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KOGONADA’S COLUMBUS

To the list of modernist structures that have become cinematic characters in their own right—Casa Malaparte in Godard’s Le Mépris, Villa Necchi Campiglio in Luca Guadagnino’s Io sono l’amore—add the libraries, office buildings, churches, banks, and private homes designed by Eero Saarinen, Eliel Saarinen, Myron Goldsmith, Deborah Berke, James Stewart Polshek, and Edward Bassett that provide sanctuary for […]