Tag Archives: Xaviera Simmons

DO YOU KNOW WHERE THE CHILDREN ARE?

As a native Texan, I have witnessed firsthand the discrimination that immigrants face in the United States. I have heard from friends who visited detention centers, and from lawyers representing those detained. I have heard the stories of those who are separated from their families, and read transcripts from underfunded courtrooms operating far beyond capacity. It is devastating. That all of this occurs in the name of “security” and “safety” is the greatest farce of all. Molly Gochman

DO YOU KNOW WHERE THE CHILDREN ARE (DYKWTCA) is a call to action and exhibition of over 100 unique works of art by 100+ leading visual artists that is organized by the artists and activists Mary Ellen Carroll and Lucas Michael. Each work incorporates, or represents an actual account (in whole or in part) from a child who was separated from their family and detained by the U.S. government. This text may be in the native language of the child or a translation into English. The accounts are taken from the interviews that were conducted by the Flores investigators that included legal, medical and mental health experts who visited the detention facilities six months ago in June of 2019. Upon witnessing the deplorable, inhumane, and illegal conditions they found the children in, they decided it was necessary to act upon their findings. They went public.*

The exhibition—WHEN WE FIRST ARRIVED…,curated by Ruth Noack—will open this weekend in Washington, D.C., and proceeds from artwork sales will benefit and support the Safe Passage Project, Terra Firma, Team Brownsville, and the Innovation Law Lab.

WHEN WE FIRST ARRIVED…*

Through March 29.

Opening night: Saturday, January 25, from 6 pm to 8 pm.

The Corner at Whitman-Walker

1701 14th St. NW, Washington, D.C.

When We First Arrived…, artwork, from top: Spencer Ostrander, Ricci Albenda, Mary Lum, Molly Gochman, Rob Pruitt, Terence Gower, Jesse Presley Jones, When We First Arrived invitation card, Amy Sillman, Beto De Volder and Leon Villagran, Kay Rosen, and Carlos Motta. Artwork courtesy and © the artists, the photographers, DYKWTCA, Mary Ellen Carroll, and Lucas Michael.

ABORTION IS NORMAL — PART 2

Recognizing the ongoing threat to reproductive rights in the United States, ABORTION IS NORMAL—sponsored by the Downtown for Democracy Independent Expenditure Committee—is an “emergency art exhibition curated by Jasmine Wahi and Rebecca Pauline Jampol and organized by Marilyn Minter, Gina Nanni, Laurie Simmons, and Sandy Tait.”*

Part 2 of the show opens this week at Arsenal Contemporary in Manhattan.

Contributing artists include Allison Janae Hamilton, Ameya Marie Okamoto, Amy Khoshbin, Andrea Chung, Arlene Shechet, Barbara Kruger, Betty TompkinsCajsa von ZeipelCarrie Mae Weems, Carroll Dunham, Catherine Opie, Cecily Brown, Chloe Wise, Christopher Myers, Christen Clifford, Cindy Sherman, Delano DunnDerrick Adams, Dominique Duroseau, Elektra KB, Fin Simonetti, Grace Graupe Pillard, Hank Willis Thomas, Hayv Kahraman, Jaishri Abichandani, Jack Pierson, Jane Kaplowitz, Jon Kessler, Jonathan HorowitzJonathan Lyndon Chase, Judith Bernstein, Judith Hudson, Katrina Majkut, Louise Lawler, Lyle Ashton HarrisMarisa Morán Jahn, Michele PredMiguel Luciano, Mika Rottenberg, Nadine Faraj, Nan GoldinNarcissister, Natalie Frank, Rob Pruitt, Ryan McGinley, Sahana Ramakrishnan, Sarah Sze, Shirin Neshat, Shoshanna Weinberger, Shout Your Abortion, Sojourner Truth Parsons, Suzy Lake, Tatyana Fazlalizadeh, Viva Ruiz, Walter Robinson, Wangechi Mutu, Xaviera Simmons, Yvette Molina, and Zoe Buckman.

New editions by Paul Chan, Rashid Johnson, and Richard Prince are also available.

ABORTION IS NORMAL*

Opening Night

Tuesday, January 21, 6 pm to 8 pm.

Exhibition runs through February 1.

Arsenal Contemporary

214 Bowery, New York City.

Abortion is Normal, Galerie Eva Presenhuber, New York, January 9–18, 2020, Arsenal Contemporary, New York, January 21–February 1, 2020, from top: Nadine FarajYo Aborte, 2016; Judith Bernstein, Abortion is Normal, 2019; Lyle Ashton HarrisBillie #21, 2002; Cindy Sherman, Untitled, 2019; Marilyn MinterCuntrol, 2020; Shoshanna WeinbergerHair Between the Legs, 2015; Arlene ShechetTo Be Continued, 2018; Nan GoldinGeno by the lake, Bavaria, Germany 1994, 1994; Christen CliffordI Want Your Blood, 2013–2020 (detail); Rob Pruitt, American Quilts 2018: Neighbors, 2018; Catherine Opie, Nicola, 1993; Natalie Frank, Portrait 1, 2019; Laurie SimmonsMother Nursery, 1976; Ameya Marie OkamotoThe Notorious RBG, 2018; Barbara KrugerWho will write the history of tears?, 2011. Images courtesy and © the artists, the photographers, Downtown for Democracy, and Abortion is Normal.


POWER AT SPRÜTH MAGERS

“The cultural contributions of women and women of color are still underrepresented in the art world, and we are still asked to contextualize our practice in ways that other privileged artists simply are not.” — Shinique Smith*

“I have recently been exploring the idea of doing my work in secret. I was inspired by discovering the work of The United Order of Tents. They are a secret society of black nurses. They have supported each other and done good works since the Civil War. The Mother Emmanuel Church met in secret for 35 years, while black churches were banned in South Carolina after the Nat Turner rebellion.

“I don’t really have time to explain my work to people who feel that I have an identity and they don’t. I don’t have time to unpack all that. I’m focused on using black feminist theory or any other tools that can help me sharpen my knife, and make better work.” — Simone Leigh*

POWER: WORK BY AFRICAN-AMERICAN WOMEN FROM THE NINETEENTH CENTURY TO NOW, a survey of over 60 works by 37 artists—including Ellen Gallagher, Sister Gertrude Morgan, Betye Saar, Ntozake ShangeMickalene Thomas, Kara Walker, and Carrie Mae Weems—is now on view at Sprüth Magers, Los Angeles.

The exhibition, curated by Todd Levin, also includes a selection of images from the Ralph DeLuca Collection of African American Vernacular Photography.

 

POWER: WORK BY AFRICAN-AMERICAN WOMEN FROM THE NINETEENTH CENTURY TO NOW, through June 10.

SPRÜTH MAGERS, 5900 Wilshire Boulevard, Los Angeles.

 

*Artists’ quotes from Power, the booklet published on the occasion of the exhibition:

spruethmagers.com/exhibitions/445

ALSO SEE: theguardian.com/artanddesign/2017/apr/05/kara-walker-karon-davis-power-black-female-artists

The participating artists: Beverly Buchanan, Elizabeth Catlett, Sonya Clark, Renee Cox, Njideka Akunyili Crosby, Karon Davis, Minnie Evans, Nona Faustine, LaToya Ruby Frazier, Ellen Gallagher, Leslie Hewitt, Clementine Hunter, Steffani Jemison, Jennie C. Jones, Simone Leigh, Julie Mehretu, Sister Gertrude Morgan, Senga Nengudi, Lorraine O’Grady, Sondra Perry, Howardena Pindell, Faith Ringgold, Betye Saar, Joyce J. Scott, Emmer Sewell, Ntozake Shange, Xaviera Simmons, Lorna Simpson, Shinique Smith, Renee Stout, Mickalene Thomas, Alma Woodsey Thomas, Rosie Lee Tompkins, Kara Walker, Meta Vaux Warrick Fuller, Carrie Mae Weems, and Brenna Youngblood.

Shinique Smith, Bale Variant No. 0023 (Totem), 2014 Clothing, fabric, accesories, ribbon, rope, and wood 243.8 x 50.8 x 50.8 cm 96 x 20 x 20 inches Image credit: Shinique Smith and Sprüth Magers

Shinique Smith, Bale Variant No. 0023 (Totem), 2014
Clothing, fabric, accesories, ribbon, rope, and wood
243.8 x 50.8 x 50.8 cm
96 x 20 x 20 inches
Image credit: Shinique Smith and Sprüth Magers