Tag Archives: Brice Marden

ART-RITE LAUNCH

Join ART-RITE founding co-editor Walter Robinson, Pat Steir, Robin Winters, moderator Carlo McCormick, and host Jeffrey Deitch for a panel discussion and launch of the facsimile reprint of ART-RITE.

Collected in a 600-plus-page volume, this co-publication of Primary Information and Printed Matter contains all twenty issues of the newsprint magazine edited by Robinson, Edit DeAk, and Joshua Cohn—who would leave after issue 7—between 1973 and 1978.

(DeAk, Robinson, Sol LeWitt, and Lucy Lippard were among Printed Matter’s 1976 co-founders.)

Contributors to ART-RITE included Vito Acconci, Kathy Acker, Bas Jan Ader, Laurie Anderson, David Antin, John Baldessari, Jennifer Bartlett, Gregory Battcock, Lynda Benglis, Mel Bochner, Christian Boltanski, AA Bronson, Marcel Broodthaers, Trisha Brown, Chris Burden, Daniel Buren, Scott Burton, Ulises Carrión, Judy Chicago, Lucinda Childs, Christo, Diego Cortez, Hanne Darboven, Agnes Denes, Ralston Farina, Richard Foreman, Peggy Gale, Gilbert and George, John Giorno, Philip Glass, Leon Golub, Guerrilla Art Action Group, Julia Heyward, Nancy Holt, Ray Johnson, Joan Jonas, Richard Kern, Lee Krasner, Shigeko Kubota, Les Levine, Sol LeWitt, Lucy Lippard, Babette Mangolte, Brice Marden, Agnes Martin, Gordon Matta-Clark, Rosemary Mayer, Annette Messager, Elizabeth Murray, Alice Neel, Brian O’Doherty, Genesis P-Orridge, Nam June Paik, Charlemagne Palestine, Judy Pfaff, Lil Picard, Yvonne Rainer, Dorothea Rockburne, Ed Ruscha, Robert Ryman, David Salle, Julian Schnabel, Carolee Schneemann, Richard Serra, Sylvia Sleigh, Jack Smith, Patti Smith, Robert Smithson, Holly Solomon, Naomi Spector, Nancy Spero, Pat Steir, Frank Stella, David Tremlett, Richard Tuttle, Alan Vega, Andy Warhol, William Wegman, Lawrence Weiner, Hannah Wilke, Robert Wilson, and Irene von Zahn.

ART-RITE PANEL and LAUNCH

Tuesday, December 10, at 7 pm.

Jeffrey Deitch

18 Wooster Street, New York City.

From top: Art-Rite (2); Edit DeAk, photograph by Timothy Greenfield-Sanders; Walter Robinson, photograph by Greenfield-Sanders; Art-Rite facsimile reprint cover; Art-Rite cover by Christo; Art-Rite launch card. Images courtesy and © the photographer, Walter Robinson, Primary Information, and Printed Matter.

CAP UCLA DANCE SEASON 2019–2020

Alastair Macaulay was unambiguous. Closing his 2018 review of the world premiere of FOUR QUARTETS—a collaboration between choreographer Pam Tanowitz, artist Brice Marden, and composer Kaija Saariaho—with the following paragraph, the former New York Times dance critic made its case for posterity:

If I am right to think this is the greatest creation of dance theater so far this century, we’re fortunate that FOUR QUARTETS will travel to other stages. I long to become more deeply acquainted with the many layers of its stage poetry.

The drawback for Los Angeles audiences is that this landmark work will be performed at Royce Hall in early 2020 only twice—a highlight of a remarkably strong CAP UCLA 2019–2020 dance season.

The season begins at Redcat, where Adam Linder presents THE WANT—a contemporary opera/performance piece based on a play by Bernard-Marie Koltès, with music by Ethan Braun.

Sankai JukuUshio Amagatsu’s all-male troupe of Butoh dancers, performing MEGURI—will be at Royce for one night only, as will Michael Keegan-Dolan’s Teaċ Daṁsa (House of Dance) in a new interpretation of SWAN LAKE, featuring a score by Slow Moving Clouds.

The great ballerina Wendy Whelan will dance at Royce, for two nights, in THE DAY. Choreographed by Lucinda Childs with a score by David Lang, Whelan will be joined onstage by cellist Maya Beiser.

The dance season closes in April 2020 at the Dorothy Chandler Pavilion with the Dance at the Music Center co-presentation of PALERMO PALERMO, a 1989 work by dance legend Pina Bausch and Tanztheater Wuppertal.

See link below for details.

CAP UCLA 2019–2020 SEASON OF DANCE

From top: Sankai Juku, Meguri; Adam Linder, The Want, photograph by Shahryar Nashat; Michael Keegan-Dolan, Teaċ Daṁsa, Swan Lake, photograph by Colm Hogan; Maya Beiser, Wendy Whelan, Lucinda Childs, and David Lang, The Day; Pina Bausch, Palermo Palermo, photograph by Jochen Viehoff; Pam Tanowitz, Brice Marden, and Kaija Saariaho, Four Quartets, photograph by Maria Baranova. Images courtesy and © the artists and photographers.