DORA MAAR—the comprehensive retrospective of the great surrealist photographer, photomontage artist, and painter—is now on view at Tate Modern.
DORA MAAR is curated by Karolina Ziebinska-Lewandowska and Damarice Amao (curator and assistant curator, Centre Pompidou, Paris), and Amanda Maddox (associate curator, J. Paul Getty Museum, Los Angeles), with Emma Lewis (assistant Curator, Tate Modern).
Through March 15.
Dora Maar, from top: Model Star, 1936, silver gelatin print, Thérond Collection; Untitled, 1935, silver gelatin print, formerly in the Christian Bouqueret Collection, Centre Pompidou, Paris; Still Life with Jar and Cup, 1945, oil on canvas, private collection; The years lie in wait for you, circa 1935, William Talbott Hillman Collection; 29 rue d’Astorg, circa 1936; Untitled (Hand-Shell), 1934; The Conversation, 1937, Fundación Almine y Bernard Ruiz-Picasso para el Arte, Madrid © FABA, photograph by Marc Domage; Woman Sitting in Profile, circa 1930, (tattoo patterns drawn on photograph), private collection; The Simulator, 1936, silver gelatin print printed on a carton, Centre Pompidou, Paris; Portrait of Picasso, Paris, Studio 29, rue d’Astorg, Winter, 1935, silver gelatin negative on flexible support in cellulose nitrate, Centre Pompidou; Model in Swimsuit, 1936, J. Paul Getty Museum, Los Angeles; Portrait of Ubu,1936, silver gelatin print, Centre Pompidou; Man looking inside a sidewalk inspection door, London, circa 1935, collection of Michael Mattis and Judith Hochberg, New York, courtesy art2art circulating exhibitions. Images courtesy and © Centre Pompidou, Musée national d’art moderne, Centre de création industrielle, Paris, MNAM-CCI, A. Laurans, P. Migeat, RMN-GP, ADAGP, Paris, 2019, DACS, London, 2019, and the estate of Dora Maar.