Christina Quarles makes expressive, gestural works that reference the history and techniques of painting, but also smartly test its limits. Her dynamic compositions often feature feminine tropes that reference domestic space—fabrics, patterns—alongside polymorphous and ambiguous figures arranged in contorted positions. Playing with the identity of the figure to expand the potential for representation in her work, Quarles explores the genre of figurative art as it has been captured in THE FOUNDATION OF THE MUSEUM—MOCA’S COLLECTION by Paul Mpagi Sepuya.*
Thursday, January 9, at 7 pm.
Geffen Contemporary at MOCA
152 North Central Avenue, downtown Los Angeles.
Christina Quarles, from top: Plaid About Yew, acrylic on canvas, 2018; Quarles, photograph by Daniel Dorsa; E’reything (Will Be All Right) Everything, acrylic on canvas, 2018; Slipped, Right to tha Side, acrylic on canvas, 2018. Images courtesy and © the artist, the photographers, Regen Projects, Los Angeles, and Pilar Corrias, London.