Tag Archives: Paris-LA Magazine

HEDI EL KHOLTI’S COLLAGES

A selection of over sixty collage works by Hedi El KholtiSemiotext(e) and Animal Shelter co-editor and designer—are collected in A PLACE IN THE SUN, a Hesse Press publication.

“My collages always start with a vague notion, or a sentence, or they’re meant to be a visual portrait with vague associations of someone who’s close to me and their infinite numbers of mirrors in pop culture. As if, like me, they’re all comprised of the sum of their influences, whether they know it or not.” — Hedi El Kholti, “Pop Culture (Heroes and Villians),” PARIS LA 5 (Winter 2010/2011)

HEDI EL KHOLTI—A PLACE IN THE SUN (Los Angeles: Hesse Press, 2017).

From top: Hedi El Kholti, collage from A Place in the Sun, originally published in PARIS LA 5; cover PARIS LA 5; pages 10–11 from “Pop Culture (Heroes and Villains),” text and collages by Hedi El Kholti, PARIS LA 5; A Place in the Sun cover; collage from A Place in the Sun. Images courtesy and © Hedi El Kholti and Hesse Press.

SETSUKO KLOSSOWSKA DE ROLA

“The [ceramics] collaboration with Astier de Villatte began five years ago, but my friendship with the owners, especially Benoit, goes back a long time… I work with their Tibetan artisans. I make samples first and then we work together to add the volume, especially on the large trees, which are about a metre tall. The artisans are always singing or chanting; I feel very serene when I’m with them.” — Setsuko Klossowska de Rola

INTO THE TREES—an exhibition of sculptures and paintings by Setsuko at Gagosian Paris—showcases the artist’s recent ceramics and bronzes.

SETSUKO—INTO THE TREES

Through June 1.

Gagosian Paris

4 rue de Ponthieu, 8th, Paris.

See Dorothée Perret, “Setsuko and the Magic Kimono,” portraits by Katerina Jebb, PARIS LA 16 (2018): 77–83.

From top: Setsuko, Retour, 2015–2016, terra cotta; Into the Trees installation view, Gagosian Paris, 2019; Setsuko, Chemin de vigne, 2016–2017, enameled terra cotta; Katerina Jebb, Setsuko Klossowska de Rola, 2018, image from PARIS LA 16; Setsuko, Souvenir d’une vie 2, 2015–2016. Artwork images © Setsuko Klossowska de Rola, artwork photographs by Zarko Vijatovic, courtesy of the artist and Gagosian.

L.A. ART BOOK FAIR

DoPe Press is extremely happy to see the return of the Printed Matter–LA Art Book Fair to the Geffen Contemporary at MOCA. We will be in section H07 on the main level.

Our newest publications—the journal PARIS LA 16: “The Fashion and Writing Issue” and the artist’s book …my life in the sunshine—Liz Craft 2006–2017—will be available, as well as our back catalogue and a selection of out-of-print titles.

For art and fashion lovers: In 2013 the artist Max Hooper Schneider created a silk scarf edition with P.P.M. Studio, Milan. We are offering the edition for purchase, as well as his last available original artwork from this series—dense, hand-drawn graphic lines recalling imaginative worlds and biologies—which will be part of a forthcoming book published by DoPe Press in September 2019.

In addition, we have invited some friends and family from Paris to share their publications and journals: Paraguay Press, MAY, and Profane.

PRINTED MATTER—L.A. ART BOOK FAIR 2019

Opening night, April 11, from 6 pm to 9 pm.

Friday, April 12, from 1 pm to 7 pm.

Saturday, April 13, from 11 am to 7 pm.

Sunday, April 14, from 11 am to 6 pm.

Geffen Contemporary at MOCA

152 North Central Avenue, downtown Los Angeles.

From top: Cassi Namoda, Love and compromise between a clock and hyena, 2018, from “Selected Paintings,” PARIS LA 16; Liz Craft, …my life in the sunshine–Liz Craft 2006-2017 page layout; image from PARIS LA 16, drawing of Lotta Volkova by Cédric Rivrain, 2018; image from PARIS LA 14, photograph of Elizabeth Schmitt Jennerjahn and Robert Rauschenberg at Black Mountain College by Hazel Larsen Archer; image from Alex Hubbard, Eat Your Friends (DoPe Press, 2015); Max Hooper Schneider, silk scarf edition for P.P.M. Studio, 2013, photograph by Nuage Lepage, 2019; image from PARIS LA 14, Juliana Huxtable, Sympathy for the Martyr, 2015; image from Oscar Tuazon, Live (DoPe Press and Buchhandlung Walther König, 2014); cover image, Pentti Monkkonen, Box Truck Paintings (DoPe Press, 2014); PARIS LA 16 inside covers, Michèle Lamy, photograph by Katerina Jebb, 2018.

REI KAWAKUBO — 2019 ISAMU NOGUCHI AWARD

Rei Kawakubo is this year’s sole recipient of the sixth Isamu Noguchi Award, which will be awarded on May 2 at the Noguchi Museum‘s annual benefit in New York.

See “Independent Lines: Adrian Joffe in conversation with Dorothée Perret,” PARIS LA 16 (2018): 20–24.

2019 SPRING BENEFIT AND ISAMU NOGUCHI AWARD

Thursday, May 2.

Noguchi Museum

9-01 33rd Road (at Vernon Boulevard), Long Island City.

From top: Rei Kawakubo, photograph by Paolo Roversi, © Comme des Garcons, 2016; Spring Benefit, 2019; Metropolitan Museum of Art exhibition, courtesy the Met.

KARL LAGERFELD

“I was once a professor at the College of Applied Art in Vienna. In the short period in which I lectured, I realized that I had absolutely no educational fiber whatsoever, that I wasn’t interested in my students. Without being egotistical, what I do is make things. Explaining it to others is not my thing at all. I’m a battlefield person. And generals don’t necessarily make a good minister of war.” — Karl Lagerfeld

“It is with deep sadness that the House of Chanel announces the passing of Karl Lagerfeld, the Creative Director for the Chanel Fashion House since 1983. Virginie Viard, director of Chanel’s fashion creation studio and Lagerfeld’s closest collaborator for more than thirty years, has been entrusted by Alain Wertheimer with the creative work for the collections, so that the legacy of Gabrielle Chanel and Karl Lagerfeld can live on.” — Chanel, February 19, 2019

“I love frivolousness. I know a lot of people who would have disappeared long ago had they not been frivolous… I hate it when the gentlemen with their taffeta and scissors take themselves too seriously. I love everything that is transcient. You should never anchor yourself in an epoch. The tale of Romeo and Juliet lasted only one night, and now it’s the symbol of eternal love.” — Karl Lagerfeld

The fashion designer, creative director, photographer, artist, publisher, bibliophile, actor, author, costumer, and aphorist was a cherished contributor to PARIS LA, supporting Chanel’s campaign collaborations over the last ten years, and creating a poster for Issue 5.

“I have no conception of my valuable time. For me, wasting time is the ultimate luxury. For example, if I’m lying on the couch and reading an interesting book when I should be doing something else, maybe that’s wasting time. But the stimulation of a guilty conscience is extremely creative. It’s the spice of life.” — Karl Lagerfeld

Lagerfeld quotes from Deutsch Vogue Dialogues, “Camouflage, Camouflage: Voyeur Karl Lagerfeld in conversation with his friend Gabriele Henkel, an expert on the stage management of life” (originally published in Deutsch Vogue in 1992), edited by Condé Nast Germany (Munich: Prestel Verlag, 2004), 110–114.

From top: Karl Lagerfeld in Paris, Grand Palais, July 2018; young Lagerfeld in Paris; Lagerfeld with Donna Jordan (left) and Jane Forth in L’Amour (1973), directed by Andy Warhol and Paul Morrissey; Lagerfeld in the 1970s; Lagerfeld with Jacques de Bascher, 1970s, photograph © Philippe Heurtault; Yves Saint Laurent and Lagerfeld at the Palace, 1970s; Karl Lagerfeld, photograph from Metamorphoses of an American (Göttingen: Steidl, 2008), his tribute to model Brad Kroenig; Karl Lagerfeld, posters (front and verso) for PARIS LA 5 (Winter 2010–2011); Lagerfeld with Paloma Picasso at Studio 54, photograph by Richard P. Manning.