Tag Archives: Lawrence Weiner

SARAH CHARLESWORTH

In the late 1960s, Sarah Charlesworth (1947–2013) studied with Douglas Huebler at Barnard, “just at the moment when he was abandoning the production of sculptural objects for a ‘dematerialized’ structure of photographic images and textural documentation.” Charlesworth saw the work of Lawrence Weiner and Joseph Kosuth in a legendary 1968 conceptual art show in Manhattan. She and Kosuth became partners, and she joined the staff of The Fox—“a seminal journal of art and critical theory with ties to the British collective Art & Language”—as an editor.

SARAH CHARLESWORTH: DOUBLEWORLD, the 2015 New Museum exhibition of this leading neo-conceptualist who “made subversive use of photography in order to show how images shape our perception of the world,” is on view at LACMA through the beginning of 2018.

The LACMA presentation was organized by Rebecca Morse.

SARAH CHARLESWORTH: DOUBLEWORLD, through February 4, 2018.

LACMA, 5905 Wilshire Boulevard, Los Angeles.

lacma.org/art/exhibition/sarah-charlesworth-doubleworld

sarahcharlesworth.net/

All quoted material above: Douglas Eklund, “The Jump: Appropriation and its Discontents,” in The Pictures Generation, 1974–1984, exh. cat. (New York: Metropolitan Museum of Art/New Haven, CT: Yale University Press, 2009), 144–145.

For info on The Fox and Art & Language, see:

specificobject.com/objects/info.cfm?object_id=3136#.WYuS29UrKUk

lissongallery.com/artists/art-language

Artwork: Sarah Charlesworth.

SarahCharlesworth

THE ’90S AT REGEN PROJECTS

Regen Projects’ Spring 2017 show is an extraordinary survey of art from the 1990s.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S includes Catherine Opie’s Vaginal Davis and Justin Bond; Glenn Ligon’s Untitled (I Remember the Very Day); Lari Pittman’s Existential and Needy; Karen Kilimnik’s Actresses sisters as murderers; erotic work from Wolfgang Tillmans, Marilyn Minter, and Cindy Sherman; Elizabeth Peyton’s Stephen Malkmus; Jack Pierson’s large collage tribute to ’50s iconography, Self Portrait (James Dean); Mike Kelley’s Party Girl; wall texts by Kara Walker and Lawrence Weiner; and an extensive series of drawings by Raymond Pettibon. Sixty works by 27 artists are on view.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S, through April 13, 2017.

REGEN PROJECTS, Los Angeles

regenprojects.com/exhibitions/what-i-loved-selected-works-from-the-90s

Glenn Ligon, Runaways [detail] 1993 Suite of 10 lithographs 16 x 12 inches each Courtesy Regen Projects Los Angeles

Glenn Ligon, Runaways [detail]1993
Suite of 10 lithographs
16 x 12 inches each
Courtesy Regen Projects Los Angeles