Tag Archives: Participant Inc

ALTERED AFTER

ALTERED AFTER—a group show at Participant Inc featuring work by Darrel Ellis, fierce pussy, General Idea, Jerry the Marble Faun, Leslie Kaliades, Kang Seung Lee, Ronald Lockett, Jonathan Molina Garcia, Cookie Mueller, Raúl de Nieves, Jason Simon, Manuel Solano, Gail Thacker, Julie Tolentino, and XFR Collective—incorporates “archives, archaeology, salvaged objects, material migrations, inherited knowledge, and bequests in response to HIV/AIDS.”*

The exhibition is curated by Conrad Ventur for Visual AIDS.

“I’ve learned that we have to find our own saviors. For me, I like to create a fantasy, and one of the ways I’ve found beauty is by stacking beads on top of each other. I usually work in circles and let time shape the work…

“I guess I choose shoes as a vehicle to adorn myself, to give off different identities… The shoes are very organic. I actually see them grow. It pushes me to want to learn more about weight and design, to push them into new forms. But I also want them to design themselves in a way.” — Raúl de Nieves

In conjunction with ALTERED AFTER, Anthology Film Archives and Visual AIDS present RECORD TIME, a free evening of films and videos on August 8, curated by Carmel Curtis and Leeroy Kun Young Kang.

The program includes SOMETHING FIERCE (1989)—Greg Bordowitz and Jean Carlomusto’s video for Gay Men’s Health CrisisColin Campbell’s SKIN (1990), Nguyen Tan Hoang’s K.I.P. (2002), Hayat Hyatt’s VILLANELLE (2015), Tran T. Kim-Trang’s KORE (1994), Barbara Hammer’s VITAL SIGNS (1991), and Jim Hubbard’s THE DANCE (1992).

ALTERED AFTER*

Through August 18.

Participant, Inc

253 East Houston Street, #1, New York City.

RECORD TIME film program

Thursday, August 8, at 7:30 pm.

Anthology Film Archives

32 Second Avenue (at 2nd Street), New York City.

Altered After, Participant, Inc, 2019, from top: Manuel Solano, Untitled, from the series, An Interior, A Sensation, An Instant, 2019, acrylic on canvas, courtesy and © the artist and Peres Projects, Berlin; Darrel Ellis, Untitled (from Thomas Ellis photo of child’s birthday party), circa 1990, gelatin silver print, courtesy and © the Estate of Darrel Ellis and OSMOS; Altered After installation views (3), including shoes by Raúl de Nieves; fierce pussy, Flag, 1992/2019, five photocopies on paper, courtesy and © the artist; Greg Bordowitz and Jean Carlomusto for Gay Men’s Health Crisis, Something Fierce (1989, 3:30 minutes, video), still, courtesy and © the artists and ONE National Gay & Lesbian Archives at the USC Libraries; Colin Campbell, Skin (1990, 18 min, 16mm), still, courtesy and © the artist and V Tape; Altered After installation view, including a painting by Darrel Ellis and a section of Kang Seung Lee, Untitled  (Garden) , 2018, 24K Nishijin gold thread on Sambe, ceramic (California clay, soils from Derek Jarman’s Garden, Nam San, Tapgol Park), pebbles from Dungeness and Tapgol Park, metal parts and dried plants from Derek Jarman’s Garden, courtesy and © the artist and ONE AND J. Gallery, Seoul; Kang Seung Lee, Untitled (Garden) detail; Jason Simon, Untitled (Video Against AIDS), 2013. three facsimile cassette wraps and original printed materials designed by Hannah H. Alderfer, courtesy and © the artist and Callicoon Fine Arts, New York; detail of Altered After exhibition catalog cover, designed by Jean Foos, image by Leslie Kaliades, still from Altered After, 1997, video, black and white, sound, 4:45 minutes; Altered After installation views (2); Tran T. Kim-Trang, Kore (1994, 17 min, video), still, courtesy and © the artist and Video Data Bank. Images courtesy Participant, Inc.

DASH SNOW — THE DROWNED WORLD

“Dash [Snow] and David Hammons are both artists with a witch-doctor feel to their work, which is important, because ultimately what is the value of art?… In an increasingly secular society, it’s even more important as people try to form their belief systems. If you’re not going the readymade route, then you look around for the tools available to make something of your own. That’s a big part of the artist’s job or the writer’s job…

“It’s found in the moment, not in an academic way. You find it in the practice. I think the academic and institutional part of the art world is a big problem. Artists often collaborate with them to their detriment, because they think they need the institution as a go-between, a translator for the public. Dash, like Hammons, understood that you don’t need the middleman. Cut out the middleman. Make him wait in line with everyone else. It has to be on the artist’s terms.” — Glenn O’Brien on Dash Snow*

The new exhibition THE DROWNED WORLD presents work from the late artist’s archive, including a selection of rarely seen sculptures.

DASH SNOW—THE DROWNED WORLD

Through May 12.

Participant Inc

253 East Houston Street, New York City.

*”I Don’t Believe in Masterpieces AnywayGlenn O’Brien on Dash Snow,” Ursula 2 (Spring 2019).

See Nicole Miller and David Rimanelli on Snow.

Dash Snow, from top: Mixed-media sculpture, 2000–2009; The Drowned World: Selections from the Dash Snow Archive, 2019, installation view, Participant Inc, New York, photograph by Mark Waldhauser; Untitled, 2000–2009, Polaroid (Kunle Martins (left) and Snow); Untitled (Past, Present), 2006, mixed-media sculpture; Untitled, 2007, collage; Untitled (Her Kisses Were Dangerous), 2006–2007, collage. Images © Dash Snow, courtesy of the Dash Snow Archive, New York City and Participant Inc. Special thanks to Lia Gangitano.

MALIK GAINES’ ERLKÖNIG

Marking the opening night of JOURNEYS WITH THE INITIATED, Nick Mauss, Pati Hertling, Ulrike Müller, and Ethan Philbrick will join Malik Gaines for a performance of Gaines’ ERLKÖNIG .

JOURNEYS WITH THE INITIATED—curated by Yesomi Umolu and Katja Rivera, with the participation of Evan Ifekoya, Grada Kilomba, Tiona Nekkia McClodden, and Virginia de Medeiros—is the New York section of the ongoing project Hubert Fichte—Love and Ethnology, and investigates Fichte’s book The Black City—Glosses through a series of texts, videos, photographs, sculpture, sound, and performance at Participant Inc and e-flux.

ERLKÖNIG

Sunday, December 2, at 6:30 pm.

e-flux, 311 East Broadway (at Grand Street), New York City.

 

TIONA NEKKIA MCCLODDEN and VIRGINIA DE MEDEIROS—

JOURNEYS WITH THE INITIATED

December 2, 2018 through January 13, 2019.

Participant Inc, 253 East Houston Street, #1, New York City.

e-flux, 311 East Broadway (at Grand Street), New York City.

See “Questions of Representation: Malik Gaines in conversation with Barlo Perry,” PARIS LA 16 (2018), 178–181.

Top: Tiona Nekkia McCloddenan offering six years a conjecture, 2018. Digital C-prints, two-channel video with sound, audio. Courtesy the artist.

Above image credit: Sternberg Press.

Below: Hubert Fichte with Dan-Maske, 1979. Photograph by Leonore Mau, Fichte’s partner.