Tag Archives: REGEN PROJECTS

ALEX HUBBARD — THE CORNER OF THE TABLE

The videos involve a long, slow process, hunched in front of the computer… The paintings, when they started, were about changing gears in the studio and working quickly… With most if not all of the materials I use, there is no going back. With the plastics, the urethanes, and the resins, once they are mixed, the clock is ticking. The slower I am to start, the less time I have to work with them.Alex Hubbard*

THE CORNER OF THE TABLE—Hubbard’s solo show at Regen Projects—includes his new multimedia works on linen and cotton as well as two handmade projectors streaming animated videos.

ALEX HUBBARD—THE CORNER OF THE TABLE

Through December 21.

Regen Projects

6750 Santa Monica Boulevard, Los Angeles.

*”Alex Hubbard in conversation with Debra Singer,” in Alex Hubbard—Eat Your Friends (Los Angeles: DoPe Press, 2015), 37–38.

Alex Hubbard, The Corner of the Table, November 16–December 21, 2019, Regen Projects, Los Angeles, from top: Youth Apparatus, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on linen; Vaper’s Salon, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on cotton; Romeo’s Purple Welcome, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on linen; The way things I wish they used to be, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on cotton; Boule’s, 2019, urethane, acrylic, UV print, epoxy resin, and fiberglass on cotton; Life Preserver, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on cotton; Animal Dance, 2019, urethane, acrylic, UV print, epoxy resin, and fiberglass on linen; Infrared, 2019, urethane, acrylic, UV print, epoxy resin, fiberglass, and oil on linen; 1,000,000 (Iguana), 2019, urethane, acrylic, UV print, and oil on linen. Images courtesy and © the artist and Regen Projects.

DANIEL RICHTER

The vivid new paintings of Daniel Richter, which “prioritize the gestural and improvisatory possibilities of the medium,” are on view at Regen Projects through the end of the week.*

DANIEL RICHTER—H.P. (JAH ALLO)*

Through August 17.

Regen Projects

6750 Santa Monica Boulevard, Los Angeles.

Daniel Richter, H.P. (jah allo), Regen Projects, June 29–August 17, 2019, all oil on canvas, from top: I HAD A NICE DOG ONCE, 2019; SMRT FAŠIZMU, 2019; Coole Jungs, 2019; Drums of Conun, 2019; LUCKY LEW, 2019; JAH ALLO, 2019; Plications of Come, 2019; SIREN, 2019; Birds iN disguise watch me as i ride, 2019. Images courtesy and © the artist and Regen Projects.

LIZ LARNER ON CHRIS BURDEN

Liz Larner, who “first encountered Chris Burden and his practice—a catalyst for Larner’s own use of scale and process—during her time at CalArts,” will give a talk on the late artist at Geffen Contemporary at MOCA.*

ARTISTS ON ARTISTS—LIZ LARNER ON CHRIS BURDEN*

Sunday, July 21, at 3 pm.

Geffen Contemporary at MOCA

152 North Central Avenue, downtown Los Angeles.

From top: Liz Larner, photograph by Laure Joliet, courtesy of the artist and Regen Projects, Los Angeles; stills (2) from Burden (2016), directed by Timothy Marrinan and Richard Dewey, courtesy and © the filmmakers.

LIZ LARNER AND ARIANA REINES IN CONVERSATION

Liz Larner—whose exhibition at Regen Projects opens in May 2019—and Ariana Reines—author of the forthcoming collection A Sand Book—get together for a late afternoon talk on the final day of this year’s Frieze Los Angeles.

LIZ LARNER and ARIANA REINES IN CONVERSATION

Sunday, February 17, at 5 pm.

Paramount Pictures Studios

Sherry Lansing Theatre

5515 Melrose Avenue, Los Angeles.

(Enter on Gower or Van Ness.)

From top: Liz Larner, photograph by Daniel Marlos, courtesy Larner and Regen Projects; Liz Larner, iv (inflexion), 2014–15, ceramic, epoxy, pigment, stones, and minerals, courtesy the artist; Ariana Reines, photograph courtesy Reines and Frieze.

GLENN LIGON AND HAMZA WALKER IN CONVERSATION

Join Glenn Ligon and Hamza Walker for a conversation at Regen Projects, where Ligon’s show UNTITLED (AMERICA)/DEBRIS FIELD/SYNECDOCHE/NOTES FOR A POEM ON THE THIRD WORLD will be up through Sunday.

The exhibition includes the large neon Notes for a Poem on the Third World, which is based on a tracing of the artist’s hands, and the first in a series of works inspired by an unrealized film project by Pier Paolo Pasolini.

GLENN LIGON AND HAMZA WALKER IN CONVERSATION

Wednesday, February 13, at 7 pm.

GLENN LIGON—UNTITLED (AMERICA)/DEBRIS FIELD/SYNECDOCHE/NOTES FOR A POEM ON THE THIRD WORLD

Through February 17.

Regen Projects

6750 Santa Monica Boulevard, Los Angeles.

From top: Glenn Ligon, photograph courtesy the artist; Glenn LigonNotes for a Poem on the Third World (chapter one), 2018, neon and paint; Glenn Ligon, Debris Field (Red) #3, 2018, etching ink and acrylic on canvas; Hamza Walker, courtesy the Renaissance Society, Chicago; Glenn LigonSynecdoche (For Byron Kim), 2018, neon. Artwork images courtesy the artist and Regen Projects.