, Sydney, 2013 (2); The Abyss (Playtime), 2013; Playtime, 2013, LACMA, installation view Metro Pictures, 2013, photograph by Genevieve Hanson; All that’s solid melts into air (Playtime), 2013; Ten Thousand Waves, 2010, 35mm film, transferred to HD 9.2 surround sound; Icarus descending (Playtime), 2013; Isaac Julien, Eclipse (Playtime), 2013. Black and white photograph of Isaac Julien, 2017, by Thierry Bal. All works and images courtesy and © Isaac Julien, the photographers, Victoria Miro, London, and Metro Pictures, New York.


Amnesia ScannerVille Haimala and Martti Kalliala—will perform their debut album ANOTHER LIFE in Paris this weekend.

This Kaleidoscope Manifesto program is presented in collaboration with Lafayette Anticipations.


Saturday, May 19, at 8 pm.

Lafayette Anticipations

9 rue du Plâtre, 4th, Paris.

From top: Amnesia Scanner, Another Life; Martti Kalliala (left) and Ville Haimala; Kalliala and Haimala in 2011, Renaissance Man project; Lafayette Anticipations x Kaleidoscope Manifesto poster, 2019. Images courtesy and © Ville Haimala, Martti Kalliala, Amnesia Scanner, Lafayette Anticipations, and Kaleidoscope.