Tag Archives: André Leon Talley

LOULOU DE LA FALAISE

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“This book is an oral biography of Paris fashion between the glittering years when Loulou was the light between all the characters.” — André Leon Talley

Christopher Petkanis LOULOU & YVES: THE UNTOLD STORY OF LOULOU DE LA FALAISE AND THE HOUSE OF SAINT LAURENT is a massive oral history centered around the life and times of YSL muse and employee Loulou de la Falaise.

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Among the voices heard from in the book are those of Cecil Beaton, Diana Vreeland, Thadée Klossowski, Robert Mapplethorpe, Helmut Newton, Hubert de Givenchy, Manolo Blahnik, Maxime de la Falaise, Diane von Furstenberg, Marianne Faithfull, Nicky Haslam, Elsa Peretti, Betty Catroux, John Richardson, Kenneth Jay Lane, Alber Elbaz, Christian Louboutin, Grace Coddington, Ben Brantley, Jane Ormsby Gore, Bruce Chatwin, Amy Fine Collins, Patrick Bauchau, Lady Annabel Goldsmith, Pierre Bergé, Talley, and Loulou herself.

See: us.macmillan.com/book

Top: Marina Schiano, Loulou de la Falaise, Yves Saint Laurent, and Steve Rubell at the Opium launch party, New York City, 1978.

Above: Thadée Klossowski, Paloma Picasso, and YSL. Polaroid by Andy Warhol.

Below: YSL and de la Falaise.

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ANDRÉ LEON TALLEY AT LACMA

“The late seventies, when André Leon Talley came into his own, is the period when designers like Yves Saint Laurent and Halston produced the clothes that Talley covered at the beginning of his career at WWD, clothes often described as glamorous. It is the period referred to in the clothes being produced now by designers like Marc Jacobs and Anna Sui. ‘It was a time when I could take Diana Vreeland and Lee Radziwill to a LaBelle concert at the Beacon and it wouldn’t look like I was about to mug them,” Talley says.

Daniela Morera, a correspondent for Italian Vogue, has a different recollection. ‘André was privileged because he was a close friend of Mrs. Vreeland’s,’ she says. ‘Black people were as segregated in the industry as they are now… André enjoyed a lot of attention from whites because he was ambitious and amusing. He says it wasn’t bad because he didn’t know how bad it was for other blacks in the business. He was successful because he wasn’t a threat. He’ll never be an editor-in-chief… No matter that André’s been the greatest crossover act in the industry for quite some time. Like forever.’ ” — Hilton Als, 1994*

Talley—Anna Wintour’s legendary right hand man—has been captured on film in Kate Novack’s new documentary THE GOSPEL ACCORDING TO ANDRÉ, presented this week by Film Independent at LACMA. The director and her subject will be on hand for a conversation after the screening.

 

ANDRÉ LEON TALLEY and KATE NOVACK—

THE GOSPEL ACCORDING TO ANDRÉ

Thursday, May 10, at 7:30.

LACMA, Bing Theater

5905 Wilshire Boulevard, Los Angeles.

* Hilton Als, “The Only One,” The New Yorker, November 7, 1994, 110. (Reprinted in Als’ White Girls, 2013.)

Top: André Leon Talley and Yves Saint Laurent. Image credit: Getty.

Middle: Talley and Diana Ross dancing at Studio 54, circa 1979. Photograph by Sonia Moskowitz/Getty Images.

Below: Diana Vreeland and André Leon Talley working at the Costume Institute at the Metropolitan Museum of Art in New York City. The model is Marlene Dietrich in the show Romantic and Glamorous Hollywood Design, 1974. Photograph by Bill Cunningham.

HILTON ALS IN CONVERSATION

“We’re staying together for the kids’ sake.

“That’s the first lie of the family. It’s never for the kids’ sake. Why has no mother, including Hamlet’s own, not admitted to her libidinal impulses, saying this crazy-ass dick or uncontrollable freak works for me, I could never do what he does in the world, be so out of control, terrible and boundaryless, I’m a woman, confined by my sex, prohibited from acting out because other lives, my children’s lives, depend on me, but still there’s my husband acting out for me, what a thrill as he crashes against the cage of my propriety.” – Hilton Als*

The great New Yorker critic and astringent profiler of Dorothy Dean and André Leon Talley will be in town this week for a wide-ranging public conversation with USC dramatic arts dean David Bridel and poet Mary-Alice Daniel.

 

THE FAIRINGS OF A LITERARY MIND—A CONVERSATION WITH HILTON ALS, Wednesday, February 7, at 7 pm.

JOYCE J. CAMMILLERI HALL, USC, 3620 McClintock Ave, Los Angeles.

visionsandvoices.usc.edu/event

* Hilton Als, “Tristes Tropiques,” in White Girls (San Francisco: McSweeney’s, 2013), 23.

Hilton Als.