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FIRE ON THE HILL — LA FILM FESTIVAL

Black cowboys have always been part of the history of South Central Los Angeles, and stables can still be found up and down the L.A. River and various flood channels in the area. One such stable, in Compton, known as the Hill, was mysteriously burned down in 2012. For the last few years, filmmaker Brett […]

About

"PARIS LA is born of shared perspectives. It’s a project, like a love story, that comes from the feeling of being in one place, thinking about another. A place between two cities, between scenes, between people, that exists only in the space of our imagination. In Paris, dreaming of the Pacific. Speaking French in LA. And it’s as true as a clear blue sky above us."—Dorothée Perret, Founder Editor (Paris, November 9, 2008)

SUSANNE BARTSCH ON TOP

“Bartsch picked up where Warhol left off.” — RuPaul History is made at night. In her capacity as party-throwing club-kid den mother and AIDS fundraiser par excellence, Susanne Bartsch provided a sanctuary of free expression for those pushed to society’s margins while engaging in what Ingrid Sischy called “the most serious political action of our […]

JACK SMITH AT METROGRAPH

In conjunction with the exhibition Jack Smith—Art Crust of Spiritual Oasis, Artists Space and Metrograph present a retrospective of the visionary films of Jack Smith, along with rare and previously unseen documentation of Smith’’s live performances. Smith’s work as an actor in the films of Ken Jacobs and Ron Rice will also be screened.   FLAMING CREATURES, […]

LOUISE NEVELSON ON PAPER

The Whitney’s collection of the drawings, prints, and collages of Louise Nevelson is now on view at the museum, in an exhibition organized by curatorial assistant Clémence White.   THE FACE IN THE MOON—DRAWINGS AND PRINTS BY LOUISE NEVELSON Through October 8. WHITNEY MUSEUM OF AMERICAN ART, 99 Gansevoort Street, New York City. Louise Nevelson. […]

CARL FIEGER

Carl Fieger (1893–1960)—initially a draftsman in the office of Walter Gropius and Adolf Meyer—made architectural history with his first building. “Though the single-family house of 1924 remained an experimental building, the circular building (a Wohnmaschine, or machine for living in) had an immense effect on the professional community and future architects. It was an important […]