Tag Archives: Egyptian Theatre

MALCOLM LE GRICE IN LOS ANGELES

Malcolm Le Grice—”one of the most compellingly original and radical artist-theorists in the history of the post-war moving image”—will be in Los Angeles for the next week or so.

During this rare visit Le Grice and Los Angeles Film Forum will present his work around town in a series of venues, including the world premiere of the new edit of his immersive multi-screen piece FINITO at the Spielberg Theatre.

See links below for locations. Le Grice—author of Experimental Cinema in the Digital Age— will be on hand to talk with the audience at all three programs.

MALCOLM LE GRICE AT USC

Thursday, February 14, at 7 pm.

USC School of Cinematic Arts 

Broccoli Theatre

900 West 34th Street, Los Angeles.

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MALCOLM LE GRICE—HERE AND NOW

Sunday, February 17, at 7:30 pm.

Spielberg Theatre at the Egyptian

6712 Hollywood Boulevard, Los Angeles.

MALCOLM LE GRICE—BEFORE AND AFTER CINEMA

Monday, February 11, at 8:30 pm.

Redcat

631 West 2nd Street, downtown Los Angeles.

From top: Malcolm Le Grice, Berlin Horse (1970); Malcolm Le GriceHorror Film 1 (1971); Le Grice presenting his work in Europe, early 2000s; Malcolm Le Grice, Marking Time, 2015; Malcolm Le Grice, Reign of the Vampire, 1970; Le Grice in the early 1970s; Malcolm Le Grice, Threshold (1972). All images © Malcolm Le Grice and courtesy the artist.

VISCONTI — THE LEOPARD

The American Cinematheque begins its series Luchino Visconti—Cinematic Nobility with the epic masterpiece THE LEOPARD, an apotheosis of the director’s social and aesthetic predilections.

The film stars Burt Lancaster as a Bourbon prince in Risorgimento-era Italy hoping to forestall the end of his aristocratic way of life—under threat by Garibaldi and his redshirts—with the marriage of his nephew (Alain Delon) to a rich merchant’s daughter (Claudia Cardinale).

Based on the classic novel by Giuseppe di Lampedusa, THE LEOPARD will screen twice during the series in a DCP beautifully restored by the Cineteca di Bologna and co-presented by Luce Cinecittà.

THE LEOPARD

Thursday, February 7, at 7:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Friday, March 29, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

From top: Burt Lancaster as Prince Don Fabrizio Salina in The LeopardAlain Delon as Tancredi Falconeri and Claudia Cardinale as Angelica; Lancaster with a tailor on set; Garibaldi’s redshirts; costumes for The Leopard were designed by Piero Tosi and Umberto Tirelli; Lancaster and Cardinale in the film’s ballroom dance scene.

THE NAKED KISS

To a greater degree than any other post-war filmmaker in Hollywood, Samuel Fuller and his movies gleefully cracked the façade of the American Dream wide open to expose the venality and hypocrisy just below the surface.

In THE NAKED KISS—his mid-sixties “yarn” tracing ex-prostitute Kelly (Constance Towers) and her thwarted attempts at self-rehabilitation—Fuller’s twisted mise-en-scène matches the psychology of his characters.

Following the American Cinematheque screening this weekend at the Egyptian, Towers will join author Foster Hirsch for a conversation about the film.

THE NAKED KISS

Sunday, January 27, 6:30 pm.

A pre-film reception starts at 5:30 pm in the courtyard.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

From top: Samuel Fuller and Constance Towers on set, The Naked Kiss (1964); Towers (2) in The Naked Kiss.

ROMA IN 70MM

ROMA is designed to be meaningful whether experienced at home or on the big screen, but offering cinema lovers the opportunity to see it in theaters is incredibly important to me.

“The 70mm print of ROMA shows unique details not available on any other version. Being shot in 65mm, these prints bring live detail and contrast only possible using a big format film. It is for sure the most organic way to experience ROMA.” — Alfonso Cuarón

You’ve seen it on Netflix, and maybe the DCP.

Now audiences in Los Angeles, Chicago, Brooklyn, and Toronto have the chance to see ROMA in 70mm.

ROMA

Thursday, January 31, Friday, February 15, and Sunday, February 17.

All shows at 7:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Through January 10.

TIFF Bell Lightbox

350 King St W, Toronto.

January 9 through 13.

Music Box Theatre

3733 North Southport Avenue, Chicago.

January 11 through 16.

Alamo Drafthouse Cinema

445 Albee Square West, Brooklyn.

From top: Alfonso Cuarón and Yalitza Aparicio during the Roma shoot; Aparicio and her charges in RomaCuarón with cast and crew; Aparicio and Marina de Tavira (right) in a scene from the film. Image credit: Netflix.

MALCOLM X IN 70MM

On Saturday night, Spike Lee will introduce the screening of a rare 70mm print of his magnum opus MALCOLM X, starring Denzel Washington in the title role.

This American Cinematheque presentation is part of a brief weekend series of Lee films at the Egyptian, and the director will be on hand for discussion on both days.

MALCOLM X

Saturday, December 8, at 7:30 pm.

DO THE RIGHT THING and CROOKLYN

Sunday, December 9, at 7:30 pm.

Discussion with Spike Lee between films.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Top: Denzel Washington and Spike Lee in Malcolm X.; Washington; Delroy Lindo (left) and Washington.