Cécile B. Evans presents her “experimental ecofeminist thriller” A Screen Test for an Adaptation ofGiselleand a related performance work—Notations for an Adaptation of Giselle (welcome to whatever forever)—in Paris, through the first week of November. The works are part of the Move 2020 festival at Centre Pompidou.
Both A Screen Test—which combines digital footage, 16mm, VHS recordings, animation and AI—and the live Notations performances feature Alexandrina Hemsley as Giselle, Rebecca Root as Bertie, and LilyMcMenamy as Leonida.
DORA MAAR—the comprehensive retrospective of the great surrealist photographer, photomontage artist, and painter—is now on view at Tate Modern.
DORA MAAR is curated by Karolina Ziebinska-Lewandowska and Damarice Amao (curator and assistant curator, Centre Pompidou, Paris), and Amanda Maddox (associate curator, J. Paul Getty Museum, Los Angeles), with Emma Lewis (assistant Curator, Tate Modern).
“From New York to Los Angeles and finally back to Paris, the French artist Guy de Cointet followed a singular geographical and artistic trajectory between the late 1960s and his premature death in 1983.”*
GUY DE COINTET—THÉÂTRE COMPLET brings together for the first time all the theatrical works by Guy de Cointet.
This Paraguay Press book was edited by Hugues Decointet, François Piron, and Marilou Thiébault.
“With twenty-five plays in the original French and English and in translation—written between 1973 and 1983—the book also features commentaries, interviews, and documents relating to their intended design and staging, including notebooks, drawings, photographs, posters, and invitation cards from the archives of Guy de Cointet Estate at the Kandinsky Library at Centre Pompidou in Paris.”**
This book was published with the support of the Guy de Cointet Society and the CNAP—Centre National des Arts Plastiques.
GUY DE COINTET—THÉÂTRE COMPLET, ed. Hugues Decointet, François Piron, and Marilou Thiébault (Paris: Paraguay Press, 2017).