Join Jennifer West at the opening reception for FUTURE FORGETTING, her new show at Joan.
Friday, February 28, from 6 pm to 9 pm.
1206 Maple Avenue, Suite 715, downtown Los Angeles.
Artwork images courtesy and © Jennifer West.
We do not feel represented by our governments and do not agree with decisions taken in our name. We witness European nations building giant walls and fences around borders that already didn’t seem useful in the first place, rejecting rescue ships at the harbors. Philosopher Achille Mbembe speaks of the “Society of Enmity.” Queer scholar José Esteban Munoz calls the here and now a “prison house.” People stop using gender neutral language and move from their polyamorous groups into traditional families. Hate speech not only seems acceptable, but becomes a motor of aggressively arresting us into what is considered a normal life. Do you sometimes feel as if you are massively being forced to move backwards?
We have, of course, no recipe. But after taking a deep breath we are up for turning disadvantage into a tool: Let’s collectively move backwards…
Women of the Kurdish guerrillas wore their shoes the wrong way round to walk from one place in the snowy mountains to the other. This tactic saved their lives. It seems as if you are walking backwards, but actually you are walking forwards. Or the other way around.
Let’s take this story as a starting point for the project: Can we use the tactical ambivalence of this movement as a means of coming together, re-organizing our desires, and finding ways of exercising freedoms? Can its feigned backwardness even fight the notion of progress’ inevitability?
We will move backwards and think about the ways in which we wish to live with loved but also unloved others. We will move backwards, because strange encounters might be a pleasant starting point for something unforeseen to happen. — Renate and Pauline
The Venice iteration in the Swiss Pavilion—curated by Charlotte Laubard—incarnated a nightclub environment, and the opening weekend in Los Angeles will feature a live performance by Marbles Jumbo Radio.
Saturday, December 7, from 7 pm.
PAULINE BOUDRY and RENATE LORENZ IN CONVERSATION WITH ANNE ELLEGOOD
Sunday, December 8, at 4 pm.
Opening Night at 7 pm and Sunday, December 8, from noon to 4 pm.
1206 Maple Avenue, suite 715, downtown Los Angeles.
In addition to Marbles Jumbo Radio, performers in the video include Julie Cunningham, Werner Hirsch, Latifa Laâbissi, and Nach.
The MOVING BACKWARDS exhibition catalog is available from Skira.
Pauline Boudry and Renate Lorenz, Moving Backwards, 2019, installation and performance photographs from the 58th Venice Biennale, Swiss Pavilion. Images courtesy and © the artists, the photographers, the performers, la Biennale di Venezia, and Skira.
At Tufts, outside Boston, the exhibition HARRY DODGE—WORKS OF LOVE brings together sculptures, drawings, and videos that “revel as much in theoretical ideas about a post-human future as they do in the ecstasy of the workaday present.”*
Though April 14.
Tufts University Art Gallery
Aidekman Arts Center
40 Talbot Avenue, Medford.
Wednesday, March 6, at 7 pm.
Museum of Fine Arts
465 Huntington Avenue, Boston.
HARRY DODGE—WORKS OF LOVE is an expanded version of Dodge’s 2018 show at Joan, Los Angeles.
From top: Harry Dodge, Emergency Weapon #26; Harry Dodge, Emergency Weapon #21; Harry Dodge, Works of Love installation view, Joan, Los Angeles, 2018. Photograph by Paul Salveson. Images courtesy the artist.
This is the final weekend to see Madeline Hollander’s RED SHOES, part of the Joan exhibition SPINE—MADELINE HOLLANDER, EVA LEWITT, RAGEN MOSS, wherein Hollander’s dancers interact with LeWitt’s installation UNTITLED (LOS ANGELES) and Moss’ sculptures made of molded, transparent plastic.
To support the performance, a limited edition of Hollander’s screen print PALINDROME DANCE is available for purchase.
Saturday and Sunday, February 2 and 3.
Performances between 3 pm and 6 pm.
Through February 3.
1206 Maple Avenue, #715, downtown Los Angeles.
From top: Spine, Joan Los Angeles. Installation and performance view; Madeline Hollander, Palindrome Dance, 2018, with sculptures by Ragen Moss; two-color screen print on paper, 18 x 24 inches, edition of 10 + 2 AP, $900. Images courtesy the artists and Joan Los Angeles.