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Tag Archives: Rachel Harrison

PARKETT — PHOTO

Parkett presents PHOTO, “the first survey exhibition of all photographic works made by artists for the journal over the last three decades. On view at Parkett’s Zurich space, the show includes some ninety works spanning a rarely seen, vast, and diverse range of photographic positions and ideas.”*

“The exhibition follows the evolution of photographic methods in the past three decades, with many of the earlier photographs making use of analog techniques, while digital editing informs the more recent works. Common threads including people and portraiture, landscapes both urban and natural, everyday objects, and abstraction, connect an otherwise expansive range of visual topics.”*

“Many of the works on view combine photographic elements with other media, such as gouache, collage, textiles, installation, or printmaking. Also on view are works, which while similar in terms of media and format, are unique and contain distinct differences within each project. Further exhibition displays include five video works, as well as a selection of artists’ inserts—the specially commissioned 10–12 book page projects published in each issue of Parkett.”*

“You can grab an issue from thirty years ago and see the context. You can grab that context and time. The internet has no historical orientation. You click on an article and you don’t know what context [it was published in]. I think this loss of memory is deplorable.” — Jacqueline Burckhardt, Parkett co-founding editor**

PHOTO

THE FIRST SURVEY OF ALL PHOTOGRAPHIC WORKS MADE BY ARTISTS FOR PARKETT SINCE 1984*

Through September 28.

Parkett Space Zürich

Limmatstrasse 268, Zürich.

**See “Time, Context, Object—The Parkett Story,” PARIS LA 16 (2018).

PHOTO artists include: Tomma Abts, Franz Ackermann, Doug Aitken, Allora/Calzadilla, Francis Alys, Ed Atkins, John Baldessari, Yto Barrada, Vanessa Beecroft, Alighiero e Boetti, Christian Boltanski, Glenn Brown, Angela Bulloch, Maurizio Cattelan, Chuck Close, Tacita Dean, Jeremy Deller, Thomas Demand, Trisha Donnelly, Tracey Emin, Omer Fast, Robert Frank, Katharina Fritsch, Cyprien Gaillard, Ellen Gallagher, Adrian Ghenie, Gilbert & George, Robert Gober, Nan Goldin, Dominique Gonzalez-Foerster, Felix Gonzalez-Torres, Dan Graham, Andreas Gursky, David Hammons, Rachel Harrison, Christian Jankowski, Annette Kelm, Martin Kippenberger, Jeff Koons, Jannis Kounellis, Lee Kit, Zoe Leonard, Liu Xiaodong, Paul McCarthy, Marilyn Minter, Tracey Moffatt, Jean-Luc Mylayne, Bruce Nauman, Gabriel Orozco, Richard Phillips, Sigmar Polke, Richard Prince, RH Quaytman, Charles Ray, Jason Rhoades, Pipilotti Rist, Ugo Rondinone, Mika Rottenberg, Thomas Ruff, Anri Sala, Wilhelm Sasnal, Gregor Schneider, Shirana Shahbazi, Cindy Sherman, Roman Signer, Dayanita Singh, Hito Steyerl, Beat Streuli, Thomas Struth, Sturtevant, Hiroshi Sugimoto, Sam Taylor-Wood, Diana Thater, Rosemarie Trockel, Wolfgang Tillmans, Danh Vo, Charline von Heyl, Jeff Wall, Andy Warhol, Lawrence Weiner, Christopher Wool, and Yang Fudong.

Parkett editions, from top: Doug Aitken, Decrease the Mass and Run like Hell, 1999, for Parkett 57; Vanessa Beecroft, untitled, 1999, for Parkett 56; Andy Warhol, untitled, 1987, for Parkett 12, 1987; David Hammons, Money Tree, 1992, for Parkett 31; Wolfgang Tillmans, Parkett edition 1992–1998, for Parkett 53; Trisha Donnelly, The Dashiell Delay, 2006 (2), for Parkett 77; Shirana Shahbazi, Composition with Mountain, 2014, for Parkett 94; Sigmar Polke, Desastres und andere bare Wunder, 1982–1984, for Parkett 2; Cindy Sherman, untitled, 1991, for Parkett 29; Jannis Kounellis, untitled, 1985, for Parkett 6; Tracey Emin, Self-Portrait, 12.11.01, for Parkett 63; Franz Ackermann, Peak Season, 2003, for Parkett 68. Images courtesy and © the artists and Parkett.


JAY DEFEO

Image result for jay defeo the ripple effect aspen

THE RIPPLE EFFECT pairs the work of Jay DeFeo with eleven younger artists—Trisha Donnelly, Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R. H. Quaytman, Ugo Rondinone, Bosco Sodi, and Oscar Tuazon—in an exhibition in Aspen.

Co-organized with Le Consortium in Dijon, the Aspen Art Museum show is curated by Franck Gautherot and Seungduk Kim, with the participation of The Jay DeFeo Foundation in Berkeley.

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JAY DEFEO—THE RIPPLE EFFECT, through October 28.

ASPEN ART MUSEUM, 637 East Hyman Avenue, Aspen.

aspenartmuseum.org/jay-defeo-the-ripple-effect

Above: The Ripple Effect installation view. Photograph by Tony Prikryl .
Below: Jay DeFeo, Untitled, part of the Eternal Triangle series, 1980. Image credit: Aspen Art Museum.
Image result for jay defeo eternal triangle
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DeFeo_E1510 copy

RACHEL HARRISON – PRASINE

RACHEL HARRISON—PRASINE, through June 17.

GREENE NAFTALI GALLERY, 508 West 26th Street, New York City.

greenenaftaligallery.com/exhibitions/rachel-harrison7RH1663_a-1280x1920

Rachel Harrison, Marilyn With Wall, 2017, Sheetrock, aluminum studs, wood, and chromogenic print. Image courtesy of Greene Naftali.Rachel Harrison, Marilyn With Wall, 2017. Sheetrock, aluminum studs, wood, and chromogenic print. Image credit: Greene Naftali, New York.RH1618_aa-1280x1920

Rachel Harrison,Untabled (Title) 1694, 2017, wood, polystyrene, cement, acrylic, Krion, gymnastics rings, straps, toy gun, and bandana. Image courtesy of Greene Naftali, New York.Rachel HarrisonUntabled (Title) 1694, 2017. Wood, polystyrene, cement, acrylic, Krion, gymnastics rings, straps, toy gun, and bandana. Image credit: Greene Naftali, New York.RH1585_a-1280x1920

Rachel Harrison, Every Sculpture Needs a Trap Door, 2017, wood, polystyrene, cardboard, burlap, cement, plastic, acrylic, lacquer, metal tin, pushpins, and Andrea Fraser’s Why Does Fred Sandback's Work Make Me Cry?. Image courtesy of Greene Naftali, New York.Rachel Harrison, Every Sculpture Needs a Trap Door, 2017. Wood, polystyrene, cardboard, burlap, cement, plastic, acrylic, lacquer, metal tin, pushpins, and Andrea Fraser’s Why Does Fred Sandback’s Work Make Me Cry?. Image credit: Greene Naftali, New York.RH1583_a-1280x1920

Rachel Harris, Bears Ears, 2017, wood, chicken wire, polystyrene, cardboard, burlap,cement, acrylic, enamel, Nu-Wave drywall cart, soccer ball, and USB flash drive with 38 Harun Farocki films. Images courtesy Greene Naftali, New York.Rachel Harrison, Bears Ears, 2017. Wood, chicken wire, polystyrene, cardboard, burlap, cement, acrylic, enamel, Nu-Wave drywall cart, soccer ball, and USB flash drive with 38 Harun Farocki films. Images credit: Greene Naftali, New York.RH1582_b-1280x1920

Rachel Harrision, Scifi, 2017, cardboard, cement, polystyrene, wood, burlap, and acrylic. Image courtesy of Greene Naftali, New York.Rachel Harrision, Scifi, 2017. Cardboard, cement, polystyrene, wood, burlap, and acrylic. Image credit: Greene Naftali, New York.

THE ’90S AT REGEN PROJECTS

Regen Projects’ Spring 2017 show is an extraordinary survey of art from the 1990s.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S includes Catherine Opie’s Vaginal Davis and Justin Bond; Glenn Ligon’s Untitled (I Remember the Very Day); Lari Pittman’s Existential and Needy; Karen Kilimnik’s Actresses sisters as murderers; erotic work from Wolfgang Tillmans, Marilyn Minter, and Cindy Sherman; Elizabeth Peyton’s Stephen Malkmus; Jack Pierson’s large collage tribute to ’50s iconography, Self Portrait (James Dean); Mike Kelley’s Party Girl; wall texts by Kara Walker and Lawrence Weiner; and an extensive series of drawings by Raymond Pettibon. Sixty works by 27 artists are on view.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S, through April 13, 2017.

REGEN PROJECTS, Los Angeles

regenprojects.com/exhibitions/what-i-loved-selected-works-from-the-90s

Glenn Ligon, Runaways [detail] 1993 Suite of 10 lithographs 16 x 12 inches each Courtesy Regen Projects Los Angeles

Glenn Ligon, Runaways [detail]1993
Suite of 10 lithographs
16 x 12 inches each
Courtesy Regen Projects Los Angeles