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LUTZ – SPRING 2019

Lutz invited his audience to the Salle Pleyel in Paris to present his spring 2019 collection. While the red light on the red carpet recalled a nightclub ethos, the Art Deco style of the room harks back to classical and traditional qualities in the atmosphere. His collection followed this path with rigorous cuts and odd […]

About

"PARIS LA is born of shared perspectives. It’s a project, like a love story, that comes from the feeling of being in one place, thinking about another. A place between two cities, between scenes, between people, that exists only in the space of our imagination. In Paris, dreaming of the Pacific. Speaking French in LA. And it’s as true as a clear blue sky above us."—Dorothée Perret, Founder Editor (Paris, November 9, 2008)

JASPER JOHNS — SIXTY YEARS OF WORK

In collaboration with London’s Royal Academy, JASPER JOHNS—SOMETHING RESEMBLING TRUTH brings six decades of iconic work to the Broad in Los Angeles, the only American venue for the exhibition. The flags, the targets, the sculptures, the combines and collages, the “luscious paint handling” are all on view throughout the entire ground floor of the museum […]

FINALLY GOT THE NEWS

“FINALLY GOT THE NEWS, by Brad Duncan, uncovers the hidden legacy of the radical Left of the 1970s, a decade when vibrant social movements challenged racism, imperialism, patriarchy and capitalism itself. It combines written contributions from movement participants with original printed materials—from pamphlets to posters, flyers to newspapers—to tell this politically rich and little-known story. “The […]

WOLFGANG TILLMANS FOR JAHRESRING

For its 64th iteration, Jahresring enlisted Wolfgang Tillmans to guest edit an issue, which the photographer has titled “What is Different?”: “We have known for some time that there are people who feel drawn to esoteric conspiracy theories. What is new, however, is that hard facts are no longer believed by wide segments of the […]

YOU WERE NEVER REALLY HERE

Lynne Ramsay—the director of Morvern Callar and We Need to Talk About Kevin—is not particularly prolific, which makes her new film YOU WERE NEVER REALLY HERE an especially anticipated experience. Early audiences for this Cannes-winning work have been exiting the cinema exhilarated, unsure as to how literally to take the title’s directive, and struck with a fervent […]