“Garbo Laughs” was the tagline for the legend’s last great film, NINOTCHKA. Perhaps it was the freedom of retirement on the horizon that brought a smile to her face.
NINOTCHKA—a satire on Soviet severity, among other things—was written by Billy Wilder, Charles Brackett, and Walter Reisch, and directed by Ernst Lubitsch, the subject of the UCLA Film and Television Archive retrospective How DidLubitsch Do It?
Prior to this weekend’s screening, Joseph McBride will sign copies of his new book which gives the series its title.
(NINOTCHKA is on a double-bill with one of Margaret Sullavan’s best films THE SHOP AROUND THE CORNER.)
NINOTCHKA and THE SHOP AROUND THE CORNER, Saturday, July 7, at 7:30 pm.
Booksigning at 6:30 pm.
BILLY WILDER THEATER, HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.
Berliner Paula Beer—new to American audiences, and winner of the Best New Young Actor award at last year’s Venice film festival—has been starring in movies for over eight years. But her performance in François Ozon ’s riveting new film FRANTZ is a breakthrough. She plays Anna to Pierre Niney’s Adrien, two young Europeans negotiating the aftermath of the Great War and their connection to the title character, Anna’s dead fiancé.
The plot mirrors Ernst Lubitsch’s Broken Melody, but like most of Ozon’s work, FRANTZ goes nowhere you think it might. The film ends, speculatively, in the 1920s, and a scene at the Louvre prompts a question: Will Anna’s love for a painting about death save her life?
Through April 6.
11272 Santa Monica Blvd., West Los Angeles.
From April 7 at the Laemmle Monica, Playhouse (Pasadena), and Town Center (Encino).
Above: Pierre Niney in Frantz.
Below: Niney and Paula Beer.