Tag Archives: Metro Pictures

ISAAC JULIEN SYMPOSIUM

At LACMA this weekend, join Charles Gaines, writers and scholars Jennifer González, Shelleen Greene, Ariel Osterweis, B. Ruby Rich, Jeffrey Stewart, and Sarah Thornton, curator Mark Nash, and LACMA‘s Naima J. Keith and Christine Y. Kim for a daylong symposium of screenings and panel discussions celebrating the work of Isaac Julien—who will be in attendance.

Among the complete works to be presented are PLAYTIME, LESSONS OF THE HOUR—FREDERICK DOUGLASS, WESTERN UNION: SMALL BOATS, and a 30th anniversary screening of LOOKING FOR LANGSTON, Julien’s film about Harlem Renaissance poet Langston Hughes.

Excerpts from KAPITAL and TEN THOUSAND WAVES will also be shown.

ISAAC JULIEN SYMPOSIUM

Saturday, May 18, from 9 am to 5 pm.

ISAAC JULIEN—PLAYTIME

Through August 11.

LACMA

5905 Wilshire Boulevard, Los Angeles.

Full schedule of screenings and speakers:

9:00 am — Coffee and pastries.

9:25 am — Welcome and introductions by Christine Y. Kim, Associate Curator of Contemporary Art, LACMA.

9:30 am — PLAYTIME (2014). Sarah Thornton.

9:50 am — KAPITAL (2013), excerpt. Charles Gaines and Mark Nash.

10:50 am — WESTERN UNION: SMALL BOATS (2007). Jennifer González and Shelleen Greene.

12:00 pm — TEN THOUSAND WAVES (2010) (excerpt). Jeffrey Stewart and Ariel Osterweis, with Christine Y. Kim.

1:10 pm to 1:55 pm — Lunch will be provided for participants.

2:00 pm — LOOKING FOR LANGSTON (1989). B. Ruby Rich and Isaac Julien

3:35 pm — LESSONS OF THE HOUR—FREDERICK DOUGLASS (2019). Isaac Julienand Jeffrey Stewart, with Naima J. Keith

Isaac Julien, from top: Emerald City / Capital (Playtime), 2013; Playtime, 2013, LACMA, installation view Roslyn Oxley9 Gallery, Sydney, 2013 (2); The Abyss (Playtime), 2013; Playtime, 2013, LACMA, installation view Metro Pictures, 2013, photograph by Genevieve Hanson; All that’s solid melts into air (Playtime), 2013; Ten Thousand Waves, 2010, 35mm film, transferred to HD 9.2 surround sound; Icarus descending (Playtime), 2013; Isaac Julien, Eclipse (Playtime), 2013. Black and white photograph of Isaac Julien, 2017, by Thierry Bal. All works and images courtesy and © Isaac Julien, the photographers, Victoria Miro, London, and Metro Pictures, New York.

ISAAC JULIEN’S LESSONS OF THE HOUR

Isaac Julien’s LESSONS OF THE HOUR—FREDERICK DOUGLASS is a ten-screen film installation—shot in 35mm and 4K digital—exploring the life and work of the American orator and abolitionist.

The exhibition includes original tintype portraits, color photographs, found archival images, and an assemblage of black and white analog photographs related to Julien’s film Who Killed Colin Roach? (1983).

The film’s score was composed by Paul Gladstone Reid.

ISAAC JULIEN

LESSONS OF THE HOUR—FREDERICK DOUGLASS

Through April 13.

Metro Pictures

519 West 24th Street, New York City.

Through May 12.

University of Rochester

Memorial Art Gallery

500 University Avenue, Rochester.

From top: Isaac JulienLessons of the Hour (still), 2019, courtesy the artist, Metro Pictures, New York, and Victoria Miro, London and Venice; Rob Ball, stills and tintype photographs for Lessons of the Hour by Isaac Julien (2).

ROBERT LONGO IN BROOKLYN

The Brooklyn Museum exhibition PROOF—FRANCISCO GOYA, SERGEI EISENSTEIN, ROBERT LONGO brings together drawings, etchings, and film—mostly black and white—by three artists who “witnessed a turbulent transition from one era to another and the profound repercussions of revolution, war, and civil unrest. Within a broad chronological framework, PROOF traces the historical lineage of a visual language and artistic impulse.”*

PROOF was initiated by Garage Museum of Contemporary Art, Moscow, and curated by their chief curator Kate Fowle, in collaboration with Robert Longo. The Brooklyn Museum presentation is organized by Sara Softness, their assistant curator of special projects.

 

PROOF—FRANCISCO GOYA, SERGEI EISENSTEIN, ROBERT LONGO, through January 7.

BROOKLYN MUSEUM, 200 Eastern Parkway, Brooklyn.

brooklynmuseum.org/goya_eisenstein_longo

Robert Longo, Untitled (Black Pussy Hat in Women’s March), 2017 (detail), charcoal on mounted paper 152.4 x 270.8 cm.
© Robert Longo, courtesy the artist, Metro Pictures, and Galerie Thaddaeus Ropac.

Image result for Longo, Untitled (Black Pussy Hat

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