Tag Archives: Sue Williams.

REMOTE CASTRATION

How the #MeToo and Time’s Up movements “resonate with a trajectory of feminist thought in contemporary art” is reflected in REMOTE CASTRATION, the new group show at LAXART curated by Catherine Taft.

Artists include John Altoon, Nancy Buchanan, Kathryn Garcia, Daniel T Gaitor-Lomack, Jenny Holzer, Nova Jiang, Paul McCarthy, Jahni Moore, Sue Williams, Benjamin Weissman.

 

REMOTE CASTRATION, through September 15.

LAXART, 7000 Santa Monica Boulevard, Hollywood.

laxart.org/remote-castration

The graffiti that inspired the title of the show.

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THE LARRY CLARK COLLECTION

“Symbols are more meaningful than things themselves.”—  Jenny Holzer, from Truisms, in LARRY CLARK—WHITE TRASH

Larry Clark is one of the great New York collectors, and the walls of his Tribeca loft present an ever-changing gallery of the art he has bought, traded, been given by friends, or created himself over the last half century.

LARRY CLARK—WHITE TRASH, at Luring Augustine Bushwick, is an exhibition of artworks from Clark’s personal collection. In addition to the work below, participating artists include: Vito Acconci, Richard Artschwager, Donald Baechler, Max Blagg, Lisa Bowman, Chris Burden, Jeff Elrod, Leo Fitzpatrick, Robert Frank, Paul Gauguin, Robert Gober, Mark Gonzales, Martin Kippenberger, Sherrie Levine, Paul McCarthy, Bjarne Melgaard, Scott Myles, Méret Oppenheim, Jack Pierson, Jason Polan, Sigmar Polke, Christy Rupp, Philip Taaffe, Koichiro Takagi, Sally Webster, Sue Williams, Franz West, Brian Weil, David Wojnarowicz, and Christopher Wool.

LARRY CLARKWHITE TRASH, through June 18.

LUHRING AUGUSTINE BUSHWICK, 25 Knickerbocker Avenue, Brooklyn.

luhringaugustine.com/exhibitions/larry-clark9

 

i-d.vice.com/en_au/article/larry-clark-on-his-astoundingly-eccentric-personal-art-collection

 

Image credits (top to bottom): Joe Andoe, Spaniard in the Works, 2012, oil on canvas; Wade Guyton, Untitled, 2008, Xerox print; Mike Kelley, Blood and Soil (Potato Print), 1989, silkscreen in colors on a silk banner; Richard Prince, Untitled (Joke), 2013, ink jet on canvas; Wallace Berman, Untitled, 1967, verifax collage; Helmut Newton, Larry Clark, Cannes, 1995, photograph; Raymond Pettibon, No Title (They Ought To…), 1985, pen and ink on paper.

Larry Clark’s White Trash

Larry Clark’s White Trash

Marfa Girl: il regista del film Larry Clark fotografato da Helmut Newton

THE ’90S AT REGEN PROJECTS

Regen Projects’ Spring 2017 show is an extraordinary survey of art from the 1990s.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S includes Catherine Opie’s Vaginal Davis and Justin Bond; Glenn Ligon’s Untitled (I Remember the Very Day); Lari Pittman’s Existential and Needy; Karen Kilimnik’s Actresses sisters as murderers; erotic work from Wolfgang Tillmans, Marilyn Minter, and Cindy Sherman; Elizabeth Peyton’s Stephen Malkmus; Jack Pierson’s large collage tribute to ’50s iconography, Self Portrait (James Dean); Mike Kelley’s Party Girl; wall texts by Kara Walker and Lawrence Weiner; and an extensive series of drawings by Raymond Pettibon. Sixty works by 27 artists are on view.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S, through April 13, 2017.

REGEN PROJECTS, Los Angeles

regenprojects.com/exhibitions/what-i-loved-selected-works-from-the-90s

Glenn Ligon, Runaways [detail] 1993 Suite of 10 lithographs 16 x 12 inches each Courtesy Regen Projects Los Angeles

Glenn Ligon, Runaways [detail]1993
Suite of 10 lithographs
16 x 12 inches each
Courtesy Regen Projects Los Angeles