Tag Archives: Alice Neel

ART-RITE LAUNCH

Join ART-RITE founding co-editor Walter Robinson, Pat Steir, Robin Winters, moderator Carlo McCormick, and host Jeffrey Deitch for a panel discussion and launch of the facsimile reprint of ART-RITE.

Collected in a 600-plus-page volume, this co-publication of Primary Information and Printed Matter contains all twenty issues of the newsprint magazine edited by Robinson, Edit DeAk, and Joshua Cohn—who would leave after issue 7—between 1973 and 1978.

(DeAk, Robinson, Sol LeWitt, and Lucy Lippard were among Printed Matter’s 1976 co-founders.)

Contributors to ART-RITE included Vito Acconci, Kathy Acker, Bas Jan Ader, Laurie Anderson, David Antin, John Baldessari, Jennifer Bartlett, Gregory Battcock, Lynda Benglis, Mel Bochner, Christian Boltanski, AA Bronson, Marcel Broodthaers, Trisha Brown, Chris Burden, Daniel Buren, Scott Burton, Ulises Carrión, Judy Chicago, Lucinda Childs, Christo, Diego Cortez, Hanne Darboven, Agnes Denes, Ralston Farina, Richard Foreman, Peggy Gale, Gilbert and George, John Giorno, Philip Glass, Leon Golub, Guerrilla Art Action Group, Julia Heyward, Nancy Holt, Ray Johnson, Joan Jonas, Richard Kern, Lee Krasner, Shigeko Kubota, Les Levine, Sol LeWitt, Lucy Lippard, Babette Mangolte, Brice Marden, Agnes Martin, Gordon Matta-Clark, Rosemary Mayer, Annette Messager, Elizabeth Murray, Alice Neel, Brian O’Doherty, Genesis P-Orridge, Nam June Paik, Charlemagne Palestine, Judy Pfaff, Lil Picard, Yvonne Rainer, Dorothea Rockburne, Ed Ruscha, Robert Ryman, David Salle, Julian Schnabel, Carolee Schneemann, Richard Serra, Sylvia Sleigh, Jack Smith, Patti Smith, Robert Smithson, Holly Solomon, Naomi Spector, Nancy Spero, Pat Steir, Frank Stella, David Tremlett, Richard Tuttle, Alan Vega, Andy Warhol, William Wegman, Lawrence Weiner, Hannah Wilke, Robert Wilson, and Irene von Zahn.

ART-RITE PANEL and LAUNCH

Tuesday, December 10, at 7 pm.

Jeffrey Deitch

18 Wooster Street, New York City.

From top: Art-Rite (2); Edit DeAk, photograph by Timothy Greenfield-Sanders; Walter Robinson, photograph by Greenfield-Sanders; Art-Rite facsimile reprint cover; Art-Rite cover by Christo; Art-Rite launch card. Images courtesy and © the photographer, Walter Robinson, Primary Information, and Printed Matter.

ALICE NEEL — FREEDOM

Two years after Alice Neel, Uptown, David Zwirner presents ALICE NEEL—FREEDOM, another great exhibition of the painter’s work, this time focused on Neel’s portrayal of the nude figure.

The show’s catalogue features contributions by Marlene Dumas, Helen Molesworth, and Ginny Neel, Alice’s daughter-in-law and the organizer of FREEDOM.

ALICE NEEL—FREEDOM

Through April 13.

David Zwirner

537 West 20th Street, New York City.

From top: Alice Neel, Pregnant Julie and Algis, 1967; Alice Neel, Degenerate Madonna, 1930; Alice Neel, Untitled (Alice Neel and John Rothschild in the Bathroom), 1935; Alice Neel, Bronx Bacchus, 1929; Alice Neel, Joe Gould, 1933. All artwork © The Estate of Alice Neel, courtesy The Estate of Alice Neel and David Zwirner.

MICHEL AUDER — FICTIONAL ART FILM

Alice Neel, Bill T. JonesAndy WarholTaylor MeadJohn Ashbery, Annie SprinkleDavid Hammons, VivaHannah Wilke, Arthur Aviles, Shirley Clarke, and Willem de Kooning are among the artists, poets, and performers captured on film by their friend Michel Auder during the 1970s and ’80s.

Auder has assembled this footage for his exhibition FICTIONAL ART FILM, now on view in Harlem.

MICHEL AUDER—FICTIONAL ART FILM

Through February 24.

Gavin Brown’s Enterprise

439 West 127th Street, New York City.

Top two and above: Michel Auder—Fictional Art Film (2019), stills. Middle: Michel Auder—Fictional Art Film, 2019, installation view, Gavin Brown’s Enterprise. Images courtesy the artist and Gavin Brown’s Enterprise.

HILTON ALS — A COLLECTIVE PORTRAIT OF JAMES BALDWIN

“Troubled times get the tyrants and prophets they deserve. During our current epoch, the revival of interest in author James Baldwin has been particularly intense. This is in part due, of course, to his ability to analyze and articulate how power abuses through cunning and force and why, in the end, it’s up to the people to topple kingdoms.

“As a galvanizing humanitarian force, Baldwin is now being claimed as a kind of oracle. But by claiming him as such, much gets erased about the great artist in the process, specifically his sexuality and aestheticism, both of which informed his politics.” — Hilton Als*

GOD MADE MY FACE—A COLLECTIVE PORTRAIT OF JAMES BALDWIN—a group show curated by Hilton Als, featuring the work of Njideka Akunyili Crosby, Diane Arbus, Richard Avedon, Alvin Baltrop, Beauford Delaney, Marlene Dumas, Ja’Tovia Gary, Glenn Ligon, Alice Neel, Cameron Rowland, Kara WalkerJane Evelyn Atwood, and James Welling—is on view through mid-February.

In conjunction with the exhibition, the Metrograph and Als will present a series of films featuring Baldwin through the years, at home and abroad.

GOD MADE MY FACE—

A COLLECTIVE PORTRAIT OF JAMES BALDWIN*

Through February 16.

David Zwirner

525 and 533 West 19th Street, New York City.

HILTON ALS ON JAMES BALDWIN FILM SERIES

Friday and Saturday, February 1 and 2.

Metrograph

7 Ludlow Street, New York City.

See “The Energy of Joy: Hilton Als in conversation with David Bridel and Mary-Alice Daniel,” PARIS LA 16 (2019): 217–221.

From top: Marlene Dumas, James Baldwin, 2014, from the Great Men series exhibited at Manifesta 10 in St. Petersburg, image credit: Marlene Dumas and Bernard Ruijgrok PiezographicsBeauford Delaney, Dark Rapture, 1941, oil on canvas; Alvin Baltrop, The Piers (man sitting), 1975-1986, photograph; Richard AvedonJames Baldwin, writer, Harlem, New York, 1945, © The Richard Avedon Foundation; Ja’Tovia Gary, An Ecstatic Experience, 2015, video still; Jane Evelyn AtwoodJames Baldwin with bust of himself sculpted by Larry Wolhandler, Paris, France, 1975 (detail), gelatin silver print. All images courtesy David Zwirner.

ALICE NEEL, UPTOWN

24NEEL4-master675

Last year Hilton Als curated an exhibition of paintings and drawings by Alice Neel for David Zwirner in New York City (the show then traveled to Victoria Miro in London). The catalogue of paintings is accompanied by Hilton’s subjective texts on art, race, gender, Neel, and the city.

“In ALICE NEEL, UPTOWN, Als brings together a body of paintings and works on paper of African-Americans, Latinos, Asians, and other people of color for the first time. Highlighting the innate diversity of Neel’s approach, the selection looks at those whose portraits are often left out of the art-historical canon and how this extraordinary painter captured them…

“A contemporary and personal approach to the artist’s oeuvre, Als’ project is ‘an attempt to honor not only what Neel saw, but the generosity of her seeing.’ ”*

 

HILTON ALSALICE NEEL, UPTOWN,  forward by Jeremy Lewison (New York: David Zwirner Books, 2017). Available now.

davidzwirnerbooks.com/alice-neel-uptown

From top: Alice Neel, Georgie Arce, 1955. Alice Neel, Uptown layout (Alice Neel, Call Me Joe, 1955). Alice Neel, Mercedes Arroyo, 1952 (detail). Images courtesy of David Zwirner.

Image result for alice neel uptown

Neel-Uptown-7-1

Image result for alice neel uptown

lead_960