Tag Archives: REDCAT

A GRAMMAR BUILT WITH ROCKS

A GRAMMAR BUILT WITH ROCKS—a two-part group exhibition at Human Resources and ONE National Gay & Lesbian Archives at the USC Libraries, curated by Shoghig Halajian and Suzy Halajian—“presents artistic practices that trace the racialized and gendered relationship between bodies and land, and question narratives of socioecological crisis that contribute to the displacement and erasure of people and collective formations.

“The project appropriates its title from Édouard Glissant’s writingsas it looks to the ways in which the landscape contains, unfolds, and narrates its own history.”*

In a related program, Jumana Manna’s WILD RELATIVES (2018) will screen at Redcat in December.

A GRAMMAR BUILT WITH ROCKS

Through November 4.

Human Resources, 410 Cottage Home Street, Chinatown, Los Angeles.

 

Through December 22.

ONE National Gay and Lesbian Archives at the USC Libraries*

909 West Adams Boulevard, Los Angeles.
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Monday, December 10, at 8:30 pm.
Redcat, 631 West 2nd Street, downtown Los Angeles.
Top: Cauleen SmithRemote Viewing, 2009, video still, 15:13 min. Courtesy of the artist, Corbett vs. Dempsey, Chicago, and Kate Werble Gallery, New York.
Above: Film still from Wild Relatives, directed by Jumana Manna. Image courtesy the artist and Redcat.
Below: Pauline Boudry and Renate LorenzToxic, 2012. Installation with Super 16mm film / HD, 13 minutes and archive. Courtesy the artists.

KEN JACOBS

“[Ken Jacobs], cinema’s master inter- and reinventionist, [has] found yet another way to make the medium new, employing a logarithim to rework a thirty-second fragment of a 1897 Lumière actualité into a seventy-three minute 3D movie wherein space regularly inverts itself. Kinda has to be seen to be believed.” — J. Hoberman on THE GUESTS, Artforum

Experimental filmmaker Ken Jacobs is out and about this week for public conversations, screenings, and Q & As.

In conjunction with the exhibition 3D—DOUBLE VISION:

KEN JACOBS IN CONVERSATION

A SWIM THROUGH OPEN SPACE

Sunday, October 7, at 1 pm.

Bing Theater, LACMA, 5905 Wilshire Boulevard, Los Angeles.

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Nervous Magic Lantern performance with live sound by Aki Onda:

Redcat, 631 West 2nd Street, downtown Los Angeles.
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Los Angeles premiere:
THE GUESTS , directed by Ken Jacobs
Tuesday, October 9, at 8 pm.
Downtown Independent, 251 South Main Street, downtown Los Angeles.

DAVID ROUSSÈVE’S STRAYHORN

“He was my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine… Strayhorn does a lot of the work but I get to take the bows!” — Duke Ellington*

Songwriter and pianist Billy Strayhorn (1915–1967) was Ellington’s alter ego who wrote and arranged many of the significant works in the Ellington catalogue, including “Take the ‘A’ Train” and “Chelsea Bridge.”

Cushioned by a loving circle—Lena Horne was his best friend and Ellington covered all of his living and wardrobe expenses for many years—Strayhorn is best remembered for his café-society standard “Lush Life,” which brilliantly captures the gay composer’s tragically romantic, cocktail-infused view of the world.

The world premiere of HALFWAY TO DAWN—choreographer and director David Roussève’s tribute to Strayhorn—is on REDCAT’s stage for three nights and a Sunday matinee. This psychological investigation in dance is an essential engagement on the fall calendar.

DAVID ROUSSÈVE—HALFWAY TO DAWN

Thursday through Saturday, October 4, 5, and 6, at 8:30.

Sunday, October 7, at 3 pm.

REDCAT, 631 West 2nd Street, downtown Los Angeles.

See David Hajdu, Lush Life: A Biography of Billy Strayhorn (New York: Farrar, Straus and Giroux, 1996).

Duke Ellington, Music is My Mistress (New York: Doubleday, 1973).

Top: Billy Strayhorn (right) and Duke Ellington.

All performance photos: David Roussève, Halfway to Dawn. Photographs by Rose Eichenbaum. Image credit: Redcat.

NOW FESTIVAL WEEK TWO AT REDCAT

There are two more nights of Week Two of Redcat’s indispensable NOW FESTIVAL 2018.

The weekend bill includes Milka Djordjevich’s CORPS (her new collaboration with composer Chris Peck), Sebastian Hernandez’s piece for three dancers HYPANTHIUM, and KyungHwa Lee’s MALLEABLE BODIES—FLUSSER, PLASTICITY, AND THE CORSET, an installation/critique utilizing 3-D printing, virtual reality, and six performing bodies.

NOW FESTIVAL 2018—WEEK TWO

Thursday through Saturday, July 26, 27, and 28, at 8:30 pm.

Redcat

631 West 2nd Street, downtown Los Angeles.

Week Three begins on Thursday, August 2.

redcat.org/now2018week3

Top: Milka Djordjevich, Corps.

Above: Sebastian Hernandez, Hypanthium.

Below: Hernandez. Image credit: Redcat.

MIWA MATREYEK AND MORGAN SORNE

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The animator and performer Miwa Matreyek will collaborate with five-octave vocalist Morgan Sorne this week as part of Week One of Redcat’s NOW FESTIVAL 2018.

EAT YOUR YOUNG is a “visual kaleidoscope of complex shape-shifting imagery of the anthropocene,” and will be performed nightly.*

Also on the bill: SOLID, LIKE A ROCK—a dance piece from choreographer Jmy James Kidd and composer-instrumentalist Tara Jane O’Neil—and HOW MANY YEARS DID WE FIGHT THE BEAST TOGETHER, a collaboration between singer-composer Jasmine Orpilla and Peter Deguzman, the artistic director of Malaya Filipino-American Dance Arts.

 

MIWA MATREYEK and MORGAN SORNE—EAT YOUR YOUNG

Thursday through Saturday, July 19, 20, and 21, at 8:30 pm.

REDCAT, Disney Hall, 631 West 2nd Street, downtown Los Angeles.

redcat.org/now2018week1

Miwa Matreyek (above) and Morgan Sorne.

Image result for morgan sorne

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