OOF Books—the Los Angeles–based bookshop “dedicated to art books, rare books, and the art of the book, known for both its selection and programming with prominent emerging artists including Cassi Namoda, Tyler Matthew Oyer, and Katherina Olschbaur“—has opened a pop-up at the Geffen Contemporary at MOCA.*
This week, join founder Christie Hayden at the opening reception.
Liz Larner, who “first encountered Chris Burden and his practice—a catalyst for Larner’s own use of scale and process—during her time at CalArts,” will give a talk on the late artist at GeffenContemporary at MOCA.*
DoPePress is extremely happy to see the return of the Printed Matter–LA Art Book Fair to the Geffen Contemporary at MOCA. We will be in section H07 on the main level.
Our newest publications—the journal PARIS LA 16: “The Fashion and Writing Issue” and the artist’s book …my life in the sunshine—Liz Craft 2006–2017—will be available, as well as our back catalogue and a selection of out-of-print titles.
For art and fashion lovers: In 2013 the artist Max Hooper Schneider created a silk scarf edition with P.P.M. Studio, Milan. We are offering the edition for purchase, as well as his last available original artwork from this series—dense, hand-drawn graphic lines recalling imaginative worlds and biologies—which will be part of a forthcoming book published by DoPe Press in September 2019.
In addition, we have invited some friends and family from Paris to share their publications and journals: ParaguayPress, MAY, and Profane.
From top: Cassi Namoda, Love and compromise between a clock and hyena, 2018, from “Selected Paintings,” PARIS LA 16; Liz Craft, …my life in the sunshine–Liz Craft 2006-2017 page layout; image from PARIS LA 16, drawing of Lotta Volkova by Cédric Rivrain, 2018; image from PARIS LA 14, photograph of Elizabeth Schmitt Jennerjahn and Robert Rauschenberg at Black Mountain College by Hazel Larsen Archer; image from Alex Hubbard, Eat Your Friends (DoPe Press, 2015); Max Hooper Schneider, silk scarf edition for P.P.M. Studio, 2013, photograph by Nuage Lepage, 2019; image from PARIS LA 14, Juliana Huxtable, Sympathy for the Martyr, 2015; image from Oscar Tuazon, Live (DoPe Press and Buchhandlung Walther König, 2014); cover image, Pentti Monkkonen, Box Truck Paintings (DoPe Press, 2014); PARIS LA 16 inside covers, Michèle Lamy, photograph by Katerina Jebb, 2018.
From top: William E. Jones, The Fall of Communism as Seen in Gay Pornography, 1998, still, courtesy the artist and David Kordansky Gallery, Los Angeles; Brontez Purnell, courtesy the artist; Nguyen Tan Hoang, courtesy the author; Mariah Garnett, Encounters I May or May Not Have Had with Peter Berlin, 2012, still, courtesy the artist; Tony Ward in Hustler White (1996), written and directed by Bruce LaBruce and Rick Castro, courtesy the artists.
As part of MOCA’s Artists on Artists series in conjunction with the exhibition LAURA OWENS at the museum, Rebecca Morris will talk about the medium of painting in Owen’s practice.
(Morris’ exhibition THE ACHE OF BRIGHT will open January 11 in Houston.)
Installation views of Laura Owens, November 11, 2018–March 25, 2019 at The Geffen Contemporary at MOCA, courtesy of The Museum of ContemporaryArt, Los Angeles. Photographs by Brian Forrest.
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