Tag Archives: John Giorno

JOHN GIORNO AT WARHOL DRAWINGS PANEL

A trove of over 150 drawings by Andy Warhol—now on view at the New York Academy of Art—trace nearly four decades of work by the hand of the artist who wanted to be a machine.

This week—in conjunction with ANDY WARHOL: BY HAND—join curator and Warhol associate Vincent Fremont, curator Donna De Salvo, and poet, artist, and Warhol actor John Giorno for a panel discussion on the exhibition, moderated by curator and New York Academy of Art president David Kratz.

ANDY WARHOL: BY HAND—

DRAWINGS 1950s–1980s

JOHN GIORNO, DONNA DE SALVO, and VINCENT FREMONT panel

Monday, February 11, at 6:30 pm.

Exhibition runs through March 10.

New York Academy of Art

111 Franklin Street, New York City.

From top: Andy Warhol, Two Male Heads; Andy Warhol, Self Portrait, 1986 synthetic polymer paint on paper; Andy Warhol, Mick Jagger, 1975; Andy Warhol, Serious Girl, circa 1954, ink and graphite on paper. Images courtesy the Andy Warhol Foundation for the Visual Arts, Inc., licensed by Artists Rights Society (ARS).


J. HOBERMAN — NO MISTAKES

The radical filmmaking practice of Andy Warhol within the context of the work of Oscar Micheaux and Orson Welles is the subject of a lecture by J. Hoberman this weekend.

Hoberman—a contributor to Artforum and The Nation—was a film critic for The Village Voice for over thirty years.

J. HOBERMAN—NO MISTAKES

ANDY WARHOL’S NEW HISTORY OF CINEMA

Sunday, February 3, at 4 pm.

Whitney Museum of American Art

Hess Gallery and Theater

99 Gansevoort Street, New York City.

From top: Andy Warhol, Sleep (1963), film still (John Giorno); Oscar Micheaux, Within Our Gates (1920), film still; Orson Welles, The Lady from Shanghai (1947), film still (Welles and Rita Hayworth).