In her performances, Jutta Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects—positioned in a room, a situation, a city—circuit together in a network of language, duration, and the artist’s active negotiation between producer and produced.*
Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012 (2); Koether (right) and Kim Gordon at the Mike Kelley opening, Geffen Contemporary at MOCA, Los Angeles, March 30, 2014, photograph by Rachel Murray.
Inhabiting the four rooms of the IMMA’s Courtyard Galleries, Kim Gordon’s exhibition SHEBITES HER TENDER MIND presents new and unseen work—including paintings, drawings, sculptures from the Noise Painting, From the Boyfriend, and Airbnb series—and an immersive video projection.
Artist and filmmaker Jesper Just’s INTERPASSIVITIES “immerses participants in a life-size no-man’s land” and “charts the fractured, ever-changing topography of modern experience” in a performance art work incorporating ballet and video projections, with music composed by Kim Gordon and August Rosenbaum.*