Tag Archives: Printed Matter

LUCAS BLALOCK — THE BUTTER AND THE MONEY FOR THE BUTTER

THE BUTTER AND THE MONEY FOR THE BUTTER is a new limited edition artwork by Lucas Blalock, produced on the occasion of the 2019 NY Art Book Fair.

The work is constructed of eight individual photographs printed on aluminum and bound with cloth to create a book-like sculptural object.

This Printed Matter Fundraising Edition is now available.

LUCAS BLALOCK—THE BUTTER AND THE MONEY FOR THE BUTTER (New York: Printed Matter, 2019).

Lucas Blalock, The Butter and the Money for the Butter. Images courtesy and © the artist and Printed Matter.

NY ART BOOK FAIR 2019

Printed Matter’s NY ART BOOK FAIR returns to MOMA PS1 this week.

Among the over 350 international exhibitors are Sébastien Girard, Ooga Booga, Sternberg Press, Chose Commune, Dale Zine, Mörel, Candor Arts, The Free Black Women’s Library, Noah Lyon, Phile Magazine, Hauser & Wirth Publishers, and Dancing Foxes Press.

NY ART BOOK FAIR 2019

Opening night: Thursday, September 19, from 6 pm to 9 pm.

Preview: Friday, September 20, from 11 am to 1 pm.

Public hours:

Friday, September 20, from 1 pm to 7 pm.

Saturday, September 21, from 11 am to 8 pm.

Sunday, September 22, from 11 am to 7 pm.

MOMA PS1

22-25 Jackson Avenue, Long Island City, Queens.

Printed Matter is indebted to Shannon Michael Cane (1974-2017), Curator of Fairs and Editions, for his significant contributions to the NY and LA Art Book Fairs. His impact on the artists’ book community was immense. He is remembered with admiration and affection.

From top: Moyra Davey, Burn the Diaries, Dancing Foxes Press, co-published with MuMOK, Vienna, and ICA, Philadelphia; Queer Archive Work 2, 2019; Vasantha Yogananthan, Exile, Chose Commune; Nevena Aleksovski, Linger On, Zavod P.A.R.A.S.I.T.E.; Some Writers Can Give You Two Heartbeats, 2019, Black Chalk & Co.; Flint Magazine, issue 1; Variations on Cerulean Phthaloand Ice Blue, 2018, Emma Kohlmann; artwork by Rubanee, The Bettys; Barbara Jones-Hogu, Resist, Relate, Unite, 2018 monograph, Candor Arts; Phile magazine; Sébastien Girard, My Tv Girls, 2017; Sory Sanlé, Studio Volta Photo, 2018, editorial concept, design, and printing by Sébastien Girard, published by Yossi Milo Gallery and Tezeta; Sarah Mattes, Eye, Dale Zine; David Armstrong, Night and Day, Mörel Books; Alix Marie, Bleu, Mörel Books; Many of Them, vol. V, The Future of Fiction, Ooga Booga; Philip Guston, Nixon Drawings, 1971 & 1975, Hauser & Wirth Publishers; artwork by Noah Lyon. Images courtesy and © the artists, authors, photographers, and publishers.

CARMEN WINANT — NOTES ON FUNDAMENTAL JOY

NOTES ON FUNDAMENTAL JOY—a new book project by Carmen Winant featuring the photographs of Joan E. Biren (JEB), Clytia Fuller, Tee Corinne, Ruth Mountaingrove, Katie Niles, Carol Osmer, Honey Lee Cottrell and more—documents “a community of women/womyn in their collective embrace of the ‘back to the land’ movement. Through the lens of pervasive image-making—women holding cameras, women taking pictures of women—the project considers the radical potential of social and political optimism predicated on the absence of men.”*

Featuring essays by Winant and Ariel Goldberg, NOTES is out now from Printed Matter.

CARMEN WINANT—NOTES ON FUNDAMENTAL JOY (New York: Printed Matter, 2019).*

The book’s full title is Notes on Fundamental Joy; seeking the elimination of oppression through the social and political transformation of the patriarchy that otherwise threatens to bury us.

Carmen Winant, Notes on Fundamental Joy, images courtesy and © the photographers, the author, and the publisher. Cover image at top.

GARDAR EIDE EINARSSON — CONSERVATOR’S NOTES

GARDAR EIDE EINARSSON—CONSERVATOR’S NOTES is a new artist’s book—Risograph, 36 pages, black and white—that looks at twenty-six exhibited works by Einarsson.

Published by At Last Books in Copenhagen, CONSERVATOR’S NOTES is available from Printed Matter.

Images courtesy and © the artist.

SOL LEWITT — BOOK AS SYSTEM

Printed Matter and editor and curator Emanuele De Donno present BOOK AS SYSTEM—THE ARTISTS’ BOOKS OF SOL LEWITT, an exhibition of over seventy-five book works—including octavo paperbacks, staple-bound booklets, and folio sets—lending “insight into LeWitt’s interests across conceptual, minimal and post-minimal art, and his return to series and systems across various material forms.”*

“Known primarily as an installation artist and sculptor, LeWitt also produced many dozens of artists’ books starting in the late 1960s—often in association with gallery shows—until his death in 2007. LeWitt was among the first wave of conceptual artists who helped to establish a new radical framework for the publication-as-artwork, and his exemplary approach was instrumental in charting out the reaches of the medium.”*

Work includes LeWitt’s collaborations with Seth Siegelaub (Xerox Book), Art & Project, Amsterdam, and Aspen magazine. On the occasion of the exhibition, Printed Matter and Primary Information will co-publish a facsimile reprint of LeWitt’s FOUR BASIC KINDS OF LINES & COLOUR (1977). 

BOOK AS SYSTEM—THE ARTISTS’ BOOKS OF SOL LEWITT

Opening night: Friday, June 28, from 6 pm.

Roundtable discussion: Saturday, June 29, from 5 pm.

Exhibition runs through September 29.

Printed Matter

231 Eleventh Avenue (at 26th Street), New York City.S

Sol LeWitt, from top: Plate from Untitled (Xerox Book) , 1968, offset lithograph, published by Wendler, New York, and Seth Siegelaub, New York, © 2019 Sol LeWitt and Artists Rights Society (ARS), New York; Serial Project #1, 1966 (2), Aspen magazine, no. 5 + 6; Art & Project, Bulletin 43, and LeWitt proposal, 1971 (2); Four Basic Kinds of Lines & Colour, 1971, offset on paper, staple bound, 36 pages, collection Museum of Contemporary Art Chicago, photograph by Nathan Keay, © MCA Chicago; works in the exhibition Book as System (4). Images courtesy and the estate of Sol LeWitt and Printed Matter.