Tag Archives: Egyptian Theatre


The American Cinematheque begins its series Luchino Visconti—Cinematic Nobility with the epic masterpiece THE LEOPARD, an apotheosis of the director’s social and aesthetic predilections.

The film stars Burt Lancaster as a Bourbon prince in Risorgimento-era Italy hoping to forestall the end of his aristocratic way of life—under threat by Garibaldi and his redshirts—with the marriage of his nephew (Alain Delon) to a rich merchant’s daughter (Claudia Cardinale).

Based on the classic novel by Giuseppe di Lampedusa, THE LEOPARD will screen twice during the series in a DCP beautifully restored by the Cineteca di Bologna and co-presented by Luce Cinecittà.


Thursday, February 7, at 7:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Friday, March 29, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

From top: Burt Lancaster as Prince Don Fabrizio Salina in The LeopardAlain Delon as Tancredi Falconeri and Claudia Cardinale as Angelica; Lancaster with a tailor on set; Garibaldi’s redshirts; costumes for The Leopard were designed by Piero Tosi and Umberto Tirelli; Lancaster and Cardinale in the film’s ballroom dance scene.


To a greater degree than any other post-war filmmaker in Hollywood, Samuel Fuller and his movies gleefully cracked the façade of the American Dream wide open to expose the venality and hypocrisy just below the surface.

In THE NAKED KISS—his mid-sixties “yarn” tracing ex-prostitute Kelly (Constance Towers) and her thwarted attempts at self-rehabilitation—Fuller’s twisted mise-en-scène matches the psychology of his characters.

Following the American Cinematheque screening this weekend at the Egyptian, Towers will join author Foster Hirsch for a conversation about the film.


Sunday, January 27, 6:30 pm.

A pre-film reception starts at 5:30 pm in the courtyard.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

From top: Samuel Fuller and Constance Towers on set, The Naked Kiss (1964); Towers (2) in The Naked Kiss.


“I always felt throughout the making of WINGS OF DESIRE that the city of Berlin was carrying the film, the city had sort of co-invented the story…

“Then, of course, two years later it became a whole different city… I realized I had just caught it in the nick of time, that strange, legendary island of a city that had made Berlin unique for thirty years.” — Wim Wenders

A new 4K restoration of WINGS OF DESIRE—the 1987 masterpiece written by Wenders and Peter Handke, directed by Wenders, and starring Bruno Ganz—will play this week at the Aero, presented by the American Cinematheque, with an encore at the Egyptian in March.

The film was a late-80s phenomenon, attended multiple times by artists, writers, students, and film buffs during its extended runs in large cities and university towns across the country.


Friday, January 25, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

Sunday, March 24, at 7:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

From top: Bruno Ganz in Wings of DesireSolveig Dommartin; Ganz; Crime & the City Solution perform “Six Bells Chime”; Peter Falk. Images courtesy Wim Wenders Stiftung.


ROMA is designed to be meaningful whether experienced at home or on the big screen, but offering cinema lovers the opportunity to see it in theaters is incredibly important to me.

“The 70mm print of ROMA shows unique details not available on any other version. Being shot in 65mm, these prints bring live detail and contrast only possible using a big format film. It is for sure the most organic way to experience ROMA.” — Alfonso Cuarón

You’ve seen it on Netflix, and maybe the DCP.

Now audiences in Los Angeles, Chicago, Brooklyn, and Toronto have the chance to see ROMA in 70mm.


Thursday, January 31, Friday, February 15, and Sunday, February 17.

All shows at 7:30 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Through January 10.

TIFF Bell Lightbox

350 King St W, Toronto.

January 9 through 13.

Music Box Theatre

3733 North Southport Avenue, Chicago.

January 11 through 16.

Alamo Drafthouse Cinema

445 Albee Square West, Brooklyn.

From top: Alfonso Cuarón and Yalitza Aparicio during the Roma shoot; Aparicio and her charges in RomaCuarón with cast and crew; Aparicio and Marina de Tavira (right) in a scene from the film. Image credit: Netflix.


On Saturday night, Spike Lee will introduce the screening of a rare 70mm print of his magnum opus MALCOLM X, starring Denzel Washington in the title role.

This American Cinematheque presentation is part of a brief weekend series of Lee films at the Egyptian, and the director will be on hand for discussion on both days.


Saturday, December 8, at 7:30 pm.


Sunday, December 9, at 7:30 pm.

Discussion with Spike Lee between films.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

Top: Denzel Washington and Spike Lee in Malcolm X.; Washington; Delroy Lindo (left) and Washington.