Tag Archives: Steve Reich

WINTER DANCE AT REDCAT

This weekend, CalArts Winter Dance at Redcat takes an iconic turn with a presentation of works by revolutionaries Jawole Willa Jo Zollar, Trisha Brown, Rennie HarrisJiří Kylián, and Merce Cunningham, staged by dancers who carry deep histories of the choreographers’ practices and intentions.

Cunningham’s CANFIELD (1969) will be staged by his former company member Holley Farmer, Zollar’s SHELTER (1988) by fellow Urban Bush Women member Marjani Forté, and Brown’s SOLO OLOS (1976) by her former company member Samuel Wentz.

For CANFIELD, Ben Richter, Justin Scheid, and Davy Sumner will perform a score by Pauline Oliveros, and actor-vocalist Toritseju Danner and drummer Emilia Moscoso Borja will accompany SHELTER.

Kylián’s FALLING ANGELS is staged by Fiona Lummis, who danced with Nederlands Dans Theater in the 1989 premiere of the piece. Live percussion will be provided by drummers Brandon Carson, Katie Eikam, Jason Fragoso, and Kevin Good performing a composition by Steve Reich.

FACING MEKKA was choreographed in 2003 by Harris—whose new Lazarus for the Alvin Ailey company created a sensation in New York last week—and will be staged by Nina Flagg, a former member of Rennie Harris Puremovement.

CALARTS WINTER DANCE

Friday and Saturday, December 7 and 8, at 8:30 pm.

Redcat

631 West 2nd Street, downtown Los Angeles.

From top: Facing Mekka, Rennie HarrisCanfield, Merce CunninghamShelter, Jawole Willa Jo ZollarSolo Olos, Trisha Brown; Falling AngelsJiří Kylián; and Facing Mekka. All images from the CalArts Winter Dance Concert, November 2018, at CalArts. Photographs by Rafael Hernandez, courtesy CalArts. Special thanks to Kelly Hargraves and Margaret Crane.

COME OUT BY STEVE REICH CHOREGRAPHY BY ANNE TERESA DE KEERSMAEKER

Come Out is a 1966 piece by American composer Steve Reich. He was asked to write this piece to be performed at a benefit for the retrial of the Harlem Six, six black youths arrested for committing a murder during the Harlem Riot of 1964 for which only one of the six was responsible. Truman Nelson, a civil rights activist and the person who had asked Reich to compose the piece, gave him a collection of tapes with recorded voices to use as source material.
In 1981 Anne Teresa De Keersmaeker adapted a choreography on it, exploring the relationship between music and dance.
One of the most important piece of the late 20th century.
I felt watching it again this morning.