A couple of years ago I came to a realization: If I’m interested in those artists’ ideas that have fallen outside of the institutional, my only option is to try to carry them forward in some way. It’s about letting art escape from the mechanisms of art history and consensus. There are going to be parts that are invisible to most people. There’s something exciting about that invisibility to me—we live in such an entirely overexposed time. You talk about market forces; I’ve seen an emerging alignment between critical discussion, market activity, and museological practice in the past couple of decades. It comes as no surprise to me that anything that functions in any one of those forums functions in all three of them. At this point, the mechanism is so streamlined that it’s hard to imagine what you could do that would escape that dynamic. — Nayland Blake*
Join Marvin Astorga, Nao Bustamante, Ron Athey, Robert Crouch, JenniferDoyle, JamillahJames, Young Joon Kwak, Marcus Kuiland-Nazario, and Bradford Nordeen at Zebulon for an evening of performance, music, and dance at Nayland Blake’s FIRST INTERNATIONAL INTERGENERATIONAL GENDER DISCARD PARTY.